Review of Petrit Halilaj's project for the 55th Venice
Biennale by Vincenzo Latronico.
He has also been invited back to the 57th Venice
Biennale by Studio la Città Gallery to stage a site - specific installation in the Palazzo Flangini with Emil Lukas titled «The End of Utopia» (on view until July 30, 2017).
Originally commissioned for the U.S. Pavilion of the 56th Venice
Biennale by the MIT List Visual Arts Center, Cambridge, Massachusetts.
The Evidence Room was originally created for the 15th International Architecture Exhibition of the 2016 Venice
Biennale by a team from the University of Waterloo School of Architecture, including O'Donovan Director Anne Bordeleau, architecture professors Donald McKay and Robert Jan van Pelt, independent curator and editor Sascha Hastings, and students and consultants.
(The curators solved the age - old problem of official Italian representation at
the Biennale by sanctioning a modest temporary construction in the Giardini for five young Italian artists.)
Acquired at
the biennale by Zeitz, this is the work's first public showing since 2013.
Flanked by two large new paintings, the installation will be specially made for
the Biennale by the Japanese artist.
Lynn Chadwick was part of a generation of British sculptors who surprised audiences at the 1952 Venice
Biennale by breaking with the tradition of carving sculpture from wood or stone.
Ms. Piper, 66, was most prominently featured in
the Biennale by «The Probable Trust Registry,» a recent work consisting of corporate - looking kiosks at which people could choose to sign contracts agreeing to live by one or more of three rules: «I will mean everything I say»; «I will do everything I say I will do»; and «I will always be too expensive to buy.»
They Come to Us without a Word was organised for the U.S. Pavilion of the 56th Venice
Biennale by the MIT List Visual Arts Center and co-curated by Paul C. Ha, Director of the MIT List Visual Arts Center and Ute Meta Bauer, Founding Director of the NTU Centre for Contemporary Art Singapore.
Misha Nonoo was inspired in a recent visit to the Venice
Biennale by the work of German artist Gerard Richter and created for her spring / summer collection a series of fabulous patterns that evoke the blurred leitmotifs of the famous painter.
For the show in Kumu, the artist and the curator have progressed from the project that the Centre for Contemporary Arts Estonia produced for the Estonian Pavilion at the 57th Venice
Biennale by including a number of works that have not been presented before, plus some pieces created specifically for this exhibition.
Currently represented in the 56th International Art Exhibition of this year's Venice
Biennale by Librettos, a new series that brings together the score of the opera La Vida Breve by Spanish composer Manuel de Falla and a speech from 1964 by Black Panther Party member Stokely Carmichael, and Sound Text, a multipart series incorporating drawings on paper that lead to a performance by a seven - piece ensemble, Gaines continually produces ambitious and compelling work that is as challenging as it is inviting.
The sound piece Venetian Walk is a recording of sonic traces from
the Biennale by S / QU / NC / R, featuring sounds by Emeka Ogboh, Camille Norment, Mathieu Kleyebe Abonnenc, Steeve McQueen, Carsten Höller and Måns Månsson, Christian Boltanski, Jeremy Deller, Isaac Julien, Julius Eastman, Sonia Boyce, Theaster Gates, Moon Kyungwon and Jeon Joonho, Vincent Meessen and a live impro by Binelde Hyrcan.
Akram Zaatari was selected to represent Lebanon at the 2013 Venice
Biennale by Sam Bardaouil and Till Fellrath, curators for the Lebanese Pavilion.
Not exact matches
Also exhibited at the European Media Arts Festival, juried exhibition, Osnabrück, Germany, 2010, and
by invitation at the Poznan
Biennale (Mediations) 2010, Poland, the Beyond In Western New York biennale 2010, Buffalo, New York, and the Microwave International Media Arts Festival, Hong Kon
Biennale (Mediations) 2010, Poland, the Beyond In Western New York
biennale 2010, Buffalo, New York, and the Microwave International Media Arts Festival, Hong Kon
biennale 2010, Buffalo, New York, and the Microwave International Media Arts Festival, Hong Kong, 2010.
Bound in a work
by Flammarion publications, the precious stones of the Royal Cartier collection unveiled at
Biennale des Antiquaires 2014, bring the royal jeweler's story to life.
To begin with the end: your correspondent's maiden voyage to the Venice film festival concluded with a stroll through the 14th International Architecture Exhibition, also organized
by the
Biennale.
The 67th Venice International Film Festival will be held September 1 through 11, 2010, directed
by Marco Mueller and organized
by La
Biennale di Venezia, chaired
by Paolo Baratta.
The film was funded
by the Venice
Biennale College and has collected honours at both the Venice and Sundance film festivals, making it a significant milestone in her eclectic journey as an artist.
The Chevrolet Metro was used in the 17th
Biennale of Sydney (2010) exhibition in an experiment made
by Cai Guo - Qiang, a Chinese artist from Fujian, where nine Chevrolet Metros were suspended in the air through animation.
The Trick Brain, a video
by the British artist Ed Atkins, has haunted me since I first saw it at the 2013 Venice
Biennale.
And, since 1950, he'd been winning all sorts of medals and purchase awards, capped
by the Rodin Museum prize at the first Paris
Biennale, held at the Musee d'art Moderne de la Ville de Paris in 1959.
The Gautreauxes organized an exhibition of selections from their collection titled «Piece
by Piece» at the Kemper Museum in 2015, and have also lent works to the Nelson - Atkins Museum and the Venice
Biennale.
