Sentences with phrase «best narrative while»

THE LAST SUIT has won the CineMondays 2018 Audience Award for Best Narrative while both GI JEWS: JEWISH AMERICANS IN WORLD WAR II and HEADING HOME: THE TALE OF TEAM ISRAEL have tied the Audience Award for Best Documentary!

Not exact matches

It's a simple, convincing narrative, well supported by MacIntyre in his books, and one that I believed up until a short while ago.

My point is that a close reading suggests a multiplicity of ideas and beliefs that we are priviliged to witness while it's under construction, the Jerusalem controversy being one good example.Furthermore, the fact that we're able to understand that each of the synoptics significantly differ from each other and we can observe contrast and similiarity between them and John's gospel, as well as Paul's letters suggests a process that speaks loudly of how religious narrative develops in communities that seek the meaning of the «core events».

You can spoon - feed yourself all the false narrative about how much better the Jags are, but H2H doesn't bare that out at all, while overall record shows a slight edge (1 game) for the Jags.

Well, well, well, I said it a while ago, familiarity breeds contempt, With the Arse, Wenger seems to have this adage well kept, No criticisms, no view from different perspectives, Just the same old ass narratives, Say what, some's got ta give, oh believe that my fellow gooners, That old geezer plus his henchmen have to find a way to give in to the swelling tide, Otherwise the tide will sweep his sad self and his henchmen aside, Someday, SomeWell, well, well, I said it a while ago, familiarity breeds contempt, With the Arse, Wenger seems to have this adage well kept, No criticisms, no view from different perspectives, Just the same old ass narratives, Say what, some's got ta give, oh believe that my fellow gooners, That old geezer plus his henchmen have to find a way to give in to the swelling tide, Otherwise the tide will sweep his sad self and his henchmen aside, Someday, Somewell, well, I said it a while ago, familiarity breeds contempt, With the Arse, Wenger seems to have this adage well kept, No criticisms, no view from different perspectives, Just the same old ass narratives, Say what, some's got ta give, oh believe that my fellow gooners, That old geezer plus his henchmen have to find a way to give in to the swelling tide, Otherwise the tide will sweep his sad self and his henchmen aside, Someday, Somewell, I said it a while ago, familiarity breeds contempt, With the Arse, Wenger seems to have this adage well kept, No criticisms, no view from different perspectives, Just the same old ass narratives, Say what, some's got ta give, oh believe that my fellow gooners, That old geezer plus his henchmen have to find a way to give in to the swelling tide, Otherwise the tide will sweep his sad self and his henchmen aside, Someday, Somewell kept, No criticisms, no view from different perspectives, Just the same old ass narratives, Say what, some's got ta give, oh believe that my fellow gooners, That old geezer plus his henchmen have to find a way to give in to the swelling tide, Otherwise the tide will sweep his sad self and his henchmen aside, Someday, Someway!

there is some suggestion that wenger is backtracking on his fervent stance regarding what players would be staying at the club for the remainder of the season... some might deduce that this is all part of a much bigger, more elaborate plan... by shifting the blame wenger is attempting to, not so slyly, flip the narrative... by doing so he hopes to evoke empathy from his most ardent supporters, while attempting to rally any fence - sitters, whose faith was waning unless a more legitimate agent of blame emerges... unfortunately, and incredibly insulting to the fans, when wenger attempts to spin a tale and / or tries to eat his own words, he doesn't seem to play it all the way through in his head, so invariably gaping holes emerge... say we believed his version of the truth, would that not make him either an incredibly well - paid custodian of destruction or a spineless jellyfish because what manager worth his weight in salt would stay at a club that didn't give him final say after 20 years of supposed «success»... no matter the answer, neither bodes well for us... how ironic, in a way, since many pundits claim this team has lacked a «spine» for some years now... so whether we win, lose or draw on Sunday is frankly immaterial, as the problems will remain, and although it will be easier to digest if we left the Pool with 3 points, it might just be the worst result for the betterment of this club... a fact that both breaks my heart and baffles the mind

Well, we may have the odd win once in a while against a good team but more often than not the narrative will be as it is today..

Whatever the narrative, they all share the characteristic of being so good at what they do in football, that you found yourself marvelling at them while despising their allegiance, jealous that their talent didn't manifest in the colours of your beloved club.

While I think mothers work hard to carve out their own boundaries, we've fallen into the conditioning of leaving ourselves out of the narrative, when it is a relationship... Anyway, this has been expressed by mothers far better at expressing than I am.

It wears its left - wing politics on its sleeve and turns the tried - and - tested «idealistic good guy vs corrupt bad guy» narrative on its head, by showing considerable sympathy for the Democrat incumbent Cogswell is trying to unseat, while all the while encouraging you to vote for its protagonist.

