In the movie, which also won
Best Screenplay from the Los Angeles Film Critics Association and picked up a nod from the American Cinema Editors this week, Farrell plays a sad, paunchy man who gets sent to a hotel where he has 45 days to find a partner.
After winning Best First Film from the New York Film Critics Circle and
Best Screenplay from the Los Angeles Film Critics Association, the movie's showing here is yet another indication that it will be a strong player in year - end polls and next year's various awards.
I'm happy to say that they've once again nominated truly
the best screenplays from 2017, featuring many of my favorite films of the year such as Guillermo del Toro's The Shape of Water, Luca Guadagnino's Call Me By Your Name, James Franco's The Disaster Artist, Greta Gerwig's Lady Bird, and Craig Gillespie's I, Tonya.
Not exact matches
Rogers was convinced the
best way to write the
screenplay was to tell it
from the point of view of both Harding and Gillooly.
The surprising snub of the unconventional Tonya Harding biopic, «I, Tonya,»
from the
best original
screenplay category for this year's Oscar nominations was disappointing for many.
Best Picture: «The Shape of Water» Lead Actor: Gary Oldman, «Darkest Hour» Lead Actress: Frances McDormand, «Three Billboards Outside Ebbing, Missouri» Supporting Actor: Sam Rockwell, «Three Billboards Outside Ebbing, Missouri» Supporting Actress: Allison Janney, «I, Tonya» Director: «The Shape of Water,» Guillermo del Toro Animated Feature: «Loving Vincent,» Animated Short: «Revolting Rhymes» Adapted
Screenplay: «The Disaster Artist» Original
Screenplay: «The Big Sick» Cinematography: «Blade Runner 2049» Roger Deakins
Best Documentary Feature: «Last Men in Aleppo»
Best Documentary Short Subject: «Traffic Stop»
Best Live Action Short Film: «The Silent Child»
Best Foreign Language Film: «The Insult» (Lebanon) Film Editing: «Baby Driver» Sound Editing: «Dunkirk» Sound Mixing: «Dunkirk» Production Design: «The Shape of Water» Original Score: «Star Wars: The Last Jedi Original Song: «This Is Me»
from «The Greatest Showman» Makeup and Hair: «Darkest Hour» Costume Design: «Phantom Thread» Visual Effects: «Star Wars: The Last Jedi»
Recent and upcoming releases include the romance - horror hybrid Spring; the hotly - anticipated The Look Of Silence, Oppenheimer's companion piece to The Act Of Killing; The Connection, a 70's - set true crime epic and European flipside to William Friedkin's The French Connection starring Oscar ® winning
Best Actor Jean Dujardin (The Artist); The Keeping Room,
from director Daniel Barber (Harry Brown), based on Julia Hart's acclaimed Black List
screenplay, starring Brit Marling, Hailee Steinfeld and Sam Worthington; the multiple Cannes award winning The Tribe, filmed entirely in Ukrainian Sign Language with a cast of deaf, non-professional actors; and a remastered re-release, in conjunction with Olive Films, of the 1981 disasterpiece Roar, the most dangerous film ever made, starring Tippi Hedren, Melanie Griffith and a cast of 150 untrained lions, tigers and exotic animals.
«A
Good Woman,» a ham - fisted adaptation of Wilde's play «Lady Windermere's Fan,» suffers
from a staggeringly bad miscasting of its central role and
from a cut - and - paste
screenplay that substitutes random insertions of Wilde epigrams for character.
Brackett won a second «
best screenplay» Oscar for 1953's Titanic (1953); he was also president of the Academy of Motion Picture Arts and Sciences
from 1949 through 1955.
In 1962, Gelbart penned his first
screenplay The Notorious Landlady, but his
best - known
screenplay from that era is A Funny Thing Happened on the Way to the Forum, on which he collaborated with Burt Shevelove.
The latest
from writer - director Asghar Farhadi opened the 2018 Cannes Film Festival, but it was a disappointment
from a director who has consistently impressed critics and jurors, and who was only two years removed
from winning
best screenplay for The Salesman at Cannes in 2016.
In 2011, she was nominated for a SAG Ensemble Award for Midnight in Paris, once again paired up with Owen Wilson (her co-star
from Wedding Crashers), in a film that won Woody Allen an Oscar for
Best Original
Screenplay.
It's ultimately clear that The Finest Hours is at its
best in its relatively propulsive first half, as director Craig Gillespie, working
from a script by Scott Silver, Paul Tamasy, and Eric Johnson, does a nice job of establishing the the central characters and the dangerous circumstances in which they find themselves - with the
screenplay, which also emphasizes the ongoing exploits of Bernie's girlfriend (Holliday Grainger's Miriam), generally juggling the various narrative threads to seamless effect.
