Sentences with phrase «best editing categories»

The film, which starred Ansel Elgort, Lily James, Kevin Spacey, Jamie Foxx and Jonn Hamm, is nominated in the Best Sound and Best Editing categories.

A prelude to the Oscars, the Eddies are considered a barometer for the Academy of Motion Picture Arts and Sciences» Best Picture and Best Editing categories.

Directed by David Fincher (The Social Network) this English - language version was nominated for five Academy Awards, although it only won in the Best Editing category.

Not exact matches

i actually created my first editorial calendar yesterday (in Excell) for an on - line portal i'm editing — in addition to your template it includes topics / categories as well, but your post and following comments gave me some great ideas to upgrade it.

As the weather has definitely gotten a lot chillier lately I've been spending a lot of time shopping for the pieces that are gonna see me through the next few months, and I thought a cool way to share my favourites with you would be to do a series of «edit» type posts, showing you the best pieces I've found in a number of different categories to make your A / W shopping experience a little bit easier for you.

The other categories were: Best Actor in a Leading Role (Morgan Freeman), Best Actor in a Supporting Role (Dan Aykroyd), Best Art Direction - Set Decoration (Bruno Rubeo, Crispian Sallis), Best Costume Design (Elizabeth McBride) and Best Film Editing (Mark Warner).

The film also won in the categories for editing and cinematography, as well as special awards for its sound design and visual effects work.

Damien Chazelle's La La Land, which tied with Moonlight for seven nominations, won in the Best Editing and Best Cinematography categories.

The first film to accomplish the very rare feat of sweeping all five major Oscar categories (best picture, best actor, best actress, best director, and best screenplay), It Happened One Night is among the most gracefully constructed and edited films of the early sound era, packed with clever situations and gags that have entered the Hollywood comedy pantheon and featuring two actors at the top of their game, sparking with a chemistry that has never been bettered.

The film, nominated in 10 categories, took home 7 Oscars, including two for Cuaron: Best Director and Best Film Editing.

«Big Short» not only snuck into the Best Picture category but it earned McKay a Best Director nod, an Adapted Screenplay nomination (shared with Charles Randolph) and the film took an Editing slot as well.

To extrapolate, if we are to have a category called Best Animated Feature, its nominees should only be judged on their animation, not their story nor their music nor their editing.

Best Picture Will Win: The Artist Deserves to Win: The Artist Overlooked: Bridesmaids Best Director Will Win: Michel Hazanavicius (The Artist) Deserves to Win: Michel Hazanavicius (The Artist) Overlooked: David Fincher (The Girl with the Dragon Tattoo) Best Actor Will Win: George Clooney (The Descendants) Deserves to Win: Jean Dujardin (The Artist) Overlooked: Ryan Gosling (Drive) Best Actress Will Win: Meryl Streep (The Iron Lady) Deserves to Win: Viola Davis (The Help) Overlooked: Kristen Wiig (Bridesmaids) Best Supporting Actor Will Win: Christopher Plummer (Beginners) Deserves to Win: Max von Sydow (Tinker Tailor Soldier Spy) Overlooked: Albert Brooks (Drive) Best Supporting Actress Will Win: Octavia Spencer (The Help) Deserves to Win: Melissa McCarthy (Bridesmaids) Overlooked: Carey Mulligan (Drive) Best Original Screenplay: Will Win: Woody Allen (Midnight in Paris) Deserves to Win: Kristen Wiig and Annie Mumolo (Bridesmaids) Overlooked: Lars von Trier (Melancholia) Best Adapted Screenplay: Will Win: Alexander Payne, Nat Faxon and Jim Rash (The Descendants) Deserves to Win: Steve Zaillian, Aaron Sorkin and Stan Chervin (Moneyball) Overlooked: Tate Tatlor and Kathryn Stockett (The Help) Predictions for Secondary Categories Animated Feature: Rango Art Direction: Hugo Foreign Language Film: A Separation Cinematography: The Tree of Life Costume Design: The Artist Documentary Feature: Paradise Lost 3: Purgatory Film Editing: The Artist Makeup: The Iron Lady Original Score: The Artist Original Song: «Man or Muppet» (The Muppets) Sound Editing: Hugo Sound Mixing: Hugo Visual Effects: Rise of the Planet of the Apes

What to keep an eye out for with these awards is really what wins the «Comedy» category, not because of what might win editing at the Oscars, necessarily, but what has consensus heat to win Best Picture.

