Sentences with phrase «best films change»

Not exact matches

While Jobs's treatment of his first child, Lisa, was deemed to be seriously lacking (with good reason) in Walter Isaacson's biography Steve Jobs, and the silver screen film adaptation that followed, he apparently had changed his parenting ways with the three children he raised with his wife Laurene Powell Jobs.

Each March, South by Southwest, or SXSW, brings the best minds in film, music, and business together to discuss innovation and change.

The company offers a wide range of labeling capabilities, including paper and film pressure - sensitive labels, shrink sleeves and promotional labels, allowing the company to customize packaging solutions that best fits a client's needs, which routinely change to meet fluctuations in the marketplace, Schmidt notes.

«Change is something that we can always count on,» said Curry, «At Regal, we're excited for the opportunity to continue creating a better movie - going experience through a diversity of film and concession offerings.»

generates a «sour» review they could (in theory) change the end of that very show as soon as they read it... the Story NXT tells is set on film (digital file) 4 days to 4 weeks before the Audience sees it, to adjust their sails for that would require back stage re-shoots and post production edits (look at Impact scrambling to re-write their Pre-tape to cover for ADR's release)... easier to let it ride, see if the opinions stay sour, and then IF Needed adjust the angle for the next taping, at which time they'll have a better idea for the correction and can make it look more organic

If so, it'll make a change from the single - cam smash - and - grab filming world of good old - fashioned news.

A U.S. - based team of mathematicians and optometrists is working to change this by gaining a better understanding of the inner workings of tear film distribution over the eye's surface.

The strain changed the film's electronic structure without altering its chemical composition, creating a catalyst better at driving chemical reactions.

Well I've decided to film a video about it and changed it a little bit.

Sure to delight X-fans everywhere and thrill action - lovers all around, this movie is most likely the best comic - to - film adaptation produced yet, despite a few changes made for the sake of creating an original story.

But at its heart, Mr. Popper's journey of self - discovery has changed, with the movie introducing the notion of and building the film around what it takes to be a good father in these complicated times.

Like most Wilde plays, it has been made into film and for television numerous times, although this version isn't a strict adaptation, causing the name to be changed, rightfully, to use a part of the play's secondary title, «A Play About a Good Woman».

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

It changes it up and shows you behind the scenes of every cheesy cliche horror film ever made, and it does it very well.

So while this film isn't going to change your life, it's still well worth a look.

Her luck began to change for the better in the late 1990s, when she started garnering luminous reviews for her work both on Broadway — where she earned a Tony nomination for her role in 1998's A View from the Bridge — and onscreen in such films as Big Night (1996) and Mike Nichols» Primary Colors (1998).

Good things tend to come when Michael Winterbottom works with star Steve Coogan (24 Hour Party People, Tristram Shandy, The Trip), so we're happy to see Coogan starring as infamous British pornographer, club - owner, real estate developer, multi-millionaire, and so - called «King of Soho» Paul Raymond in a dramedy that spans decades and includes scenes shot in black - and - white and color, constantly changing to match the film styles of each period.

Coogler ups the intrigue as the film plays, with each new piece of the puzzle put together to deliver impact, and to change what we know about these characters in ways that give the entire story a surprising amount of nuance, given the amount of characters to follow, as well as the wider scope of the international politics.

He noted that the expectations of him since the Oscar nomination have not changed the way he approaches film - making, stating «I try, every film I do, to be as good as I can and that's all I can do.

He changed the ethnicity of the lead female character in Leonard's novel from the white Jackie Burke to a black Jackie Brown which allowed him to cast Pam Grier and reference her blaxploitation films «Foxy Brown» and «Coffy» as well as, employing the use of Bobby Womack's «Across 110th Street».

The director is Jay Roach, who made the Austin Powers movies and «Meet the Parents,» as well as HBO's fact - based political films «Recount» (about the 2000 presidential election) and «Game Change» (about Sarah Palin).

Although the film failed to achieve the same amount of praise as Mann's work before it, Will Smith delivered an career - changing performance in the title role and was nominated for a Best Actor Oscar.

I don't know whether it's the technology that's changed, or that the artists, most of whom worked on the first, have grown, but there is a striking new level of emotion in the characters themselves, particularly their eyes, that does much to, well, animate the film.

Writer / director David Caesar ladles on the local flavour with a hugely enjoyable film about changing times, clashing cultures and the pleasures of a well - made pizza.

Watching strong women and men respecting each other in a film has a strong impact on the younger generation as well and Lupita acknowledged the same, «There's a lot of subconscious conditioning we have to bring to the fore before we can change it.

It's probably the best thing about Oscar season, when they run the great films on TCM without commercials for 31 Days of Oscar (you know, with the date change, it's no longer 31 days but it used to be).

But I personally believe that's what the best films should do — make you think deeply, feel deeply, and leave the theater a changed person in some way.

By Christopher Nolan's second Bat - film, the Academy was literally changing their rules because of the outcry that a superhero movie hadn't been nominated for Best Picture.

