Sentences with phrase «between exhibitions the gallery»

Between exhibitions the gallery is being used throughout the fall as a lab with different classes moving in to create work in the space.

Not exact matches

Plus, local transformative fashion brand Paridaez will be at the Adelson Gallery between 7 - 9 pm, and check out an interesting exhibition bridging the creepy and the cute at the Abigail Ogilvy Gallery across the hall.

«It's a nice contrast between the gentler material from the 70s and 80s to the slightly coarser, rougher stuff that we have now,» says the man behind the exhibition, gallery owner Tim Benson.

The inside scoop on the best science art exhibitions around the country: EXHIBITS: NORTHEAST REGION LIFE: Magnified June — November 2014 Gateway Gallery Between Concourse C and the AeroTrain C-Gates station Washington Dulles International Airport Washington, D.C.

Significant Otherness, a benefit for the Spay Neuter Project of Los Angeles (SNPLA), explores the unique bond between animals and humans through artwork generously donated by eight contemporary artists for a gallery exhibition at Angels Gate Cultural Center and available for sale in this online auction.

Between Beaufort and William Streets, the Perth Cultural CentreOpens external site in a new window is home to a number of cultural institutions where you can catch a gallery or museum exhibition, or see a live performance.

Sharon Butler interviews painter David Rhodes on the occasion of his exhibition Between the Days at Hionas Gallery, New York, on view through June 25, 2016.

An exhibition, either solo or shared has been the most profitable experience in galleries but I found that it was too long between drinks just having a few pieces on their walls surrounded by many other works, often made up of pieces that had been created to fit in with that years interior design colour schemes and priced accordingly.

Ibid Gallery is hosting a solo exhibition of Mexican artist Alejandro Almanza Pereda, whose work explores the relationships and invisible links between sculptures, architectural spaces, and the spectator.

Like night and day, two absorbing exhibitions at two Chelsea locations of the Pace Gallery a block apart shuttle between the «dark...

This will be the artist's first solo exhibition in the US and will inaugurate the gallery's new space at 299 Grand Street (between Allen and Eldridge).

The exhibition, developed in collaboration with the San Francisco photography specialist Fraenkel Gallery, will attempt to explore the possible dialogues that may exist between photographs and drawings.

In LONDON, starting October 2012, Laurent Delaye Gallery presents Experiment in Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISE.

1986 Art on Paper, Weatherspoon Art Gallery, UNC Greensboro, NC Romanticism & Cynicism in Contemporary Art, Haggerty Museum of Art, Marquette Univ., Milwaukee, WI First Impressions, Allan Frumkin Gallery, New York, NY Ten From The Drawing Center, Paine Weber Art Gallery, New York, NY Senza Paura, Wessel O'Connor Gallery, Rome, Italy Inaugural Exhibition, Curt Marcus Gallery, New York, NY Notes From the Underground, Allan Frumkin Gallery, New York, NY 57th Between A & D, Holly Solomon Gallery, New York, NY EL Arte Narrativo, PS 1, Long Island University, New York, NY Alumni Exhibition, Pratt Institute, Brooklyn, NY New Art, Modernism Gallery, San Francisco, CA New York, NY / Seattle, Seattle Center on Contemporary Art, Seattle, WA Outline, Cutout, Silhouette, Allan Frumkin Gallery, New York, NY Avenue C By The Sea, Tower Gallery, East Hampton, New York, NY East Village Collection, Palladium, New York, NY Summer Pleasures, Nancy Hoffman Gallery, New York, NY

Other selected solo exhibitions include: Some Kinds of Duration, Centre for Contemporary Photography, Melbourne, 2012; Nauru - notes from a cretaceous world, Sutton Gallery, Melbourne, 2010; and Between a Rock and a Hard Place, Art Gallery of New South Wales, Sydney, 2009.

In 2007 Waterman curated two exhibitions in New York, one on experimental music and poetics: Agapê (2007) at Miguel Abreu Gallery, and the other on graphic notation, Between Thought and Sound: Graphic Notation in Contemporary Music (2007) at The Kitchen.

Other solo exhibitions include: Some Kinds of Duration, Centre for Contemporary Photography, Melbourne, 2012; Nauru, notes from a cretaceous world, Sutton Gallery, Melbourne, 2010; and Between a Rock and a Hard Place, Art Gallery of New South Wales, Sydney, 2009.

His 2015 exhibition at the Albright - Knox Art Gallery, Buffalo, presented a group of multicolored abstract paintings done in bubblegum, bridging the gap between Abstract Expressionism and sidewalk detritus.

New York - Cara Gallery is pleased to present Relevant Notes, a collective exhibition that presents a dialogue between the work of 11 artists to explore the boundaries of disciplines among installation art, land art and architecture.

At the Indiscipline of Painting exhibition at the Mead Gallery some of the abstract paintings on show question the relationship between abstraction and representation.

Coop Fund is the result of a series of workshops and conversations between Artists Space's staff and participating artists from early 2017 to March 2018, when the gallery was without a director or a permanent exhibition space.

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

Following a solo exhibition at the Chisenhale Gallery in 2011, his Turner prize nomination in 2014 and recent collaborative projects between ICA, London, Bergen Kunsthall and Kestnergesellschaft, Hannover, this opportunity comes at a pivotal moment to consolidate Richards» practice at one of the most significant international platforms for the visual arts.

Salomon Arts Gallery will present «Mystical Forces,» a group exhibition that explores the forces at play between thought and action.

Initially conceived to document the artist's 2014 exhibition at David Zwirner in New York — his first with the gallery, debuting new sculptural work, a critically acclaimed video, and a much - discussed animatronic sculpture — the publication ultimately exists as a hybrid between an exhibition catalogue and a stand - alone expression of Wolfson's vision.