Luca Guadagnino's sumptuous Italian romance Call Me By Your Name leads the pack with six nominations in categories like Best Feature, Best Director, Best Cinematography, Best Editing, and Best Male Lead (Timothee Chalamet) and Best Supporting Male (Armie Hammer).

In this third post, we look at the visual and artistic categories which include Best Cinematography, Best Production Design, Best Film Editing, Best Visual Effects, Best Costume Design, and Best Makeup and Hair - Styling.

It was around mid-show and the category about to be announced was Best Editing.

But «Dunkirk» may also walk away with below - the - line categories like editing, having won the ACE for Best Edited Feature (Dramatic).

Feature Film Category BEST SOUND EDITING: MUSIC IN A FEATURE FILM LIFE OF PI (20TH CENTURY FOX) Directed by: Ang Lee Produced by: Gil Netter, Ang Lee, David...

I'd bet that «Moonlight,» with support through the categories including Best Editing, will land the most votes, followed by mainstream crowdpleaser «Hidden Figures.»

Nightcrawler did surprisingly well at the nomination stage, with four, including one for Rene Russo's supporting role; outdoing them with five was Whiplash, with nods not just for JK Simmons as best supporting actor, but also in the directing, original screenplay, editing and sound categories.

Tomorrow I'll take a final look at the remaining crafts categories: Best Art Direction, Best Cinematography, Best Costume Design and Best Film Editing.

On the technical category front, we have likely just Best Cinematography and Best Film Editing to consider, but hypothetically anything is possible.

From a selection of films across 21 categories, the groundbreaking Mad Max: Fury Road leads the field, securing 11 nominations including Best Picture, Best Director (George Miller), Best Ensemble Cast, as well as Cinematography, Costume Design, Film Editing, Makeup & Hairstyling, Production Design, Original Score, Sound Design, and Visual Effects.

As previously announced, award winning filmmaker Nancy Meyers will receive the ACE Golden Eddie Filmmaker of the Year Award presented to her by long - time friend and frequent collaborator, Steve Martin, and winners for best editing will be announced in ten categories of film, television and documentaries.

Trailing behind was Christopher Nolan's «Dunkirk,» with eight nominations in categories including Best Picture, Best Cinematography for Hoyte van Hoytema, Best Film Editing and Best Director.

«It took enormous creative courage and guts to make this film,» said Margaret Sixel in accepting the Academy Award for best editing for Mad Max: Fury Road, becoming the 12th woman to win the Oscar in the category.

Those categories that I really feel like I'm just taking a shot in the dark at are Best Song, Sound Editing / Mixing and Best Visual Effects (which could go many, many ways.)

The 2012 Golden Reel Award nominees in the categories Feature Films, Television and Others are as follows: FEATURE FILMS CATEGORY BEST SOUND EDITING: SOUND EFFECTS AND FOLEY IN A FEATURE FILM Drive Fast Five The Girl with the...

Oscar favorite Spotlight was snubbed in the Best Edited Feature Film (Dramatic) category in favor of a group of very action - heavy fare.

Last year, Kathryn Bigelow and her masterpiece, The Hurt Locker, won Best Picture, Best Director, Best Original Screenplay, both sound categories, and editing.

It was nominated for eight Critics» Choice Awards (it won one, for Best Editing), three Golden Globes, and will compete in the upcoming BAFTAs (again with eight nominations), as well as guild awards like the SAGs, PGAs, and DGAs, where it got nominations in all of the top categories.

However, it's the only film that hit all of the major categories of Best Picture, Best Director, Best Screenplay, and Best Film Editing.

Editing: Here's a category that's not averse to a good blockbuster.