Goodman is good in the showiest role, but it's Winstead's film, and she ably takes us with her on her journey of ever - changing emotions.

Though most of the cast returns, as well as the screenwriters of the first film, Rhett Reese and Paul Wernick, with Ryan Reynolds also snagging a writing credit, Deadpool 2 recruited David Leitch (one half of John Wick's directorial team) to replace Tim Miller, and the change works.

It was hard to avoid seeing chunks of this film, and being reminded of just how dreadful it really waA lazy, dull comedy about two best friends (Ryan Reynolds and Jason Bateman) trading bodies, The Change - Up goes for the dumb joke over the interesting choice every time.

Josh Trank is best known for directing the 2012 film «Chronicle» and that movie was a smallish movie that Trank had a lot of freedom to work on with and at least there wasn't any studious coming in and changing things and making it really hard for everyone else.

While word from Venice — where the film closed the festival before heading to TIFF — was good, the question to be answered was whether or not Stillman's style and cinematic persona would stand up in a filmmaking landscape that has changed immensely since «Last Days of Disco.»

Not much as changed with the idea that video game to film adaptations are never a good idea, «Silent Hill: Revelation 3D» ensures that trend, and while it's dazzling at times, it will leave an audience hungry for a better movie and experience.

Instead of documentaries and interviews and the like, the second disc offers an alternate cut of the film, which only runs a few minutes longer but features a different ending that changes the entire point of the film... for the better, in my opinion.

In the past few months, a spirited game of he - said / they - said has played out in the press, with a gag - ordered Schrader accusing his producers of taking the film away from him when he refused to make all of their desired changes to his director's cut, and said producers firing back that Schrader quit the picture without ever completing it, and that their version is, well, a lot better.

It's a compelling argument, in a film that may well change a few minds — or at least inspire some heartfelt post-screening arguing.

You probably shouldn't feel short - changed by a giant monster flick that lacks standout characters, but a better film would have at least a few (see Jurassic Park or Alien).

It's a distinct change of pace after the first section of the film, which is, I think, why I didn't like it as much the first time I saw it, but in fact this part of the story is well done and quite compelling.

Here's a change of pace, a good film that would have been great had the filmmakers been allowed to lengthen the running time.

The challenges of shooting a film with Romanian extras, which necessitated script changes (so that dialogue could be avoided) and the importing of American actors, is commented upon as well.

3: «Get Out» or Luca Guadagnino's achingly tender «Call Me by Your Name» will emerge as a popular first choice among Oscar voters, and a film that was made for considerably less than $ 10 million will win Best Picture for the second year in a row, confirming that «Moonlight» changed the game in more ways than one and forever altered our idea of what constitutes an «Oscar Movie.»

The undead are alive and well and up to no good in Scandinavia, as a stunning film rings the changes on the classic Dracula format, writes Philip French

I urge you to rethink that idea as this film will no doubt change your attitude and give you a better appreciation for the men, women, and families that put their lives on the front line.

Nevertheless there has been a discernible change in Leigh's work since his last dysfunctional - family opus, Life Is Sweet — a change well described by Australian critic Adrian Martin in a recent letter to me: «I think that as a certain angry anti-Thatcher 80s politics has drained from Leigh's work, he has gravitated to either the bombastic nihilism of Naked (a film I have incredibly mixed feelings about) or the soft - heartedness of Secrets and Lies.»

I also felt that the musical score was somewhat forced for the purpose of provoking on the emotional level and was only there to make up for the lack of it in the film, it did seem quite unnecessary in parts where I thought silence could have worked better, but thats not to say of course that it was brilliant to listen too, and the changes were spot on to suit the changes determined in the film but for a simplistic kind of story it seemed excessive.

That may very well change now: Marvel is apparently in talks with director / screenwriter James Gunn to direct the film.

Perhaps voting bodies still waiting to award the best in 2010 film performances will make a drastic change to the status quo so far, though.

Christina Aguilera performs the musical number «I'm a Good Girl» from the upcoming film «Burlesque» by director Steven Antin and starring Kristen Bell (Gossip Girl, Get Him to the Greek), Cam Gigandet (Twilight, Making Change), Stanley Tucci (Captain America: The First Avenger), Christina Aguilera and Alan Cumming.

This was a minor disruption compared to the previous year, when the festival was nearly cancelled due to a political conflict between the city and the festival organisers, relating to the screening of an anti-government documentary in 2014.1 Much has changed in the past year, most notably the impeachment of right - wing President Park Geun - hye, whose government the documentary had targeted, and the election of the left - liberal party headed by Moon Jae - in.2 While the contentious political atmosphere has not entirely dissipated, as evidenced by the student protest groups still demanding an apology from the local city government, this year's festival was an attempt to return to normalcy, despite the untimely death of one of the festival's driving forces, deputy director Kim Ji - seok, a much beloved figure within the community.3 Although the festival had a strong selection of international entries, including some of the best this year has to offer, such as Ruben Östlund's Palme d'Or winner The Square and Sean Baker's The Florida Project, I have decided to focus my report on the Korean films.