Sentences with phrase «biennale arte»

We Must Risk Delight: Twenty Artists from Los Angeles is being presented as an official Collateral Event of the 56th manifestation of la Biennale di Venezia, Biennale Arte 2015.

The artists presented in We Must Risk Delight will give the audiences of the Biennale Arte 2015 an opportunity to discover the city of Los Angeles through the kaleidoscope of its creative community, while also encouraging us all to risk delight and celebrate the act of creating as humanity's pathway to joy: both within ourselves and in the collective world around us.

The Biennale Arte 2017 exhibition is spread across the Giardini and the Arsenale venues.

A way out of the mirror, a work by Geoffrey Farmer to be presented at the Canada Pavilion at Biennale Arte 2017

Shortly after the opening of the Biennale Arte 2017, I will publish additional details on each pavilion and on all the treasures I discovered at this year's event.

This is how Paolo Baratta, President of La Biennale di Venezia, presents Biennale Arte 2017, explaining that «the 57th Exhibition introduces a further development.

With recurring messages placed in different symbolic images, Kenyan artist Wangechi Mutu predicts the end of materialism in her exhibition at the recently opened Venice Biennale Arte 2015.

As a celebration of Biennale Arte 2017's VIVA ARTE VIVA theme, Swatch created a unique collaboration watch featuring the 57th anniversary blue and white logo.

Mark Bradford speaking about his project Tomorrow Is Another Day at the US pavilion at the 57th Biennale Arte in Venice, Italy.

Her presence at the Biennale Arte 2019 is a fitting acknowledgement of her considerable achievements to date.»

He has brought a diptych, Canone Aureo 958 (Agnes Martin), a segment of a project he began in 1979 to the Biennale Arte 2017.

EW: Outside of the gallery, which I more regard as a Project Space, my activity includes a lot of curatorial work, as is evidenced in the upcoming exhibition «Body and Soul: Performance Art Past and Present» at the Biennale Arte 2017 in Venice.

She just received the Golden Lion from the Biennale Arte 2017, Venice.

The latter is in my show «Body and Soul: Performance Art — Past and Present,» a collateral event at the Biennale Arte 2017, Venice.

Humann is also showing at the Biennale Arte 2017, Venice, with a project on augmented reality.

Phyllida Barlow's British Council commission is at the Biennale Arte 2017 from 13 May to 26 November.

She was the curator of the French Pavilion at the Biennale Arte 2013 (Anri Sala) and the Belgian Pavilion at the Biennale Arte 2007 (Eric Duyckaerts).

She was a commissioner in one of the sections of Biennale Arte 1993, directed by Achille Bonito Oliva.

On the occasion of her nomination, President Paolo Baratta declared: «In the wake of the Biennale Arte directed by Okwui Enwezor, centred on the theme of the rifts and divisions that pervade the...

Not exact matches

Critical consensus formed quickly around «Viva Arte Viva,» the exhibition that Christine Macel, chief curator of the Centre Pompidou in Paris, has mounted at the 57th Venice Biennale.

Riff's work has also been included in international museums and exhibitions, including the Venice Biennale (1990, 1993), Dia Center for the Arts, New York (1994), Palacio de Vela?zquez / Museo Nacional Centro de Arte Reina Sofi?a, Madrid (2001), and the Museum moderner Kunst Stiftung Ludwig (MUMOK), Vienna (2013).

