Sentences with phrase «between exhibition dates»

Artist's Reception: Friday, June 7, 2013 from 7 — 11 pm RSVP Live Music: Johanna Chase & Halo Between Exhibition dates: June 7 — 29 and August 1 — 3, 2013

They are expecting 60,000 visitors between the exhibition dates 5 - 7th May.

Not exact matches

Woods, whose antipathy for Garcia dates back to a 2000 made - for - TV exhibition between the two, shot back at his would - be rival later on Saturday.

Exhibitions are bound to divide opinion between you and your date, and make for instantly interesting conversation.

Her current solo exhibition at Mid-Wilshire's David Kordansky Gallery, More Life features her largest paintings to date, ones that blur the lines between landscape, minimalism, abstraction and help to elevate human consciousness.

IMPORTANT DATES May 21: Entries due June 8: Notification of accepted artwork June 28, 29: Delivery of accepted artwork to The Gallery between noon — 6 p.m. July 9: Exhibition opens July 12: Opening reception and awards presentation August 30: Exhibition closes August 31 to September 3: Pick up of artwork between noon — 6 p.m. Juror: Asia Tail Asia curates special projects and art exhibitions, with an emphasis on empowering Indigenous artists.

The exhibition includes more than two - dozen modestly scaled drawings, paintings, pastels and mixed media works, dated between 1966 and 2000, depicting cityscapes, mountains, and farmland.

MIDOMA Gallery Exhibition Dates: December 08, 2016 — January 06, 2017 Address: 545 Eighth Ave. Suite 750, NY, NY 10018 (between 37th & 38th St.) Gallery hours: Tuesday through Fridays 12 pm — 8 pm, Saturdays 11 am — 6 pm

This exhibition brings together a series of works dating between 1746 and 1755, in which the painter captures the country in its flourishing glory (until 7 June).

In their most diverse exhibition to date, The Henry Moore Foundation's «Body & Void» exhibition draws connections between Moore's investigation of internal space and its relationship with the human body, and reveals how his ideas have been taken in new directions by subsequent generations of artists.

This exhibition brings together a series of works dating between 1746 and 1755, in which the painter captures the country in its flourishing glory (to 4 October).

I would argue that this portrait of a young Kellie Jones points to the extensive creative dialogues to come between this exhibition — the most significant and informed contribution to debates around black art to date — and a new generation of UK artists.

Monday — Saturday, 10 a.m. - 5 p.m. Monday and Wednesday evenings until 7:30 p.m. during the academic year Closed between exhibitions, see exhibition page for dates.

The most ambitious of his choreographic «services» to date, No. 5: Dare to Keep Kids Off Naturalism extends for fifty hours across ten days as four performers occupy the SLG's main gallery, utilising modular costumes to create ever - changing fictive situations that reconsider the relationship between their theatrical sensibility and the exhibition space.

San Diego — «Phenomenal: California Light, Space, Surface» at the Museum of Contemporary Art San Diego is to date the most critically appreciated component of a vast Getty - funded, Los Angeles - centered, ongoing program of exhibitions and events titled «Pacific Standard Time» that surveys art in Southern California between 1945 and 1980.

Adrian Piper: Concepts and Intuitions, 1965 - 2016 is a selection from the most comprehensive exhibition to date of the work of Adrian Piper (b. 1948, New York), the result of a four - year collaboration between Piper, the Hammer Museum, Los Angeles, and The Museum of Modern Art's Department of Drawings and Prints.

This monumental exhibition was the most serious and comprehensive look at the intimate and inspired relationship between the visual arts and rock - and roll culture to date.

Charlie Tatum looks at how Adam Pendleton's largest solo exhibition to date combines disparate revolutionary histories and asks viewers to consider the relationship between art and activism.

This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor; early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures; photography; videos; and endless inventive installations in various forms and shapes that explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.

In the new exhibition at the Parkett Space in Zürich, works selected from the 220 Parkett Editions to date enter into a lively exchange on the relationship between abstraction and nature.

This exhibition aims to illustrate the main artistic phases of the Italian master through an exclusive selection of artworks dated between 1950 and 2000.

Thirty paintings, resulting from multiple trips Harris made to Lake Superior, the Canadian Rocky Mountains, and the Northwest Passage region of the Arctic Ocean, are on view in the exhibition and date from between 1922 and 1930.

Artists: Becky Beasley, Paul Caffell, Attila Csörgő, Michael Dean, Liz Deschenes, Raphael Hefti, Corin Hewitt, Ode de Kort, Laura Lamiel, Oliver Laric, Marie Lund, Justin Matherly, Fabio Sandri, Luca Trevisani, Viola Yeşiltaç, and a selection of early publications on the work of Medardo Rosso Exhibition title: The Camera's Blind Spot II Curated by: Simone Menegoi Venue: Extra City Kunsthal, Antwerp, Belgium Date: March 28 — July 19, 2015 Photography: © We Document Art and © Fabio Sandri, images courtesy of the artists and Extra City Kunsthal «The Camera's Blind Spot II» focuses on the relationship between sculpture and photography today.

The first ever exhibition in Greece to feature solely New York - based artists, Greek Gotham is the gallery's largest exhibition to date — one of «nearly institutional proportions» as Vranopoulou excitedly exclaimed hours before the opening — and draws playful yet acute associations between two of the most important cultural centres of the Western world — namely, Ancient Greece and present - day New York City.

The five paintings in her exhibition are dated between 1960 and 2010.

