Sentences with phrase «biennale on»

The European art scene has a lot to offer this season, with international art exhibitions including Art Basel in Basel, Switzerland coming to a close on June 18th and the 57th Venice Biennale on view through November 26, 2017.

His work has been included in major international exhibitions including the Venice Biennale on eleven separate occasions, and four iterations of Documenta and can be found in many public collections, among them Tate Britain, London, Guggenheim Museum, New York, MOMA, New York, Museo d'arte contemporanea, Castello di Rivoli, Turin, MACBA, Barcelona and MuHKa, Antwerp.

Danh Vo is producing a performance in conjunction with XiuXiu to open the Berlin Biennale on May 28th.

At the Venice Biennale we did a large - scale installation that dissed the Biennale on its own walls.

He will continue to act as Commissioner for Mark Bradford's forthcoming exhibition at the U.S. Pavilion's 57th Venice Biennale on behalf of the Rose.

Lee will tender his resignation after the opening of this year's Gwangju Biennale on September 5.

Turner Contemporary will work with partners Creative Foundation, De La Warr Pavilion, Jerwood Gallery, Metal, Towner Art Gallery and Whitstable Biennale on the project.

One is our partnership with the Russian art magazine Iskusstvo on their special issue featuring contemporary Chinese art, which will be launched at the Moscow Biennale on September 25, 2010.

Hugely popular on the international art scene, Jannis Kounellis played a prominent role in documenta in 1972, 1977, and 1982 and featured in the Venice Biennale on more than seven occasions.

He has been included in the Venice Biennale on eleven separate occasions, and four iterations of Documenta.

In 2011, we curated Scotland's pavilion for the Venice Biennale, presenting the work of Karla Black in an exhibition that was recommended as a highlight of the Biennale on the front page of the New York Times.

Works produced after 2014 can be submitted directly to the Biennale on the basis of recommendation (please provide specific reasons for recommendation) from teachers, experts, curators and artists.

WHEN OKWUI ENWEZOR WAS NAMED director of the Visual Arts Sector of the 56th Venice Biennale on Dec. 4, 2013, the appointment was historic.

Vienna's 2017 Biennale on robots, work and the future may be over, but the questions it posed will cast long shadows over both near and far futures

Not exact matches

So I'm writing to you from a quiet cafe on a canalside terrace near the Biennale site, where a combination of sunshine and pistachio -LSB-...]

Venice Biennale 2017 is on again 13 may - 26 Nov -LSB-...]

«TV is triage these days,» New Yorker critic Emily Nussbaum wrote recently, of the unwatchable number of television shows on the air right now, and you could say the same of viewing art exhibitions in Venice during the biennale.

A version of this story originally appeared in the Spring 2017 issue of ARTnews on page 112 under the title «11th Shanghai Biennale.»

Here's a look at the action on the final day of the Venice Biennale preview, which includes national pavilions and collateral exhibitions around the city and Jonas Mekas.

Shortly after the opening of the biennale, Enwezor presented the Golden Lion to the American artist Adrian Piper, who has installed chalkboards in the central pavilion in Venice on which is written, over and over, «Everything will be taken away.»

As Sharif's career went on, his work got bigger, so much so that the Venice Biennale this past summer played host to a room - size work that featured shelves with what appeared to be garbage.

Six of his paintings are on view in the Italian pavilion at the Venice Biennale through November 22.

Comprised of a range of works on paper as well as two large - scale sculptures previously shown at last year's Venice Biennale, Moran explores the intersection of American history with that of cultural production — namely jazz and art.

She has been included in numerous group exhibitions at venues such as Tate Modern, London; 53rd Venice Biennale, Venice; CCS Bard, Annendale on Hudson, New York; Whitney Museum of American Art, New York; Foundation Beyeler, Basel; and the Museum of Modern Art, New York.

1951 was also a critical year for constructivism in Brazil, with the first São Paulo Biennale, which asserted its modern foundations in concrete art and concrete poetry, and with the figure of the Swiss artist, Max Bill, who was to exert great influence on this new generation of artists.

Richard Riley, curator of the British Pavilion at the 56th Venice Biennale, discusses the «standout» talent of Sarah Lucas, and her show, I Scream Daddio, that focuses squarely on the body (both male and female), and serves up a blend of «classicism, irreverence and toughness».

The exhibition will be on view from September 10 through October 17, 2015 and is the artist's first major gallery show in the United States since representing the U.S. in the 55th Venice Biennale (2013).

Nick Serota opening the Bill Culbert exhibition at the Venice Biennale New Zealand Pavilion on 29 May 2013.

In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSM.

This enables Gabriele Horn — now director solely of the Berlin Biennale — and her team to further strengthen the institution and make it sustainable and ready for the future while focusing on preparations for the upcoming edition and its accompanying events.

For the exhibition «Always A Little Further,» curated by Rosa Martinez, we created six giant 17 - foot posters taking on the Biennale itself (Benvenuti alla Biennale Femminista!)

China Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Fire Within: A New Generation of Chinese Women, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of Contemporary Art Shanghai, China (2016); 4th Jakarta Contemporary Ceramics Biennale, National Gallery of Indonesia, Indonesia (2016); International Youth Animation Biennale, China Academy of Art, Hangzhou (2016); Here Out There, Helsinki Festival, Finland (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin, Madison, WI (2015); China 8 - Contemporary Art from China on the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin - Madison, WI (2015); Busan Biennale, South Korea (2014); Landscape of Mind, Artmia Foundation, Beijing, China (2014); Caissa Rising Arting, Today Art Museum, Beijing, China (2014); The Start of a Long Journey, CAFA Art Museum, Beijing, China (2014); A Call - Girls - Attack, Kalrsruhe University of Arts and Design, Germany (2013); CAFAM Future, CAFA Art Museum, Beijing, China (2013); Gathered World, Ceramics Gallery, Aberystwyth Art Centre, Wales, UK (2010); Mahjong: Contemporary Chinese Art from the Sigg Collection, University of California, Berkeley Art Museum and Pacific Film Archive, CA (2008), and The Chinese Contemporary Art Exhibition, Miro Museum, Barcelona, Spain (2008).