While everyone loves a story about good people triumphing over evil forces, such stories don't encourage us to become a part of the narrative.

While the two men on the brawl, Kachikwu and Baru are first class materials in all sense from their academic accomplishments as well as their experiences in the oil sector, there seem to be missing narratives on the altercation.

Yet while they'll profess admiration for individual public servants, mainstream politicians have over the past three decades relentlessly promoted a narrative which has taught us to believe that publicly - owned services such as the NHS aren't quite good enough.

While the authors of this narrative review cite one trial suggesting that a low - carb diet may even do better than a Mediterranean Diet, it is important to note that people on the low - carb diet «were counseled to choose vegetarian sources of fat and protein».

While the movie includes narration (by Charles Osgood) drawn from the book, it also allows the stars opportunity for topical pop - cultural references as well as narrative detours, as when the mayor goes in for a Who - Root Canal «Sticking» «Who» in front of everything,» he gripes, «doesn't make it hurt less») or Horton's clover lands in a field of clovers, whereupon he sets out to locate his speck - adorned lower out of the thousands stretching before him.

While Unsolved isn't quite as slick and incisive as that FX series [American Crime Story: The People v. O.J. Simpson], it is an absorbing, provocative, and extraordinarily well - acted work of television that takes a narrative approach just novel enough to make you feel like you're seeing these long - cold cases through fresh eyes.

Director Max Joseph (MTV's Catfish) makes his narrative feature debut here and while he is keen on tapping into that younger audience he knows so well, at thirty - three this drama of young angst feels more manufactured than authentic.

And while Farrell is admittedly quite good as the smooth, charismatic Jerry, Yelchin is simply unable to become the compelling protagonist that the narrative clearly requires - with the actor's less - than - engrossing performance matched by an underwhelmingly bland supporting cast (eg Toni Collette, playing Charley's concerned mother, is hopelessly wasted here).

While well intentioned, the human - and - dog interest story lacks narrative drive and star Kate Mara is a limp noodle.

While Farpoint is certainly a fun adventure that you'll have a lot of laughs, and frights, with, there's little of narrative or strategic originality here and the idea that this will have a long life of competitive multiplayer seems to be hopeful at best.

And while banking on potential can be dangerous for an episodic game, if Telltale can maintain the precedent it's setting here for narrative risks and twists then the payoff will be all the better for it in the end.

Impressive visuals and great production design are unfortunately overshadowed by a convoluted plot that struggles to depict its story - a narrative that starts strong but deteriorates as it attempts to balance too many emotional stakes for its own good while including one (or two) too many scenes that unintentionally call attention to itself.

While the narrative could've used better pacing — and more antagonists to boot — Chair Entertainment did an overall great job at retaining the interest all throughout the storyline.

While Magic Mike XXL's initial attractions may be obvious — a good - looking, nearly - naked cast and Tatum's legendary dance moves — returning writer Reid Carolin's narrative actually digs way beneath all that baby oil.

But while the film's patchwork narrative contains some good moments, that's all it really is — moments strung together like some kind of time - capsule scrapbook.

So good is Cable that you wish the film would've allowed more room for growth with his inclusion into the story and while he plays a key role in proceedings, you still can't escape the feeling that the film would've grown as a whole had Brolin been allowed more spotlight, ditto for Dennisen and Reynolds budding mateship, that despite forming the core of the narrative thrust is never properly built up, making Wilson's mission as a whole less engaging than it could've been.

While there are standout examples — like Darren Aronofsky's disorienting, eye - opening Requiem for a Dream, or the achingly beautiful narratives of animated animal - people addicts in BoJack Horseman — sagas like this one usually work better on the page than on the screen; the brief gloss of film can make drug use seem rather too appealing, while the idea of spending eight TV seasons with an addict seems rather unappeaWhile there are standout examples — like Darren Aronofsky's disorienting, eye - opening Requiem for a Dream, or the achingly beautiful narratives of animated animal - people addicts in BoJack Horseman — sagas like this one usually work better on the page than on the screen; the brief gloss of film can make drug use seem rather too appealing, while the idea of spending eight TV seasons with an addict seems rather unappeawhile the idea of spending eight TV seasons with an addict seems rather unappealing.

While there's not much in the way of surprise here narrative wise, Ponsoldt has managed to bring us one of this year's best acting performances with Mary Elizabeth Winstead, whose name, in a fair world, would be seriously considered for recognition come awards season.

While a decent story isn't a particularly pressing prerequisite for a good survival based horror game on iOS, I still enjoyed the narrative techniques used by Foursaken in setting the tone for the rest of the game.