1st Berlin Biennale (1998): Klaus Biesenbach with Nancy Spector and Hans Ulrich Obrist 2nd Berlin Biennale (2001): Saskia Bos 3rd Berlin Biennale (2004): Ute Meta Bauer 4th Berlin Biennale (2006): Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick 5th Berlin Biennale (2008): Adam Szymczyk and Elena Filipovic 6th Berlin Biennale (2010): Kathrin Rhomberg 7th Berlin Biennale (2012): Artur Żmijewski together with associate curators Voina and Joanna Warsza 8th Berlin Biennale (2014): Juan A. Gaitán 9th Berlin Biennale (2016): DIS (Lauren Boyle, Solomon Chase, Marco Roso, David Toro) The selection committee for the curatorship of the 10th Berlin Biennale consisted of Krist Gruijthuijsen, KW Institute for Contemporary Art, Berlin, DE; Vasif Kortun, SALT, Istanbul / Ankara, TR; Victoria Noorthoorn, Museo de Arte Moderno de Buenos Aires, AR; Willem de Rooij, Frankfurt / Berlin, DE; Polly Staple, Chisenhale Gallery, London, GB; and Philip Tinari, Ullens Center for Contemporary Art, Beijing, CN.

View of Olafur Eliasson's installation Green light — An artistic workshop, 2016 — , in «Viva Arte Viva» at the Venice Biennale.

More recently, her artwork has been exhibited at major institutions and exhibitions worldwide including the Gwangju Biennale, South Korea (2016); a traveling career retrospective at the Solomon R. Guggenheim Museum, New York, NY (2015) and at the Fundação Serralves — Museu de Arte Contemporânea, Porto, Portugal (2014); the Vienna Biennial (2015); Guggenheim Abu Dhabi, UAE (2014); Prospect 3, New Orleans, LA (2014); Sharjah Biennial 11, UAE (2013); WIELS Contemporary Art Centre, Brussels, Belgium (2013); Haus der Kunst, Munich, Germany (2010); the 6th Asia Pacific Triennial of Contemporary Art, Queensland, Australia (2010); and the 29th Bienal de São Paulo, Brazil (2009).

Viva Arte Viva 57th Venice Biennale Through Nov. 26 in the Giardini and the Arsenale and around Venice; labiennale.org.

2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave / Modern Art, London, UK Fractured Figure, Curated by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands

Traveled to Kunsthalle Recklinghausen, Recklinghausen, Germany (October — December) and Stedelijk Museum, Amsterdam, the Netherlands (December 1959 — January 1960) Documenta II: Kunst nach 1945, Internationale Ausstellung, Museum Fridericianum, Kassel, West Germany (July 11 — October 11) Premio dell «Ariete: Selezione Biennale di Pittura Internazionale, Gallerie dell «Ariete, Milan (May 8 — 31) Arte nuova: Expositione Internazionale di pittura e scultura, Circolo degli Artisti, Palazzo Granieri, Turin (May 5 — June 15) 26th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington D.C. (January 17 — March 8) New York and Paris: Painting in the Fifties, Museum of Fine Arts, Houston (January 16 — February 8) Accrochage d'Ouverture, Galerie Smith, Brussels (January 7 — 26)

«Wall Formation Yellow Modeling» by Franz Erhard Walther at the biennale, which is titled «Viva Arte Viva.»

2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX

Her visual art has been widely exhibited nationally and internationally, including the 1993 Venice Biennale; SMAK Museum, Ghent, Belgium; Brooklyn Museum, New York; Weatherspoon Museum, Greensboro, North Carolina; Neuberger Museum, Purchase, New York; Banff Centre for the Arts, Alberta, Canada; The FlashArt Museum, Trevi, Italy; Galleria d' Arte Moderna, Bologna, Italy; and the Groningen and Helmond Museums, Netherlands, among others.

Tomio Koyama Gallery congratulates Sopheap Pich, who is participating in the 57th Venice Biennale «VIVA ARTE VIVA &...

Tomio Koyama Gallery congratulates Sopheap Pich, who is participating in the 57th Venice Biennale «VIVA ARTE VIVA» and «SUNSHOWER Contemporary Art from Southeast Asia 1980s to Now» (The National Art Center, Tokyo x Mori Art Museum, July 5 — October 23, 2017).

His works have been presented internationally at the Venice Biennale, The Venice Theater Biennale, Stedelijk Museum Amsterdam, PS1 New York, Creative Time New York, Musée d'Art Contemporain Montreal, Museum für angewandte Kunst Vienna, ZKM Karlsruhe, National Museum of China in Beijing, National Museum for Contemporary Art in Seoul, ICC Tokyo, Arte Alameda Mexico City, Sharjah Art Foundation, and the Museum of Old and New Art in Hobart, Tasmania.