With the art world and international press focused on the 2017 Venice Biennale this week, we're taking a moment to share some of the impressive coverage highlighting Mark Bradford.

Following its premiere in Mänttä, Potentiality for Love will embark on an extensive world tour, including a show at the Biennale of Sydney in March 2018 and at Galerie Marian Goodman Paris.

Select Visiting Artist Lectures / Panels 2018 University of Nevada Reno, Visiting Artist 2018 Walker Art Center, Native Arts Panel, moderator, Beyond the Guest Appearance: Committing to Native Art 2018 Northern Michigan University, Visiting Artist 2018 St. Louis Art Museum, Visiting Artis 2018 Power and Place: Native Arts, Exhibitions, and Minnesota, panelist, St. Thomas University, St. Paul, MN 2017 University of Minnesota, Indigenous Artist Talk Series, Minneapolis, MN 2017 University of Minnesota, State of Native Arts, panelist, Minneapolis, MN 2017 Maine College of Art, Visiting Artist Series, Portland, ME 2016 University of Wisconsin - Madison Art Department, Visiting Artist Series, Madison, WI 2016 Joan Mitchell Center Visual MashUP, Visiting and Local Artist Lecture Series, New Orleans, LA 2016 Minneapolis College of Art and Design, Visiting Artist Lecturer, Minneapolis, MN 2015 St. Olaf College Art Department, Visiting Artist Series, Northfield, MN 2015 Minneapolis College of Art and Design, Visiting Artist Lecturer, Minneapolis, MN 2013 University of Wisconsin - Madison Graduate School, Committee on Diversity Initiatives, guest lecturer 2009 Enactments of Imaginary Selves - Being and Becoming in the Postmodern Divide, panelist, 2009 Venice Biennale, Dipartimento di Studi Europei e Postcoloniali, Universita Ca Foscari Venezia Palazzo Cosulich, Venice, Italy

On the 2017 Venice Biennale and Damien Hirst's «Treasures from the Wreck of the Unbelievable» at the Palazzo Grassi, Venice.

Gabi Ngcobo already shares connections with the Berlin Biennale: In 2008 she participated in the second edition of the Young Curators Workshop Eyes Wide Open on occasion of the 5th Berlin Biennale, and in 2014 the Center for Historical Reenactments presented its project Digging Our Own Graves 101 as part of the 8th Berlin Biennale.

These artists will be commissioned to create new works on view in exhibitions at the PinchukArtCentre in Kyiv and the Venice Biennale, curated by Björn Geldhof (artistic director, PinchukArtCentre).

He won the Turner Prize in 1989, on his fourth nomination, and represented Great Britain at the 37th Venice Biennale in 1976.

At both venues, works by Los Angeles artist Mark Bradford (who is representing the United States at the Venice Biennale this year) are on view alongside related Clyfford Still (1904 - 1980) paintings that Bradford helped to select.

Actually, just last Thursday (March 12th), on the 6 train, after having spent a short time at the press conference at the Italian Cultural Institute of the next Venice Biennale All the World's Futures, I was reading Okwui Enwezor's curatorial statement which began with an epigraph of Walter Benjamin's paragraph, extracted from his famous book, Theses on the Philosophy of History.

Sarah Sze Triple Point (Gleaner) 2013 Photograph of rock printed on Tyvek, trees, moss, rocks, aluminum, wood, steel, bricks, stone, sandbags, outdoor pump, outdoor lights, mixed media Dimensions variable Installation view Sarah Sze: Triple Point, US Pavilion, Venice Biennale, Italy, 2013

He has gone on to exhibit extensively around the world, including exhibitions at the Guggenheim Museum, New York, documenta 13 in 2012 and at the 54th Venice Biennale in 2011.

She draws regularly from literary influences — from Dante's epic Divine Comedy to the Icelandic writer Halldór Laxness» writings on the spiritual aspects of nature, which served as an important reference point for They Come to Us without a Word (2015), her recent critically - acclaimed work for the U.S. Pavilion at the Venice Biennale (9 May — 22 November 2015).

At this point, af Klint's appeal must be assumed; the catalogue for Hilma af Klint: A Pioneer of Abstraction sold out its first print run prior to the on - sale date, and a display of her paintings in the Central Pavilion at the Venice Biennale through November is consistently highly trafficked.5

3:45 — 4:45 pm Madness of the Present: Abstraction's Radical Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary possibilities in art and politics.

The Ghanaian - born artist John Akomfrah made a big impression on audiences at the 2015 Venice Biennale with Vertigo Sea, a film reflecting on the systemic violence of the whaling industry.

2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX

It ranges from Four Posters (1984) through celebrated performances such as Museum Highlights (1989), Inaugural Speech (1997), Official Welcome (2001/2003), and her audio installations for the Austrian pavilion at the 45th Biennale di Venezia in 1993, to recent works such as Men on the Line (2012).

«Scott produced beautifully painted, perfectly balanced compostions... The delightful exhibition, William Scott: Divided Figure... concerntrates on the high point from the mid 1950s, when Scott returned from New York and represented Britain at the Venice Biennale.»