Sentences with phrase «between drug addicts»
Between drug addicts, dealers and gang members the rookie gets his lessons by the leader of the pack.
https://www.rottentomatoes.com/ Not exact matches
@Tesla, the difference between Rush and Obama is Obama dabbled in crack but has never said drug addicts belong in prison with long sentences.
Drawing a firm distinction between physical addiction and psychological addition, Dodes states: «Detoxifying (withdrawing) people who are physically addicted to their drugs does not cure them.
«The time is now to streamline communication between health care providers and pharmacists to better serve patients, stop prescription drug trafficking, and provide treatment to those who are addicted.»
Reddy argued the bill is necessary to make the distinction between an addict who deals drugs to feed their habit and should be in treatment and a career dealer who doesn't care about getting clean.
Researchers led by Nigel Bamford of the University of Washington in Seattle, US, gave mice large doses of methamphetamine, equivalent to those taken by addicts during drug binges, to see how this affected communication between cells in the brain's cortex and those in a region of the brain called the striatum.
Opioid abuse and addiction is a growing concern in the U.S. with the National Institute on Drug Abuse estimating that approximately 2.1 million Americans suffer from substance use disorders related to prescription opioid pain relievers and an estimated 467,000 Americans are addicted to heroin, with increasing recognition of the strong relationship between opioid use and heroin abuse.
The fifth collaboration between Martin Scorsese and Leonardo DiCaprio gets its title from Jordan Belfort's memoir, the basis for Terence Winter's script about the rise and fall of a hard - partying, drug - addicted stockbroker who led one of the most successful brokerage firms of the»90s before being indicted in 1998 for securities fraud and money laundering.
Although the plot is very week, the direction seems to put the viewer in the shoes of a hallucinating drug addict, with scenes shifting between reality, and mental fantasies that spring up to explain metaphors or similes, as well as a sing - a-long version of the new National Anthem of England!
Scenes of inebriation, illegal drug use and a clumsy fight between a drunk and a drug addict are also depicted in the movie.
Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
In an attempt to possibly avoid the faith - based film curse, its dubious ideologies and a fear of alienating cynical audiences, Captive bolsters the emotional relationship between a psychotic murderer and drug addict, the crucial religious connotations within the narrative, subdued and prosaic.