Among the more notable recognition: winning the Golden Globe for
Best Picture (Comedy or Musical), picking up BAFTA and Writers Guild nominations for Jon Lucas and Scott Moore's original
screenplay, winning a comedy / musical editing award
from American Cinema Editors, and having its production design nominated by the Art Directors Guild.
Garland, working
from his own
screenplay, has infused Ex Machina with a pace
best described as deliberate, with Garland's willingness to let the story breathe having both positive and negative ramifications on the movie as a whole (ie certain sections are far more enthralling and entertaining than others).
Intense and engaging performances
from Jessica Chastain and James McAvoy bring the
well - written
screenplay to life.
CANNES, France — Tommy Lee Jones walked away
from the 58th Cannes Film Festival here Saturday night as a double winner, after his film «The Three Burials of Melquiades Estrada» won him the award as
best actor, and the
screenplay by Guillermo Arriaga also was honored.
Synopsis: Oscar winner Matt Damon («
Good Will Hunting,» «Invictus») stars in «Hereafter,» directed by Academy Award winner Clint Eastwood («Million Dollar Baby,» «Unforgiven»)
from a
screenplay by two time Oscar nominee Peter Morgan («Frost / Nixon,» «The Queen»).
Obviously such great acting results come
from the experienced direction of David O. Russell, who received his first Academy Award nomination for
Best Director and noms for
Best Picture, Original
Screenplay, and Editing.
All of the top five increase on last month's totals, even Amy Adams, whose film has all but disappeared
from Best Picture,
Best Actor and even the
Best Original
Screenplay top 5.
From the Oscar - award winning writers of The Descendants (
Best Adapted
Screenplay, 2012) comes a feel
good summer movie, with plenty of sensitive emotional punch.
Earlier this week, Anderson was awarded
Best Screenplay for «Phantom Thread»
from both the National Board of Review and the New York Film Critics Circle.
One of the top moments
from the gala came when Jordan Peele won
Best Original
Screenplay for Get Out
Beasts of the Southern Wild was ousted
from the
Best Screenplay category.
Working
from a
well - paced
screenplay with many digressions but never a wasted moment, Lady Bird is brought to life by a cast that appears fully engaged in every nuance.
From the all - star cast, to the historical premise, to Clooney's gilded track record behind the camera, I'd be surprised if it didn't pull off at least five nominations and mostly a lot more —
Best Picture,
Best Director, Adapted
Screenplay, Art Direction, Cinematography, Score, you name it, this has a strong shot.
All of these ingredients are nothing without a solid script, and indeed some fresh ideas to warrant a film conversion, but thankfully Justin Kurzel «s movie,
from a
screenplay by Michael Leslie, Adam Cooper and Bill Collage, all of whom have
good pedigrees, provide a rather entertaining platform for a potential new franchise to jump off of.
Best Picture Birdman
Best Actor Eddie Redmayne in The Theory of Everything
Best Supporting Actor J.K. Simmons in Whiplash
Best Actress Julianne Moore in Still Alice
Best Supporting Actress Patricia Arquette in Boyhood
Best Animated Feature Big Hero 6
Best Adapted
Screenplay The Imitation Game
Best Original
Screenplay Birdman
Best Cinematography Birdman
Best Costume Design The Grand Budapest Hotel
Best Director Birdman, Alejandro G. Iñárritu
Best Documentary Feature Citizenfour
Best Documentary Short Subject «Crisis Hotline: Veterans Press 1»
Best Film Editing Whiplash
Best Foreign Language Film Ida, Poland
Best Makeup and Hairstyling The Grand Budapest Hotel
Best Original Score The Grand Budapest Hotel, Alexandre Desplat
Best Original Song «Glory»
from Selma
Best Production Design The Grand Budapest Hotel
Best Animated Short Film «Feast»
Best Live Action Short Film «The Phone Call»
Best Sound Editing American Sniper
Best Sound Mixing Whiplash
Best Visual Effects Interstellar
The
screenplay was adapted (very
well)
from a recent book so don't blame Spielberg for that either.
That didn't stop writer and director Yorgos Lanthimos
from winning the prize for
Best Screenplay at the festival.
Cirkus Columbia The fourth film
from Bosnian director Danis Tanović, and his third since his debut feature No Man's Land took home the Cannes Film Festival
best screenplay award in 2001 and the
best
Here, alas, Van Sant is reunited with
Good Will Hunting buddy Matt Damon, directing a
screenplay Damon co-wrote with co-star John Krasinski
from a story by (gulp) Dave Eggers.
Other winners were 20 Feet
from Stardom for
Best Documentary, The Great Beauty for
Best Foreign Film, and Her for
Best Original
Screenplay.
features live staged readings of unproduced
screenplays, cast with
well - known Hollywood actors
from Deborah Aquila and Lisa Zagoria of Aquila Wood Casting.
