Sentences with phrase «big painting no.»
Jose Davila Untitled (Big Painting No. 6), 2016 archival pigment print paper: 41 3/4 x 57 15/16 inches (106 x 147.2 cm) framed: 42 7/8 x 59 1/8 x 3 inches (108.9 x 150.2 x 7.6 cm) edition of 4 with 1 AP JDa - 16.231
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Jose Dávila Untitled (Big Painting No. 6), 2016 archival pigment print paper: 41 3/4 x 57 15/16 inches (106 x 147.2 cm) framed: 43 5/16 x 59 1/2 x 3 inches (110 x 151 x 7.5 cm) edition of 4 with 1 AP JDa - 16.231
Not exact matches
As a relatively small and unknown manufacturer in the big world of recycled materials, GreenMantra Technologies (No. 20) knew they needed to give their clients (who run the gamut from packaging to construction materials, paint, rubber and tire manufacturers) some peace of mind before convincing them to partner up.
Precisely a century later, I am standing before the very same painting — it is, properly, Nude Descending A Staircase (No. 2) by Marcel Duchamp — with Kimberly Orcutt, Curator of American Art of the New - York Historical Society on Central Park West, which has brought the big blowup of 1913 back to life in a delicious, irreverent retrospective featuring 100 of the original works.
Other artworks of interest could be John Chamberlain's Ballantine ($ 250.000 - 350.000), Alfred Leslie's Four Panel Green - Big Green ($ 250.000 - 350.000), Agnes Martin's rare Untitled ($ 50.000 - 70.000), Dan Colen's dez ez sassy ez a jay - bird ($ 80.000 - 120.000) and It isn't that smoke but it's simple enough ($ 70.000 - 90.000), Zhang Xiaogang's In - Out Series No. 9 ($ 200.000 - 300.000), Deborah Butterfield's Dance House ($ 250.000 - 350.000), Olga de Amaral's Muro Tejido ($ 50.000 - 70.000) and Montaña ($ 70.000 - 90.000), and two Fernando Botero's paintings, Seated Woman ($ 200.000 - $ 300.000) and Nude in Mirror ($ 200.000 - 300.000).
His most expensive painting is «Bloodline: Big Family No. 3» (1995) which sold at Sotheby's Hong Kong in April, 2014, for $ 12,144,809.
John Bunker: What interests me about the three paintings here, Nos. 2, 3 and 4, it links in to what Tony is saying to a certain degree, and has always slightly frustrated me about No. 1 and some of the other bigger paintings.