Her current solo exhibition at Mid-Wilshire's David Kordansky Gallery, More Life features her largest paintings to date, ones that blur the lines between landscape, minimalism, abstraction and help to elevate human consciousness.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

In her solo exhibition Your heart is clean at MASS Gallery, Ogunji unveils a body of works on paper and video installation developed during return trips to her father's homeland of Nigeria and time shared between industrial metropolis Lagos and Austin, TX.

Please join 11R for a conversation between artists Douglas Melini and Brian Alfred with curator Daniel S. Palmer, on the occasion of Melini's current exhibition at the gallery, You Have To Peer Into The Sky To See The Stars.

The Visual Arts Program at Wave Hill presents the work of contemporary artists who explore the dynamic relationship between nature, culture and site through exhibitions in Glyndor Gallery and the Sunroom Project Space, and through the Winter Workspace Program and generated@wavehill.

Move: Choreographing You is an exhibition at Hayward Gallery, London from 13 October 2010 to 9 January 2011 which explores the interaction between contemporary art and dance.

Recent group exhibitions include Man in the mirror, Vanhearents Art Collection, Brussels, Belgium, 2015; Exposition d'ete, Galerie Nathalie Obadia, Brussels, 2015; David Kennedy Cutler, Michael DeLucia, David Scanavino, Derek Eller Gallery, New York, NY, 2014; Socrates Sculpture Park, Long Island City, NY 2013; Michale DeLucia, Bryan Graf & Kate Shepherd, Halsey McKay Gallery, New York, NY, 2013; On the Grid, Lu Magnus, New York, NY, 2013; MONSLVAT, Bureau Gallery, New York, NY, 2013; 80wse Presents, 80wse Galleries, New York, NY, 2012; Hors les murs, Galerie Nathalie Obadia, Brussels, Belgium, 2012; Coquilles mecaniques, CRAC - Centre Rhenan d'Art Contemporain, Alsace, 2012; In Between, Galerie Nathalie Obadia, Brussels, Belgium, 2012; Andrea Rosen Gallery, New York, NY, 2012; Flection, Hedge Gallery, San Francisco, CA, 2012; Potential Images, 1708 Gallery, Richmond, VA, 2012; and In Practice: You Never Look at..., Sculpture Center, Long Island City, NY, 2012.

T03458 ANTONY AND CLEOPATRA 1982 Oil on canvas 114 1/4 × 113 5/16 (2893 × 2872) Inscribed «Gillian Ayres» b.r. Purchased from Knoedler Gallery (Grant - in - Aid) 1982 Exh: Gillian Ayres, Knoedler Gallery, April — May 1982 (20, as «Anthony and Cleopatra»); Gillian Ayres, Serpentine Gallery, November 1983 — January 1984 (17, as «Anthony and Cleopatra») Lit: Tim Hilton, introduction to Gillian Ayres, exhibition catalogue, Serpentine Gallery, November 1983 — January 1984, p. 16 as «Anthony and Cleopatra» The following entry is based upon a conversation between the compiler and the artist held on 8 April 1986 and has been approved by the artist.

The gallery will present an exhibition of Josef Albers's work in its 537 West 20th Street location in New York in November 2016 that will explore the relationship between his Homage to the Square paintings and the monochrome.

Between Die Hexe, his magnificent early 2015 occupation of the Upper East Side townhouse housing the blue - chip gallery Luxembourg & Dayan and his current return to New York with a solo exhibition at Maccarone this month, Da Corte has been productive.

The bi-coastal gallery provided comprehensive client services and organized acclaimed exhibitions of modern and postwar art, such as Tanguy Calder: Between Surrealism and Abstraction (2010), John Chamberlain: Early Years (2009), and Tom Wesselmann: The Sixties (2006).

Dominique Lévy gallery is presenting Local History, a transatlantic exhibition that presents the moment of creative intersection between three distinct post-war artists.

[32] Between November 2010 and May 2011 her exhibition «Paintings and Related Work» was presented at the National Gallery, London.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara Universityexhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

David Askevold and Peter Hutchinson March 27 — April 26, 2008 532 Gallery Thomas Jaeckel and Curator David Gibson are pleased to announce an exhibition featuring two pioneer conceptual artists, David Askevold and Peter Hutchinson, who have established the connections between language, the found photographic moment; and an interaction with nature and the intricacies of the mind between actual and intellectual experience.

Legendary trendsetter Leo Castelli set up a solo show for him, sandwiched between exhibitions at his gallery from John Chamberlain and Roy Lichtenstein.

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.

IMPORTANT DATES May 21: Entries due June 8: Notification of accepted artwork June 28, 29: Delivery of accepted artwork to The Gallery between noon — 6 p.m. July 9: Exhibition opens July 12: Opening reception and awards presentation August 30: Exhibition closes August 31 to September 3: Pick up of artwork between noon — 6 p.m. Juror: Asia Tail Asia curates special projects and art exhibitions, with an emphasis on empowering Indigenous artists.

With its exhibitions and events, the opening of a gallery in London's West End, together with the publication of the influential Signals Newsbulletin, Signals became a centre for experimental international artists, with links formed between the avant gardes of Latin America, Europe and London.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

«The show is really about edges between many things,» he says of his solo exhibition «Ancienne Rive,» which opens tomorrow at the Chelsea gallery Ameringer McEnery Yohe.

The exhibition blurs boundaries between the galleries and the museum grounds, immersing you in a world of flower.

This solo exhibition, Rubinfien's second with the gallery, will feature 17 color photographs selected from his series A Map of the East, which he made in Japan and other parts of Asia between 1980 and 1987.

The first gallery show since his death in 2006, this exhibition features work created between 1964 - 1973, much of which...