Also getting a
best picture nomination (as
well as nods for star Brie Larson, adapted
screenplay by Emma Donoghue
from her novel and director Lenny Abrahamson) was the singular «Room,» an emotional roller coaster whose success led to perhaps the biggest surprise of the morning.
And «Brooklyn,» this year's Little Engine That Could, took off
from its Sundance premiere a year ago to take three top - drawer nominations, including lead actress for Saoirse Ronan, adapted
screenplay for the veteran Nick Hornby (working
from Colm Tóibín's novel) and even
best picture.
There's «Get Out»
from Jordan Peele (which feels like a dark horse for Original
Screenplay on a
good day, though I'm sure many will work hard for Daniel Kaluuya and Betty Gabriel in acting categories) and «The Fate of the Furious»
from F. Gary Gray («Straight Outta Compton»), but neither truly feel like they'll make a dent come awards season.
Based on the exploits of two actual 19th - century highwaymen, Captain Lightfoot is the
best of the trio, adapted
from a 1955 novel by W.R. Burnett, who also co-wrote the
screenplay with Oscar Brodney (who'd worked with Sirk the year before on Sign of the Pagan).
It was assumed it would get in here rather easily, but instead, it looks like it's effectively been eliminated
from the competition, and subsequently for
Best Picture (no nomination here equals no chance of winning the Oscar for
Best Original
Screenplay, and nowadays no screenplay Oscar means no Best Pictu
Screenplay, and nowadays no
screenplay Oscar means no Best Pictu
screenplay Oscar means no
Best Picture Oscar).
It garnered seven Academy Award nominations, including
Best Picture,
Best Director,
Best Actor (Walter Huston, recreating his earlier stage role, who should have won the Oscar with his sensitive portrayal against winner Paul Muni for The Story of Louis Pasteur (1936)-RRB-,
Best Screenplay,
Best Supporting Actress (Maria Ouspenskaya, reprising her role
from the earlier stage production, and in her film debut), and
Best Sound Recording, and won only one Oscar for
Best Art Direction - Interior Decoration.
Rock the Kasbah is directed by veteran filmmaker Barry Levinson (of The Humbling, The Bay, Man of the Year, Bandits, Sphere, Wag the Dog, Sleepers, Toys, Rain Man,
Good Morning Vietnam),
from a
screenplay by Mitch Glazer (a «longtime friend» of Bill Murray).
Aside
from Allen in an Original
Screenplay, Director, and Picture race, the early word is that we need to begin to pencil in Academy Award winner Kate Winslet for one of the highly sought - after
Best Actress spots.
Mind you, it has other
good things going for it, too — a taut, intelligent and cleverly structured
screenplay by Anthony McCarten, who brought us The Theory Of Everything, top - drawer direction
from Joe Wright, whose 2007 wartime drama, Atonement, comes repeatedly to mind, and a scene - stealing but exquisitely judged supporting performance
from Kristin Scott Thomas as Clementine Churchill.
Trailer mash - up of The Dark Knight and In the Loop on YouTube: Another tidbit
from Wells at HE — apparently someone had the really
good idea of inviting MSNBC's Keith Olbermann to present the
Screenplay honor to the most deserving...
Warner Bros.» «Mad Max: Fury Road» took home three honors and came in second for another, but Open Road had a massive day as «Spotlight» won
Best Screenplay and
Best Film
from the Los Angeles Film...
Directed by Jeremy Garelick
from a
screenplay he wrote with Jay Lavender, «The Wedding Ringer» opens with Doug (Josh Gad) nervously cold calling potential
best men in preparation for his upcoming nuptials to Gretchen («The Big Bang Theory's» Kaley Cuoco - Sweeting).
We're taking our «Beauty vs Beast» series to a film that did
well but maybe not as
well as expected (no director, no
screenplay)- Jordan Peele's masterful horror comedy Get Out, which we just happened to re-watch last night in an effort to reaquaint ourselves with a movie that was fading
from memory.
67th Academy Awards 1 win
from 7 nominations
Best Actress In A Supporting Role - Dianne Wiest
Best Actor In A Supporting Role, Chazz Palminteri
Best Actress In A Supporting Role, Jennifer Tilly
Best Director, Woody Allen
Best Writing,
Screenplay, Woody Allen & Douglas McGrath
Best Art Direction - Set Decoration, Santo Loquasto & Susan Bode
Best Costume Design, Jeffrey Kurland
Writer and director Adam McKay made an impressive jump
from directing feature comedies like Anchorman: The Legend of Ron Burgundy and Step Brothers to the real life The Big Short, even earning an Oscar nomination for
Best Director and a win for
Best Adapted
Screenplay.
He wrote the script after graduating
from college and it made The Black List (a list of the
best unproduced
screenplays of the year) back in 2013, but years went by before he found funding for the film.