Lagomarsino has participated in numerous solo and group exhibitions across the world, including Carla Zaccagnini & Runo Lagomarsino, Malmö Konsthall (2015); Against My Ruins, Nils Stærk, Copenhagen (2014); We have everything, but that's all we have, Mendes Wood DM, São Paulo (2013), and For Each Light a Shadow, Ignacio Liprandi, Buenos Aires (2013); the World's Futures, the 56th Venice Biennale (2015); Really useful knowledge, Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); Under the Same Sun, Guggenheim Museum, New York (2014); The 30th São Paulo Biennial — The Imminence of Poetics (2013); Untitled — 12th Istanbul Biennial (2011) and The Moderna Exhibition, Moderna Museet, Stockholm (2010).

Jodice was one of the founding members of the collective Multiplicity and his work has been exhibited worldwide, including at Documenta (2001); La Biennale di Venezia (2003); Liverpool Biennial (2004); MUSAC, Leon (2005); ICP Triennial of Photography and Video, New York (2007); Museo Nacional Centro de Arte Reina Sofía, Madrid (2007); São Paulo Art Biennial (2006); Tate Modern, London (2006); MAMbo, Bologna (2010); Museo del Prado, Madrid (2011); Queensland Art Gallery, Australia (2012).

Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).

His work has been exhibited at Seoul Museum of Art; The 2nd Johannesburg Biennale, South Africa; The 2nd Gwangju Biennale, South Korea; Smithsonian Institution, Hirshhorn Museum, Washington D.C.; Queens Museum, NY; Museo de Arte Moderno, Mexico; Brooklyn Museum, Brooklyn, NY.

We are pleased to announce that Kishio Suga is participating in the 57th Venice Biennale «VIVA ARTE VIVA».

This phase of Accardi's practice, which was celebrated in the Ambiente / Arte section of the 1976 Venice Biennale, would prove influential for the Arte Povera movement.

Binion's works are central to this year's 57th International Art Exhibition — La Biennale di Venezia, VIVA ARTE VIVA, curated by Christine Macel, and have been featured in solo exhibitions at the Contemporary Arts Museum Houston, Texas, and the University of Maryland University College Gallery.

1997 Trade Routes: History and Geography II Johannesburg Biennale, Johannesburg, South Africa V International Istanbul Biennale, Istanbul, Turkey Material Immaterial, The Art Gallery of New South Wales, Sydney, Australia Arco Contemporary Art Fair, Recinto Ferial Juan Carlos I, Madrid, Spain Antarctica Artes com a Folha, Ibirapuera, São Paulo, Brazil Material Immaterial, The Art Gallery of New South Wales, Sydney, Australia

Selected group exhibitions include: Whitechapel Gallery, London; Centro Artes Visuales Helga de Alvear, Cáceres (both 2011); Socrates Sculpture Park, Long Island City, New York; Denison Museum, Granville, Ohio (both 2010); Brooklyn Academy of Music, New York; Macro Future, Depart Foundation, Rome; Foundation CaixaForum, Madrid (all 2009); 2nd Moscow Biennale (2007); Weatherspoon Art Museum, Greensboro, North Carolina; Walker's Point Center for the Arts, Milwaukee; Cercle (all 2006); SculptureCenter, New York (2005); Queens Museum of Art, New York (2003); Whitney Museum of American Art at Altria, New York, Arnolfini, Bristol (both 2002), Public Art Fund, Brooklyn, New York (2001).

He was also part of the curatorial teams for Documenta11, the 50th Venice Biennale, and conceived and curated Tropicalia: A Revolution in Brazilian Culture, which traveled from the MCA Chicago to the Barbican Gallery in London (2004/2005) as well as the Bronx Museum in New York and the Museu de Arte Moderna in Rio de Janeiro (2006/2007).