Beautiful news out of Italy this morning: Carolee Schneemann has been awarded Golden Lion for Lifetime Achievement
by the Venice
Biennale.
Selections from
Biennale de Paris award winner Francisco Salazar, mathematical precision pieces from Italy - based Victor Lucena and experiments with monochromatic red paintings
by Bernard Aubertin are also a part of this impressive collaboration.
That
Biennale, curated
by New Museum deputy director Massimiliano Gioni, became known for its large - scale presentation of so - called «outsider,» or vernacular, art.
Entitled «The Encyclopedic Palace» after a sculpture
by vernacular artist and auto mechanic Marino Auriti, the exhibition featured a century's worth of divergent work
by the likes of Castle, Carl Jung, Aleister Crowley, and Swedish mystic Hilma af Klint alongside
Biennale veterans such as Cindy Sherman, Bruce Nauman, and Steve McQueen.
Last Friday, Venetian authorities closed Christoph Büchel's functioning mosque in a disused church in the city, the Swiss artist's project for the Icelandic pavilion at the Venice
Biennale, saying that it had did not have the proper permits and was overcrowded, according to a piece in The New York Times
by Randy Kennedy, who has been providing play -
by - play coverage of the controversy.
The Berlin
Biennale is funded
by the Kulturstiftung des Bundes (German Federal Cultural Foundation) and organized
by KUNST - WERKE BERLIN e. V.
Coinciding wth the 57th Venice
Biennale, London - based Victoria Miro is inaugurating a new space in Venice with a presentation of works
by British painter Chris Ofili.
Inspired
by a quote from leading science fiction author William Gibson, The future is already here - it's just not evenly distributed, this edition of the
Biennale, which opens in March 2016, will be presented at seven main venues conceived as «embassies of thought».
The conversations were adapted as a 4 - channel video installation commissioned
by the Marrakech
Biennale 2012.
The
Biennale also has what it calls «collateral events,» often organized
by private foundations or commercial galleries.
MUMA, in association with the
Biennale of Sydney and MPavilion, are pleased to present a special illustrated lecture
by Stephanie Rosenthal, Artistic Director of the 20th
Biennale of Sydney (18 March - 5 June 2016).
Jack Whitten 55th Venice
Biennale The Encyclopedic Palace Venice, Italy Curated
by Massimiliano Gioni
In 2007 Isa Genzken was invited
by Nicolaus Schafhausen for a solo installation of her work in the German Pavilion at the 52nd Venice
Biennale.
The exhibition is commissioned
by the British Council for the 57th International Art Exhibition — La
Biennale di Venezia, 2017.
The 10th Berlin
Biennale for Contemporary Art titled We don't need another hero is a conversation with artists and contributors who think and act beyond art as they confront the incessant anxieties perpetuated
by a willful disregard for complex subjectivities.
In this two - venue exhibition, paintings
by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice
Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSM.
Conrad Shawcross: «The ADA Project», installation view, Socle du Monde
Biennale 2017 / / Photo
by Ole Jørgensen
For the exhibition «Always A Little Further,» curated
by Rosa Martinez, we created six giant 17 - foot posters taking on the
Biennale itself (Benvenuti alla
Biennale Femminista!)
The first US artist to win the Golden Lion for painting at the Venice
Biennale in 1963, Rauschenberg's quest for innovation was fired
by his openness to the world, his enthusiasm for collaboration and his passion for travel.
Past projects include: PLAN B, Rudolf Stingel, Summer 2004, Grand Central's Vanderbilt Hall and The Walker Art Center, Minneapolis; Prada Marfa, Michael Elmgreen and Ingar Dragset, permanent installation, Marfa, TX; Greeting Card, Aaron Young, The Drill Hall at the Park Avenue Armory, September 2007; Electric Fountain, Tim Noble & Sue Webster, Rockefeller Plaza, Spring 2008; Whitney
Biennale, presented
by APF and the Park Avenue Armory, March 2008; Prospect 1.
Fatos Ustek recently curated fig - 2, a ground - breaking project initiated
by OUTSET which presented 50 exhibitions in 50 consecutive weeks throughout 2015 at the Institute of Contemporary Arts (ICA), London, and acted as associate curator for the 10th Gwangju
Biennale, South Korea.
Wolfgang Tillmans: Book for Architects is an installation which made its debut in the 2014 Venice Architecture
Biennale in the exhibition Elements of Architecture organized
by Rem Koolhaas.
2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave / Modern Art, London, UK Fractured Figure, Curated
by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens
Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated
by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands
In fall 2010, Freiman was appointed
by the United States Department of State to be commissioner of the U.S. Pavilion in the 54th International Art Exhibition, La
Biennale di Venezia.
Selected Solo Shows: 2018 Solo show, New Museum, New York (upcoming); 2017 The Aalto Natives, with Erkka Nissinen, curated
by Xander Karskens, Finnish Pavilion, 57th Venice
Biennale, IT; Solo Show, The Box, Los Angeles, USA; 2014 The Sophisticated Neanderthal, Art: Concept, Paris, France; Hammer Projects: Nathaniel Mellors, Hammer Museum, Los Angeles, CA; 2013 Front Room: Nathaniel Mellors & Jimmy Joe Roche, Baltimore Museum of Art, Baltimore (US); 2012 Recent collaborations before THE SAPROPHAGE, MONITOR, Rome Ourhouse, Episode 3 — The Cure of Folly, Malmö Konsthall, C - salen, Malmö, Ourhouse, Episode 3 feat.
37 countries and territories from six continents interpret the theme «Utopia
by Design» for London Design
Biennale.