Sentences with phrase «bequest paintings»
«The Sir Hugh Lane Bequest paintings are part of this collection and this is where they belong.»
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The bequest paintings are in Twombly's distinctive swirling calligraphic style.
Not exact matches
Accepting Chester Dale's 1962 bequest of a Blue Period painting by the still - living Picasso breached but one of those barriers.
Molding width: 4-7/8» Painting bequest of Adelaide Moise; Accession number: 1986.021
Molding width: 4-7/8» Painting bequest of Adelaide Moise; Colby Museum accession number: 1986.021 CURRENTLY ON VIEW at The Met Breuer, New York City, in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next Summer into Autumn at Colby College Museum of Art, July 8 — November 1)
Indeed discussions of Reinhardt's bequest to sixties painting overwhelmingly focus on a single painter — i.e. Stella (the historiographic problem of taking Stella to be representative of the entirety of sixties painting is the subject of another essay).
The painting appeared in the very first show at MoMA, and the Met acquired it as a bequest in 1960.
The Bequest consisted of eight large paintings painted in the previous three years by contemporary British artists and bought by Bristol out of money left by L.R. Dyer, a local benefactor.
(251.1 x 251.1 cm) Medium: Oil on canvas Credit Line: Purchased with funds from the North Carolina State Art Society (Robert F. Phifer Bequest), the North Carolina Museum of Art Guild, and various donors, by exchange Object Number: 96.2 Culture: German Signed: Verso, right center: Richter 1985 Inscriptions: Verso, near top left: 577 - 2 Classification: Paintings Department: Modern
Sooke is joined at Tate Britain by Christie's Head of British Art on Paper, Harriet Drummond, to admire a selection of watercolour studies of Lake Lucerne from the Turner Bequest, which comprises around 30,000 works on paper, including watercolours and drawings, 300 oil paintings and nearly the same number of sketchbooks, compiled during his tours of Europe.
Maurice Farquharson's bequest of three paintings to The Art Fund included another work by Mark Gertler.
A permanent Tate Britain collection it includes the Turner Bequest (which itself includes all works left in Turner's studio upon his death), comprising 300 oil paintings and many thousands of sketches, watercolours and 300 sketchbooks.
1965 Three Centuries of American Painting, The Metropolitan Museum of Art, New York, NY 100 Contemporary American Drawings, University of Michigan Museum of Art Ann Arbor, MI Pacific Heritage, Municipal Art Gallery, Los Angeles, CA; M.H. de Young Memorial Museum, San Francisco, CA; The Art Gallery, University of California, Santa Barbara, CA; Fine Arts Gallery, San Diego, CA 13th Annual Exhibition, Museum of Art of Ogunquit, Ogunquit, ME John S. Newberry Collection: Watercolors Drawings & Sculpture Selected from the John Stoughton Newberry Bequest & Gifts, Detroit Institute of Arts, MI Works on Paper, Waddington Galleries, London, England
Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York
The American Impressionist painter Childe Hassam (1859 - 1935) founded this program through the bequest of over 400 of his works with the stipulation that the accumulated income from their sale be used to establish a fund to purchase paintings and works on paper.
Thanks to a bequest from the late German scholar Barbara Göpel (1922 — 2017), the Staatliche Museen zu Berlin (Berlin State Museums) have acquired two paintings, 46 drawings and 52 prints by Max Beckmann, and one painting by Hans Purrmann, to be placed in the collections of Berlin's Nationalgalerie and Kupferstichkabinett (Museum of Prints and Drawings).
Additionally, the Dwan bequest will include five paintings by Yves Klein — the Gallery's first acquisition of works by Klein, a leading member of the nouveau réalistes — as well as paintings by Ad Reinhardt and Agnes Martin; and sculptures by such minimalist artists as Carl Andre, Dan Flavin, Sol LeWitt, Robert Morris, and Fred Sandback.
The promised bequest is comprised of 250 works by 52 artists, including 34 sculptures, 15 paintings, 159 prints and drawings, 39 photographs, two films, and one set of artist's books.
A bequest from the Wiros Fund has allowed the Nationalmuseum Sweden to acquire three paintings by artists associated with the Dresden Romantic School.
The bequest was primarily paintings of landscapes by popular artists of the time.
Rockefeller was particularly instrumental in the growth of MoMA, securing significant bequests and loaning many paintings from his own collection, which was once valued at $ 500m.
Image: Henri Matisse La fille aux yeux verts (The Girl with Green Eyes), 1908; painting; oil on canvas; Collection SFMOMA, Bequest of Harriet Lane Levy; © Succession H. Matisse, Paris / Artists Rights Society (ARS), New York
In 2011, after the city received a trove of Still's art — a bequest from the painter's widow, who died in 2005 — the museum petitioned a Maryland county court to sell four paintings and remit proceeds to the museum before it took possession of the works.
The rooms devoted to Clyfford Still's bequest of paintings and the pop art gifts of Harry W. and Mary Margaret Anderson remain unchanged.
The Philadelphia Museum of Art is receiving what director Timothy Rub characterized as a «transformational» bequest - including a major late painting by Edward Hopper - from the estate of collector Daniel W. Dietrich II, a Chester County resident who died last year.
Smithsonian American Art Museum, Bequest of the artist, 1980.36.12 — This work is featured as a representation of Thomas's abstract paintings
There have also been several significant bequests: by Arthur Jeffress (1961), Dr David and Liza Brown (2002) and most recently the Schlee bequest of over 100 prints, drawings and paintings (2013).
His bequest of paintings, sculptures, and drawings moved VMFA to the forefront of American museums with collections of contemporary European work.
