Sentences with phrase «best conceptual project»

Not exact matches

''... [I] t should be noted that the SEP [Springstead Estates Project] is, at best, in a conceptual stage and that it is totally speculative as to which, if any, aquifer would supply the SEP with water should the housing development ever be built.»

The study, by Jo Boaler, now a professor of education at Stanford University, found that students at the project - based school did better than those at the more traditional school both on math problems requiring analytical or conceptual thought and on those considered rote, that is, those requiring memory of a rule or formula.

Fulton brings valuable insight into organizational / operational management and best business practices, architectural selection, design, conceptual planning, and facility programming, master planning, environmental planning, and agency review processing and project assurance through the critical evaluation of the construction process.

Guy Overfelt is a conceptual artist who is perhaps best known for his burnout performances which utilize a 1977 Trans Am as both a performance object and a printing press for projects that reference emotional and economic burnout, class division, power dynamics, and the post-modern industrial complex.

Mayer is well known as a poet, but she was also a founding editor of the magazine 0 TO 9 with Vito Acconci during the late 1960s, and published some of the great text - based conceptual art projects of the era.

The democratization of aesthetic judgement is reflected in a 1994 project of the Russian - born conceptual artists Vitaly Komar and Alexander Melamid in which they enlisted a poll service in several countries to widely survey the public about that characteristics that would make the best painting and the worst painting.

A long hallway separated the two primary elements of Lothar Baumgarten's recent show at Marian Goodman, suggesting the distance between the locales of the projects — one focused on the South American rain forest, the other on the Hudson River Valley north of New York City — as well as the contrast in approaches (soundless imagery for the former, imageless sound for the latter) to what turned out to be congruent conceptual goals, namely an investigation of how «knowledge» of a given place is constructed.

ART IN THE AGE OF THE INTERNET, 1989 TO TODAY Paintings and sculptures as well as web - based projects by artists including Josh Kline, Trevor Paglen, Nam June Paik and Anicka Yi explore the profound and evolving effects on art, economic as well as formal and conceptual, of the internet.

Two - dimensional and three - dimensional projects as well as design renderings, design process sketches, conceptual development and inspiration boards are also appropriate.

A self - described «emotional science project,» Bernadette Mayer's Memory — 1,100 - odd photographs made by shooting a thirty - six - exposure roll of 35 - mm color slide film on each of the thirty - one days of July 1971, accompanied by six - plus hours of diaristic narration that the artist later revised into a book — is one of those conceptual pieces from the 1960s and»70s that have been better known as anecdote than as physical fact.

The project, which joined hands with the Culturunners initiative led by British artist Stephen Stapleton, has previously facilitated an exhibition of Saudi conceptual artist Abdulnasser Gharem at the Los Angeles County Musuem of Art in 2017, as well as spearheading a multi-city tour of the United States for Saudi artists, bringing around a dozen visual practitioners, including Ahmad Angawi and 2017 Abraaj Group Art Prize shortlisted artist Sarah Abu Abdallah, to spaces such as the Minnesota Street Project in San Francisco and the Bates College Museum of Art inproject, which joined hands with the Culturunners initiative led by British artist Stephen Stapleton, has previously facilitated an exhibition of Saudi conceptual artist Abdulnasser Gharem at the Los Angeles County Musuem of Art in 2017, as well as spearheading a multi-city tour of the United States for Saudi artists, bringing around a dozen visual practitioners, including Ahmad Angawi and 2017 Abraaj Group Art Prize shortlisted artist Sarah Abu Abdallah, to spaces such as the Minnesota Street Project in San Francisco and the Bates College Museum of Art inProject in San Francisco and the Bates College Museum of Art in Maine.

The programming for Platform explores more conceptual work, including video and installation works, as well as presenting collaborative projects with other curators and dealers.

As with the artist's other projects Donald laboriously crafts objects or build environments in order to work between the hand made and the aesthetically valued, the aesthetic and the usable — every project is underlaid by a conceptual interest in the limits (or not) between craft and art, art and architecture, as well as begging questions about particular content and rendering innocent forms (like the decoys) in provocatively corporeal ways.

