Sentences with phrase «biennale foundation»

Not exact matches

1951 was also a critical year for constructivism in Brazil, with the first São Paulo Biennale, which asserted its modern foundations in concrete art and concrete poetry, and with the figure of the Swiss artist, Max Bill, who was to exert great influence on this new generation of artists.

The Biennale also has what it calls «collateral events,» often organized by private foundations or commercial galleries.

MILAN»S FERTILE FOUNDATIONS This year's Venice Biennale was a washout, but westward, two private museums scored winners.

Until now, Facente has curated independent projects, exhibitions and panel discussions in non-profit spaces, foundations, private galleries and international events including the 5th Marrakech Biennale, Tranzitdisplay in Prague, VOLUME!

For this year's Biennale, the foundation «produced» WeltenLinie by the Polish artist Alicja Kwade, a walk - through installation that set rocks, petrified wood and other totem - like objects in mirrored, quasi-domestic spaces.

With Gran Fury, he collaborated on public awareness campaigns and public art projects for publications, museums and foundations including The New Museum, The Whitney Museum of American Art, The Venice Biennale, ArtForum, The New Museum of Contemporary Art, Creative Time, and The Public Art Fund.2 Articles

Towards the Possible Film, 2014, by Shezad Dawood, was commissioned by Film and Video Umbrella and Delfina Foundation, in partnership with Leeds Art Gallery, Paradise Row, Art Dubai Projects, Witte de With, Marrakech Biennale, British Council, University of Westminster, Chemould Prescott Road, Galerie Gabriel Rolt, Dar Al - Ma» mûn, and in association with Parasol unit foundation for contemporary art.

Winner of the 2012 Prince Claus Award, Teresa Margolles has represented Mexico at the 53rd Venice Biennale in 2009, and her works have been shown in several international museums, institutions and foundations.

In addition to its emphasis on engaging local cultural centres, galleries, foundations, and schools, the biennale routinely collaborates with international foundations and cultural organisations to position Bamako as an important site for analysing and sharing recent developments in lens - based media.

The foundation of the Venice Biennale at the end of the 19th century and a series of major international exhibitions led to a deeper interaction between Italian art and that produced elsewhere.

With Gran Fury, he collaborated on public awareness campaigns and public art projects for publications, museums and foundations including The New Museum, The Whitney Museum of American Art, The Venice Biennale, ArtForum, The New Museum of Contemporary Art, Creative Time, and The Public Art Fund.

I'm at the preview of two new virtual - reality commissions, by Christian Lemmerz and Paul McCarthy, that are debuting as a collateral event of the Venice Biennale, thanks to the Faurschou and Giorgio Cini Foundations.

Recent solo exhibitions include LOVEGAME, Merdiven Art Space, Istanbul, Turkey (2017); THEY / ONLAR video installation, Fabrica, Brighton, (2017) and the Brighton Festival (2017); THEY / ONLAR), Salt Galata, Istanbul, Turkey (2015); 2012 Zilberman Gallery, Istanbul (2012) Besides solo exhibitions she has participated in Evliyagil Museum, Ankara, Turkey (2017); the 13th Istanbul Biennial (2013); Poetry and Exile: British Museum (2014); 3rd European International Book Art Biennale, Moscow (2014); The Fourth and Fifth Bibliotheca Alexandrina International Biennale for the Artist's book (2010, 2004); Istanbul Modern (2009,2011); The National Museum of Women in the Arts (Washington D.C. 2010); King St. Stephen Museum, (Hungary 2013,2006); The Fifth Sharjah International Arts Biennial (2001); Collections include: Istanbul Modern, British Museum, Wien Museum as part of Karamustapha Export - Import, King St. Stephen Museum, The Bibliotheca Alexandrina, Koç and Zorlu Foundations.

She is also a consultant for the Kenneth Armitage and Eduardo Paolozzi Foundations, and was previously Associate Director at Frith Street Gallery where she worked on projects at Venice Biennale and Tate Britain.

Her work has appeared in major exhibitions at the Venice Biennale (2011, 2007); Parasol unit foundation for contemporary art, London (2010, 2007); Yokohama Museum of Art, Tokyo (2010); National Museum of Art, Osaka (2010); Philadelphia Museum of Art (2010); Moderna Museet, Stockholm (2009); Museum of Contemporary Art, Los Angeles (2007); Fondation Cartier pour l'art contemporain, Paris (2006); Hara Museum of Contemporary Art, Tokyo (2006, 2003); Israel Museum, Jerusalem (2005); National Gallery of Victoria, Melbourne (2004); Walker Art Center, Minneapolis (2003); and the São Paulo Bienal (2002).

At the time of Szeemann's appointment the Venice Biennale was no longer a state - run enterprise but has become a foundation.