The Karl Nierendorf Estate is mainly devoted to expressionism and surrealism and the Katherine S. Dreier Bequest is mostly focused on early - 20th century painting and sculpture.
Andy Warhol Farrah Fawcett, 1980 Synthetic polymer paint and silkscreen on canvas Bequest of Farrah Fawcett, 2010 (c) The Andy Warhol Foundation of the Visual Arts
Cleveland, OH (December 17, 2017)-- Recent acquisitions by the Cleveland Museum of Art include a performance piece by Pierre Huyghe, a leader in the Relational Aesthetic genre and the first work of its kind to enter the museum's collection; an oil painting on copper by Johann König, one of the most significant masters of German painting at the beginning of the 17th century; a generous bequest of several works from Frances P. Taft, a beloved Trustee of the Cleveland Museum of Art; and two groups of photos, gifted to the museum by The George Gund Foundation.
In 1910, the main part of the Turner Bequest, which includes unfinished paintings and drawings, was rehoused in the Duveen Turner Wing at the National Gallery of British Art (now Tate Britain).
The artist told the compiler (8 November 1977) that in executing «Turning Form» he owed something to the painting by John Wells «Aspiring Forms» 1950 (also in the Miss E. M. Hodgkins Bequest).
In 1987, a new wing at the Tate, the Clore Gallery, was opened to house the Turner bequest, though some of the most important paintings remain in the National Gallery in contravention of Turner's condition that they be kept and shown together.
In 2008 the gallery celebrated its first centenary with Hugh Lane: 100 Years exhibition which saw the return from National Gallery London all 39 paintings from Sir Hugh Lane's 1917 Bequest.
Lord Iveagh was a prolific collector of Old Master and British paintings, which were donated to the nation as part of the Iveagh Bequest in 1929.
Drawn from the finest and most comprehensive collection of his work, the Turner Bequest, held at Tate Britain in London, the exhibition features over 100 works of art including oil paintings and watercolours, some of which have never been previously exhibited.
Tate was a great patron of Pre-Raphaelite artists and his bequest of 65 paintings to the National Gallery included John Everett Millais» Ophelia 1851 — 2 and J.W.Waterhouse's The Lady of Shalott 1888.
As an art historical document, Motherwell's «At Five in the Afternoon» (1950) may be the most notable painting in the bequest.
Diebenkorn's «Miller 20» (1951) and «Untitled (Abstract)» (1950)-- the two earlier paintings in the Morris bequest — spring from that turning point, after Diebenkorn had left California for two years of graduate study at the University of New Mexico.
Following a major bequest of modern French art in 1916, including many important impressionist paintings, it formally took on the remit for international modern art the following year.
According to a subsequent blog post by Leslie Anderson, a staffer at the Indianapolis museum, the bet between its then - director, Maxwell Anderson, and E. John Bullard, the long - tenured New Orleans museum director who retired in 2011, had been proposed by art blogger Tyler Green and made perfect art - historical sense: Turner admired Lorrain so much that when he willed two other paintings to the National Gallery in London, he specified that the bequest would be contingent on his canvases hanging in perpetuity beside works by Lorrain.
The Tate has this week received its most valuable and exciting bequest in quite some years: Sir Nicholas Serota announced a donation of three stunning paintings from the Bacchus series by Cy Twombly.
The display will include photographs, paintings, woodcuts, ceramics and glass that reference local industries from the cotton trade and ceramics to shipping and mining upon which local philanthropists built their wealth and subsequent bequests.
Other collectors followed his example with gifts and bequests till the museum had built up a distinguished collection of paintings.
Andy Warhol, Campbell's Soup Cans, 1962, synthetic polymer paint on thirty - two canvases, each 20 x 16 in., gift of Irving Blum; Nelson A. Rockefeller Bequest, gift of Mr. and Mrs. William A.M. Burden, Abby Aldrich Rockefeller Fund, gift of Nina and Gordon Bunshaft in honor of Henry Moore, Lillie P. Bliss Bequest, Philip Johnson Fund, Frances Keech Bequest, gift of Mrs. Bliss Parkinson, and Florence B. Wesley Bequest (all by exchange); The Museum of Modern Art, New York, NY, U.S.A., © 2011 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York, digital image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY, Campbell Trademarks used with permission of Campbell Soup Companycontemporary art.
In 1855, a bequest by the Basel art dealer Samuel Birrmann (1793 - 1843) established a significant fund to purchase contemporary Swiss art, an early acquisition of which was a large group of paintings by the Basel artist Arnold Bocklin (1827 - 1901)- who was, along with Ferdinand Hodler (1853 - 1918), the greatest Swiss painter of the 19th century.
Ward's work has been included in numerous group exhibitions, including Eastwing Biennial: Artificial Realities, The Courtauld Institute of Art, London, United Kingdom (2016); Making & Unmaking, curated by Duro Olowu, Camden Art Centre, London, United Kingdom (2016); The Tim Sayer Bequest, The Hepworth Wakefield, Wakefield, United Kingdom (2016); Space Between, curated by Stephanie Roach & Louis Grachos, The FLAG Art Foundation, New York, NY (2015); Post-Analog Painting, The Hole, New York, NY (2015); The Shaped Canvas, Revisited.
Museum of Fine Arts, Boston; Bequest of Martha C. Karolik for the M. and M. Karolik Collection of American Paintings, 1815 — 1865, 48.461 © Museum of Fine Arts, Boston
One of the earliest collegiate art collections in the nation, it came into being through the 1811 bequest of James Bowdoin III of seventy European paintings and a portfolio of 140 master drawings.