The visual art project «Searching for a Godot - Deus Ex Machina's stories» attempts within a contemporary approach to feature the conceptual pluralism of Waiting for Godot as well as its political and social aspect focusing on exploring the Deus ex-Machina theory.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avigproject by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, AvigProject, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, AvigProject 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

The respected New York painter Kathe Burkhart is best known internationally for her Liz Taylor Series, a Feminist conceptual project that is more a highly performative serial work than a simple body of paintings and drawings devoted to this iconic and perpetually complicated Hollywood muse.

Driven by the conceptual and formal possibilities of the tension between light and dark, and good and evil, Paul Chan is best known for his projected animations that use shadows and silhouettes to engage cultural commentary and contemporary modes of communication.

Founded in 1979, the New York City - based practice established its identity through self - generated conceptual art and architecture installations, before reaching international prominence with large - scale cultural and civic projects such as the Blur Building at the Swiss Expo 2002 in Yverdon - les - Bains; the Institute of Contemporary Art, Boston; the Lincoln Center for the Performing Arts redevelopment project and the High Line, both in New York; as well as the Broad museum in Los Angeles and the recently completed Zaryadye Park near Red Square in Moscow, which opened in September 2017.

Skewing towards the conceptual in nature, EF's projects have embraced the established as well as the younger artists in today's print market, editioning multiples & works on paper in equal measure.

Büchel works in a variety of media, including film, printed materials, sculpture and textiles, though he is perhaps best known for his conceptual projects and large - scale installation pieces.

Takamatsu is perhaps now best known for his paintings of shadows of figures and objects «projected» onto a white ground, a conceptual approach aptly described in the title of one 1965 sketch as an «absence generation device.»

Perhaps best known as the futuristic vision behind projects like the Umeda Sky Building in Osaka and the Kyoto Station Building, Hiroshi Hara turned literary, philosophical and theoretical texts — ranging from the Chinese classic Zhuangzi and the Greek Odyssey, to mathematical treatises by Leibniz and Poincaré, and from Kafka's The Castle to TS Eliot's «The Waste Land» and Kenji Miyazawa's Night on the Galactic Railroad — into the basis for conceptual architectural / meta - physical sketches on sheets of ethereal tracing paper that covered the walls of the museum.

By September, UTA Fine Arts had revealed two film projects, both of them documentaries: Maura Axelrod's study of the prankster - sculptor Maurizio Cattelan, and an absurdist quest for a quite possibly fictional sculpture by Ed Ruscha, made by Pierre Bismuth, a French conceptual artist best known for co-writing the Oscar - winning screenplay for Eternal Sunshine of the Spotless Mind.

For the past decade conceptual artist Peter Liversidge's work has consisted almost exclusively of proposals, both for projects which are conceivable and later executed as well as projects that are impossible, remaining only as thought experiments.

The document describes the overall conceptual framework that guided the project and provides the climate impact studies as well as the description of the new climate - compatible strategy for tea in Kenya.

In addition to his general local government experience, Steve is well - versed in the public procurement process, and can help you manage all legal issues within your projects from the conceptual planning stage through the grant application process, bids, and contract award.

Established correct design development and conceptual development estimates as well as hard bidding projects

SUMMARY More than fifteen years of schematic capture and printed circuit board (PCB) design utilizing Altium Designer, and mechanical 2D drafting and 3D modeling using AutoCAD and Alibre / GeoMagic, with training in AutoDesk Inventor and SolidWorks, as well as experience in all facets of design from the conceptual stage through prototype development, assembly and testing, production and manufacturing support, and project mana...

* BS degree in Electrical Engineering & Computer Science with over 30 years of Controls Engineering experience * Over (10) years of SCADA Technology (coordinate SCADA project activities which include conceptual planning, design, development, installation, testing, and commissioning of SCADA related hardware and software systems; parties involved include vendors as well as internal customers, define requirements betw...

Contract and project - based opportunities to provide creative visionary resources, graphic design, branding, logo, and illustrative art, as well as creation of new products and conceptual design.

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The good news is that this has been the exception and not the norm for the projects Bernards has been presented with by developers for conceptual estimates and most often we have been able to work with the developer and conceptual design, massaging design elements as needed, to provide our developer client with a solution that enables the project to move ahead.