While «Toni Erdmann» remains the best narrative film I have seen in 2016 thus far, «I, Daniel Blake» easily cracks my top 5.

While low budget, «They All Come Out» is an interesting film that does offer a different point of view and look at the prison system, as well as an intersting blend of documentary and narrative filmmaking.

Its story is good, delivering a true Halo narrative on the platform for the first time since Halo 2, and while the issues with the RTS elements might annoy some, it doesn't meant the game isn't fun to play.

Suffice to say they don't bring out the best in each other, but while Baumbach's dawdling narrative gradually runs out of fresh places to take their on - again - off - again courtship, the writing is shot through with gentle melancholy and compassion.

While the selection and places and topics provides an alternative, grassroots narrative, this documentary is also about the friendship that develops between the artists, as well as the insecurities and strengths of each, with the octogenarian Varda contributing more insights into class and gender for their creative joint partnership.

While we're on the subject of the comics, it might be good to take a look at Jim Starlin's «91 story The Infinity Gauntlet, which helped shape the narrative of the Russo Bros» Infinity War.

And while the subsequent three episodes are still very good, there are some signs of narrative loosening.

Mistress America, however, lacks the emotional pull of While We're Young; it's a looser but more disposable entertainment, and while Gerwig and Baumbach remain masters at penning hilarious bon mots, they've failed to supply their joke - machine narrative with the kind of prickly, complicated characters that occupy the director's best While We're Young; it's a looser but more disposable entertainment, and while Gerwig and Baumbach remain masters at penning hilarious bon mots, they've failed to supply their joke - machine narrative with the kind of prickly, complicated characters that occupy the director's best while Gerwig and Baumbach remain masters at penning hilarious bon mots, they've failed to supply their joke - machine narrative with the kind of prickly, complicated characters that occupy the director's best work.

Proving the naysayers dead wrong, On The Road is a marvelous picture, as Salles is able to keep Keroauc's spirit well in tact while translating the narrative - free odyssey into a film that is easy to digest, even for audiences unfamiliar with the source material.

Both movies shake our confidence in how we would behave under the same circumstances, but while Experimenter struggles to find the drama in the story of a scientist and his well - known experiment, Kyle Patrick Alvarez's The Stanford Prison Experiment has the benefit of a narrative, and even thought we know the outcome, he and his outstanding cast manage to move the characters and their story from a novelty to a nightmare.

While Roskam does imbue the atmosphere with a sense of lived - in crime and the nefarious characters that map out the treacherous narrative feel genuine thanks to a convincing ensemble cast, there's too often that sense of over-familiarity that bogs down the film in a feeling like we've been here many times and seen it done much better much too often.

Of the script, Ellroy said, «I saw that they had done a good job of compressing my story while maintaining the overall dramatic thrust of it, and I saw that they had contained the narrative structure of the three men.

In 2012, Ursula Meier's «Sister» received the EDA for Best Female - Directed Narrative Feature, while Debbie Lum's «Seeking Asian Female» took the EDA for Best Female - Directed Documentary.

The writing also continues to be top - notch — from the sparkling dialogue, to the excellent character development, to the smartly plotted narrative that keeps you coming back for more — while the show's absurdist tone works even better in a period setting like the late 1970s.

«Talya Lavie's Zero Motivation, a dark comedy about the life of Israel's female soldiers, took the jury prize for best narrative feature at the Tribeca Film Festival, while Marshall Curry's Point and Shoot, the account of a young American caught up in the Libyan Revolution, was named best documentary feature.

Also, the film takes place in Vegas, meaning we get the mandatory sweeping shots of the city, and while these kind of sweeping shots are a cliché, they're well executed enough that you still enjoy looking at the beautiful city in which the narrative takes place.

This year, the best narrative feature category sees 12 films battling it out for the prestigious prize, while 12 documentaries from around the word will compete to be named best documentary feature.

While this film certainly does break some new ground from a cultural level, this entertaining action flick also feels a little too big for itself at other times because as well done as the narrative and storytelling aspects of this film are executed, occasionally the action sequences don't...

In terms of narrative structure, the previous Spielberg film that Lincoln ends up most resembling is Close Encounters of the Third Kind (1977), which while a more consistently entertaining film still provided a dramatic change in pace and style at the end to deliver a long feel - good sequence as a sort of reward to the audience for hanging in for that long.

Additionally, the third episode of Kentucky Route Zero was recognized with the Best Narrative award, while Alien: Isolation took home Best Audio and Destiny scooped up the Best Technology award.

While the narrative tends to be predictable (a quality seemingly inherent to any feel - good comedy of its ilk), the filmmakers rather adeptly show that sisterhood and female friendship are the healthy keys to success.