Not only did Alfonso Cuaron walk away with the Best Director title, but «Gravity» also won in the Best Cinematography, Best Editing, Best Visual Effects, Best Actress in an Action Movie, Best Sci - Fi / Horror Movie and Best Score categories.

Editor Jim Scott picked up best editing honours in the World Cinema Documentary category for his work on the Greenpeace doc How to Change the World, and The Witch, a Canada - US co-production about a family dealing with an eerie force in 1630s New England won U.S - based Robert Eggers the prize for best direction in the domestic dramatic category.

The nominations for the 90th Academy Awards were announced earlier this week, and while Edgar Wright «s music - driven heist film Baby Driver didn't end up with any nods in the major categories, the film did end up with a few technical awards, including Best Editing, Best Sound Editing and Best Sound Design.

Thanks to Sasha Stone @ Awards Daily FEATURE FILMS CATEGORY BEST SOUND EDITING: SOUND EFFECTS AND FOLEY IN A FEATURE FILM Drive Fast Five The Girl with the Dragon...

J Jennings & Jon Michaels win for «Crossfire Hurricane» in the Best Sound Editing: Long Form Documentary category.

Indeed, it was the only film in the category I even considered, with some of my personal favorites like Amy (a documentary, sure, but absolutely one of the best edited films of the year) and It Follows shut out of the nominations.

THE 88th ACADEMY AWARD WINNERS The Complete List of Winners... and some commentary BEST PICTURE Spotlight BEST DIRECTOR Alejandro Gonzalez Inarritu, The Revenant BEST ACTOR Leonardo DiCaprio, The Revenant BEST ACTRESS Brie Larson, Room BEST SUPPORTING ACTOR Mark Rylance, Bridge of Spies BEST SUPPORTING ACTRESS Alicia Vikander, The Danish Girl BEST ORIGINAL SCREENPLAY Josh Singer, Tom McCarthy, Spotlight BEST ADAPTED SCREENPLAY Charles Randolph, Adam McKay, The Big Short BEST EDITING Margaret Sixel, Mad Max Fury Road BEST FOREIGN LANGUAGE FILM Son of Saul, Hungary BEST CINEMATOGRAPHY Emmanuel «Chivo» Lubezki, The Revenant First to win three back to back Oscars in this category.

The other movies that won in three categories were The Grand Budapest Hotel (Best Ensemble Cast, Best Production Design and Best Original Score) and Gravity (Best Cinematography, Best Editing and Best Visual Effects).

As should be clear to you by now, this is a film that ought to feature on Oscar night well beyond the acting categories, for its editing, cinematography, writing, direction, and even that rarely consequential subject hair and makeup all warrant notice.

The Danny Boyle - directed film was nominated under 11 categories and won seven, including the Best Director for Danny Boyle, Best Adapted Screenplay for Simon Beaufoy and Best Sound Editing for Indian sound technician Resul Pookutty at the British Academy of Film and Television Arts (BAFTA).

The technical categories are hard to say for something like this at this early juncture, but the ones I could see in a perfect world are Best Cinematography, Best Film Editing, and Best Original Score.

Best Film Editing (awarded in memory of Karen Schmeer) Margaret Sixel for «Mad Max: Fury Road» Lowdown: Something tells me Sixel is quickly becoming the Oscar frontrunner for this category.

While 2049 «s director was snubbed by the Academy this time around, following a Directing nomination last year for inventive sci - fi mystery Arrival, his art house blockbuster was recognized with four Oscar nominations, for Best Production Design, Best Sound Editing, Best Sound Mixing, and Best Visual Effects, winning in the latter category.

I have also fudged the «sound design» category, since the Academy lists «Best Sound Mixing» (generally on - set recording) and «Best Sound Editing» (post-production sound), whereas what most interests me is the design of the overall soundtrack (with or without music).

Also announced today was the new category of Best Editing, a welcoming addition that is surprising the awards show went so long without.

Though I'm not a huge fan of declaring each category's runner - up, it is interesting to see the difference between their first and second choices, especially when they can be as different as GRAVITY and INSIDE LLEWYN DAVIS for Best Cinematography or GRAVITY and UPSTREAM COLOUR for Best Editing.