2005 Experiencing Duration, Biennale d'art Contemporain de Lyon, Lyon, France Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Ecos y Contrastes, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica Colleció Fundació La Caixa - 20 anys amb l'art contemporani, Caixa Forum, Barcelona, Spain Tropicalia, touring exhibition, Museum of Contemporary Art, Chicago, USA Urban Cocktail, Walker Art Center, Minneapolis, USA Here Comes the Sun, Magasin 3, Stockholm, Sweden Always a Little Further, 51st Biennale di Venezia, Venice, Italy Como é doce morrer no mar, Museu de Arte Contemporânea do Ceará - Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brazil 5th Biennal de Arte do Mercusol, Porto Alegre, Brazil Water Event, The Astrup Fearnley Museum, Oslo, Norway Desenhos: A-Z, Porta 33, Madeira, Portugal Educação, Olha!

2003 A Nova Geometria, Galeria Fortes Vilaça, São Paulo, Brazil PLUNDER: Culture as Material, Dundee Contemporary Arts, Dundee, Scotland From Dusk to Dusk - Art between Light and Dirt, Charlottenborg Exhibition Hall, Copenhagen, Denmark MAMAM - Museu de Arte do Recife, Recife, Brazil Frankenstein, Tanya Bonakdar Gallery, New York, USA (curated by Ethan Sklar) Delays and Revolutions, Venice Biennale, Italy Land Land!

His work has been exhibited internationally, including at the 52nd Venice Biennale, and is in collections of the Museum of Modern Art (MoMA, New York), the Whitney Museum of American Art, The Solomon R. Guggenheim Museum, the Museum of Contemporary Art (MOCA, Los Angeles), the Los Angeles County Museum of Art, and Museo de Arte Contemporáneo de Castilla y León (MUSAC).

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

Novoa's work has been included in numerous group exhibitions including Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento, Italy; Center for Contemporary Art Laznia, Gdansk, Poland; Museo Nacional Reina Sofia, Madrid, Spain; Mediations Biennale, Muzeum Narodowe, Poznan, Poland; El Museo del Barrio, New York; Museo Del Palacio de Bellas Artes, Mexico City, Mexico; Nassau County Museum, Roslyn Harbor, New York; Exit Art, New York; City Art Museum Ljublana, Ljublana, Slovenia; Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba; The University Art Museum, University of California, Santa Barbara, California also traveled to University Galeries, Illinois State University, Normal, Illinois and DePauw University Art Gallery, Greencastle, IN; Centro de Cultura Contemporanea, Barcelona, Spain; Weatherspoon Gallery, University of North Carolina, Greensboro, North Carolina and Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania; Museum of Art, Fort Lauderdale, Florida; Centro Atlántico de Arte Moderno, Las Palmas, Canary Islands, also traveled to Fundación CAIXA, Palma de Mallorca and Centro de Arte Santa Mónica, Barcelona, Spain; Engraving Museum, Curitiba, Brazil; Ex Convento de Santa Teresa La Antigua, Mexico City, Mexico; Museo del Chopo, Mexico City, Mexico; Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela; Museo Jesus Soto, Ciudad Bolivar, Venezuela; Ludwig Forum Fur Internationale Kunst, Aachen, Germany; Städtische Kunsthalle Düsseldorf, Dusseldorf, Germany; Porin Taide Museo, Pori, Finland; also traveled to Mucsarnok Museum, Budapest, Hungary and Palffy Palace, Vienna, Austria; Massachusetts College of Art, Boston, Massachusetts also traveled to The Bronx Museum, New York and III Bienal de La Habana, Museo Nacional de Bellas Artes, Havana, Cuba.

Serra has been the recipient of many notable prizes and awards, including a Leone d'Oro for lifetime achievement, Venice Biennale, Italy (2001); The Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Orden de las Artes y las Letras de España, Spain (2008); Chevalier de l'Ordre national de la Légion d'honneur, Republic of France (2015); and, most recently, a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts.

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York