Opening: Thursday, October 27, 6 - 8 pm Exhibition Dates: October 27 - November 27, 2016 El Museo de Los Sures 120 South 1st Street, Brooklyn, NY 11249 (Between Bedford Avenue and Berry Street)

Partner: Turner Contemporary Exhibition dates: 10 October — 18 November 2012 UCA Graduate 2012 Swimming, medicine 2012 Oil on board 80x61cm David, 2012 Oil on board 81x61cm Fixing, 2012 Oil on board 80x62cm Picnic, 2012 Oil on board 84x60cm Harnessing a sense of nostalgia, Dominic Maffia is interested in the relationship between the photograph and Continue Reading»

Drawn entirely from the museum's collection, this exhibition features a painting and print by Hedda Sterne in context with nearly 100 artworks by 50 women, dating between 1945 and about 1970.

The most detailed appraisal of Ross - Ho's oeuvre to date, the book includes an essay by Morse, an interview between Ross - Ho and MIT List Visual Arts Center Curator João Ribas, and an exhibition chronology assembled by MOCA Curatorial Assistant Jennifer Park.

Museum curators Jens Hoffmann and Kelly Taxter will host a private after - hours reception at the Jewish Museum and tour of the exhibition for you and up to 15 guests, to be held on a mutually agreed upon date (between Sept 2016 and Feb 2017).

In this video he talks about his most significant exhibition to date, «You in between».

Featuring over sixty works that date between 1965 and 1989, the exhibition is a mini retrospective of one of the most influential Italian artists of the twentieth century.

In preparing the exhibition, the active dialogue between Jorge Pinheiro and Pedro Cabrita Reis has generated a selection of 80 works focusing on specific periods of Pinheiro's career dating from the 1960s until the present, in which figurative painting and the language of concrete and conceptual abstractions coincide.

Created by faculty and graduate students in the Arts and Technology (ATEC) program at the University of Texas at Dallas, this multi-layer «sound - scape» will be heard throughout the exhibition and represents the most ambitious collaboration between ATEC and DMA to date.

Drawing from the Whitney Museum of American Art's exhibition in 2016, the K20 presentation is the largest survey of Herrera's work to date, featuring paintings, works on paper and sculptures produced between 1947 and 2017

ACME Fine Art's first solo exhibition of paintings by Jack Tworkov will feature eleven important late canvasses that date from between 1971 and 1981.

Looking beyond the literal connection between the materials utilized in Powders, a Phial, and a Paper Book, a group show at Marlborough, Chelsea, and the exhibition's titular references to The Strange Case of Dr. Jekyll and Mr. Hyde, it is the dated milieu of Robert Louis Stevenson's novel that most clearly resonates with the odd feel of this exhibition.

Artist's Reception: Friday, February 1, 2013 from 7 — 11 pm RSVP Music: Special performances by HALO BETWEEN music from guts of toys Exhibition dates: February 1 — March 15, 2013

The exhibition also comprises a suite of new paintings shown alongside the awe - inspiring diptych Between (2010 - 2011): the largest work on canvas that Houshiary has produced to date.

The anniversary programme has involved a screening of the video recording of the performance and artist's talk at SAVVY Contemporary in Berlin (20 September 2016), an exhibition at Leeds College of Art of the archive of the project including drawings, preparatory notes, film and photographs (20 October — 16 December 2016) and a show on Resonance 104.4 FM (19 January 2017), which included a re-transmission of the original broadcast 10 years to the date followed by a conversation between Asemota and Mark Miller (Tate Britain and Tate Modern).

Exploring intersections between American and transnational issues is Baltimore - based artist Joyce J. Scott, whose affiliation with the WPA dates all the way back to a solo exhibition in 1981.

• Dates: April 22 through October 23, 2016 • The first exhibition of works from the collection of the Guggenheim Museum in New York since the renewal of the management agreement between the Guggenheim Museum Bilbao and the Solomon R. Guggenheim Foundation in December 2014 • Curated by Lauren Hinkson, Assistant Curator for Collections, Solomon R. Guggenheim Museum, New York

Opening Friday September 17, from 6 pm onwards Structured around an ongoing dialogue between British artist Emily Wardill and artist / curator Ian White, the solo exhibition «windows broken, break, broke together» is the most extensive exhibition of Wardill's films to date.

The connection between Marshall and the museum dates to 1999, when he created a special work for the «Carnegie International» exhibition.

Organized by the National Portrait Gallery, London, in association with the Modern Art Museum of Fort Worth, the exhibition will consist of approximately 90 works, dating between 1943 and 2011.

Please note that the Museum is closed between exhibitions and during breaks of the College; exhibition dates are available online.

Date: January 22, 2013, 7 - 9 p.m. Event: The CCA Wattis Institute for Contemporary Arts opens its new gallery to the public with a reception for its spring 2013 exhibitions Location: CCA Wattis Institute for Contemporary Arts, 360 Kansas Street (between 16th and 17th Streets), San Francisco CA 94107 - 2247 Cost: Free Info: 415.551.9210, cca.edu/calendar, wattis.org

Opening: Saturday, July 8, 6 - 9 pm Exhibition Dates: July 8 - 29, 2017 El Museo de Los Sures 120 South 1st Street, Brooklyn, NY 11249 (Between Bedford Avenue and Berry Street) Gallery Hours: Wednesdays, Thursdays and Fridays 12 - 7 pm

It's not uncommon for exhibition dates to change, which is all the more the case at a moment of such tremendous and rapid change in activities between the U.S. and Cuba.

Next exhibition is Pedro Gómez - Egaña's solo show «The Common Ancestor» between the dates of April 26 — July 31, 2018.