Some of his most recent works, the 2009 sound installation pieces, Days and Giorni, were featured at the Venice
Biennale of that same year, representing the United States and winning the Golden Lion award.
His tiled pieces (also seen at the FEEL UP collaboration with Eddie Peake at Lismore Castle in Ireland in early 2015 and his first solo show home from home at Arts & Jobs London in 2012) as well as the steam like aluminium panels (also shown at Jhaveri Contemporary in 2014 and Gwangju
Biennale of the same year and at He Looked Me Up at Marian Cramer gallery in 2012) resemble the interior architecture of specific public spaces such as toilets, saunas and bathhouses.
Not exact matches
MoMA included him in the 1946 Fourteen Americans exhibition; he represented the United States at the 1948 Venice
Biennale; the Whitney organized a traveling retrospective
of his work in 1951; and that
same year, he participated in the São Paulo
Biennale.
Another major installation anchoring the first floor is Chance — the Wheel
of Fortune (2011), created for the French pavilion at the Venice
Biennale the
same year.
Expectations ran high for the show, particularly as it happened to appear within the
same year as a number
of extraordinarily successful and well - received international surveys
of contemporary art — including the Venice
Biennale, the Lyon
Biennale and the Carnegie International, among those I've seen.
What sparked my own interest in the band — beyond a purely audiophile fascination as a part - time music journalist — was the beats credited to the likes
of artists / art projects Kareem Lotfy and AIDS 3 - D, as well as the fact 18 + had performed IRL at last
year's defining Venice
Biennale, New York's Artists Space and Trouw Amsterdam, at the
same time as showing up on the bill at Berlin's Creamcake and frequently being featured in straight up music websites.
His work was included in the 2017 Venice
Biennale, and was the subject
of an exhibition, A World View: John Latham, on view at the Serpentine Galleries, London, UK in the
same year.
That
same year, Leslie's work was included in several major exhibitions including the São Paulo
Biennale in Brazil and Sixty American Painters: Abstract Expressionist Painting
of the 1950s at the Walker Art Center in Minneapolis.
The Contemporary Art Society first acquired Lynette Yiadom - Boakye's work in 2013, buying To Tell Them Where It's Got To (2013) for Plymouth City Museum and Art Gallery, ahead
of her exhibition at the Venice
Biennale in the
same year.
For those who saw my works at the Fabrica gallery in Brighton and the Venice
Biennale last
year, it won't look entirely the
same, but it has been reconfigured to suit the unique requirements
of the Djanogly Gallery space.
A simulacrum
of her MoMA piece was permitted to rot away at Harald Szeemann's Lyon
Biennale the
same year, in a group show tellingly titled L'Autre (The Other).
Marisa Merz's Untitled (2012) at Gladstone Gallery This new work by the octogenarian artist exhibits the
same spunk, grandeur, and heartfelt honesty that characterized her reception
of the Golden Lion for Lifetime Achievement at this
year's Venice
Biennale.
Coherently with the theme and principles
of both the French pavilion and this
year's Venice Architecture
Biennale, Encore Heureux, in collaboration with Marseille - based «Collectif Etc», designed a fit - out which re-uses materials (mostly wood) from the Xavier Veilhan's Studio Venezia exhibition presented in this
same pavilion at the 2017 Art
Biennale.
This new work by the octogenarian artist exhibits the
same spunk, grandeur, and heartfelt honesty that characterized her reception
of the Golden Lion for Lifetime Achievement at this
year's Venice
Biennale.
That
same year, her work was selected for the 31st Venice
Biennale and she became national president
of Artists» Equity, serving until 1964.
Striking a much less solemn note, Lucy McKenzie's «La Kermesse Héroique» was this
year's contribution from curator Milovan Farronato (who surprised many at the last
Biennale with a show
of Peter Doig paintings in the
same space).
In 1948, he held his first one - man exhibition at the Fiore Gallery, Florence, and in the
same year he was awarded first prize for an Italian artist at the Venice
Biennale, and elected a member
of the Academy
of Art, Rome.
During the
Biennale, the
same venue, founded in 2014 by Indonesian - Chinese collector Budi Tek, was given over to both «Andy Warhol: Shadows,» presenting 102 silk - screened canvases hung edge to edge, and «Overpop,» a seventeen - person show that balanced the work
of Western artists (e.g., Camille Henrot, Alex Israel) selected by American dealer Jeffrey Deitch with Chinese artists (e.g., He An, Liu Yefu) chosen by Karen Smith, a British - born critic - curator who has lived in China for some twenty - five
years.
In 2013, Chihota represented Zimbabwe at the 55th International Art Exhibition
of La
Biennale di Venezia, Venice and was awarded the Prix Canson in the
same year.
The
same year, he also co-curated and contributed an essay for the 7th Sharjah Biennial [31] in The Emirate
of Sharjah, United Arab Emirates, the largest international contemporary art
biennale in the Middle East.
The fair, which this
year features 164 galleries from 27 countries, caters to the
same international crowd that attends the previews
of Art Basel and the Venice
Biennale.
In 2009, his works were shown in the UAE's inaugural pavilion at the Venice
Biennale and one
of his installations which were made
of used slippers and wire was shown at the Sydney
Biennale that
same year.