Sentences with phrase «big painting sculpture»

He himself had turned 70, but he still had productive years ahead, including the late garden paintings carried right through until his Tate retrospective, the window at the St Ives Tate, and Big Painting Sculpture, the project at Stag Place, Victoria, carried through with the help of his son - in - law Julian Feary.

Not exact matches

I paint as well as create sculpture so this is a big plus for me.

A self - described «big, big, big fan of painting,» Miller believes a true collection should have representation across a range of mediums, toward that end, he also owns photography (including Gordon Parks, Hank Willis Thomas and Lyle Ashton Harris) and is on a mission to acquire more video and sculpture.

Other big likes: Louise Bourgeois's cast bronzes and carved marbles; Franz West's lumpy, painted organic form - on - a stick; Antony Gormley's hanging metal sculpture, whose linear materials — and certainly its shadows — functioned as drawings in space.

The first Voulkos image you post of PV's sculpture — Little Big Horn 1959, reminds me of a Philip Guston painting but I guess that's not surprising with the abstract ex.

«Vidas Inertes» (Inert lives) was Okuda «s latest solo show at Underdogs Gallery with a big number of sculptures and paintings.

«Radical Vaudeville» «Radical Vaudeville» will be a big group show of paintings, drawings & sculpture by newly emerging as well as established mid-career artists — opens July 22 — August 13, 2005

A 37 - year - old Art Center graduate who was in Sterling Ruby's class, Joshua Nathanson is only now starting to get attention — he's currently having his first solo show at Various Small Fires — but the timing is fortuitous, because if Ruby's rambunctious sculptures and big - sky paintings capture the L.A. of the aughts, Nathanson's thoughtful, computery, sleek, and telegraphic paintings exemplify the city's present - day art moment.

December: Home for the Holidays: Small Works, Big Statements, featuring printmakers Paula Schuette Kraemer, Leon Loughridge, Joel Ostlind, Sherrie York, and paintings, photographs, and sculpture by renowned local and national artists.

Obviously, they are different things and the biggest difference is that painting happens all the time and sculpture is more deliberate — I have to block out time and get everything out.

«A Gathering,» a mini-retrospective at Richard Gray featuring 25 of her drawings, paintings and photograms (plus an assortment of tiny clay sculptures) spanning more than six decades, was a big step in that direction.

The two new bodies of work presented — Boone's Gate painting series, and new body of sculptures referred to as Doghouses — are a clear continuation of previous works, as it has always been at the core of Boone's intention to create systems to assimilate the breadth of his interests, to arrive at abstraction that is «bigger than myself.»

ntervened on images from books in the Carpinteros / Vallejo library and suspended furniture from the walls with big rig tie - downs evoking minimalist sculpture and Barnett Newman paintings,

Ann Korologos Gallery presents Home for the Holidays: Small Works, Big Statements featuring printmakers Paula Schuette Kraemer, Leon Loughridge, Joel Ostlind, Sherrie York, and paintings, photographs, and sculpture by renowned local and national artists.

LOCATION: New York City SPECIALTIES: The program is interdisciplinary, but applicants apply to either painting, printmaking, sculpture, photography, or «new genres» TUITION: $ 51,676 TIME TO DEGREE: 2 years NOTABLE FACULTY: Gregory Amenoff, Sanford Biggers, Nicola Lopez, Rirkrit Tiravanija, Kara Walker FAMOUS ALUMNI: Jon Kessler, Korakrit Arunanondchai, Georgia Sagri, Guy Ben - Ner, Lisi Raskin BIGGEST SELLING POINT: As with many of the Ivies, in Columbia's case, self - perpetuating exclusivity plays a major part here: only two percent of applicants to Columbia's MFA in the visual arts are accepted.

LOCATION: Annandale - on - Hudson, New York SPECIALTIES: Film / video, music / sound, painting, photography, sculpture, and writing TUITION: $ 55,000 TIME TO DEGREE: a total of 2 years, with three summer sessions and two independent - study sessions NOTABLE FACULTY: Amy Sillman, Ulrike Muller, Sadie Benning, Huma Babha, Thomas Eggerer, Zoe Leonard, Nick Mauss, R.H. Quaytman FAMOUS ALUMNI: Amy Sillman, Paul Chan, Carolee Schneeman, David Horvitz, Herb Ritts, Rachel Harrison, R.H. Quaytman, Trisha Baga, Zak Kitnik, Lucy Raven BIGGEST SELLING POINT: Bard spearheaded the low - residency MFA program, with students gathering for sessions that are clustered in eight - week summer «residencies» and divide up long periods of independent work lasting from two to three years.

LOCATION: New York, New York SPECIALTIES: Computer art; visual narrative; photography, video, and related media; fine arts (painting, sculpture, printmaking) TUITION: $ 36,500 TIME TO DEGREE: 2 years NOTABLE FACULTY: Mark Tribe, Marilyn Minter, Laurel Nakadate NOTABLE ALUMNI: Inka Essenhigh, Barnaby Furnas, Keith Haring, Andrea Fraser, Sarah Sze, Sol LeWitt BIGGEST SELLING POINT: SVA is more than the snazzy ad campaign you may have seen plastered around New York's subway system.

Unlike sculpture, installation, film, video or even printmaking, painting may be the medium most resistant to the big - team approach.

John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, writes of The Big Picture: «Matthew Israel's extraordinary book gets a score of ten out of ten.

Galleries on the fourth floor present Abstract Expressionist paintings, sculptures, prints, drawings, photographs, films, and archival materials in a display subtitled The Big Picture, marking the first time in the history of the new Museum building that a full floor has been devoted to a single theme.

Scott Malbaurn, Big Blue, 2003 Acrylic, silica, urethane on canvas 72 x 88 inches, diptych July 20 — August 28, 2010 David Richard Contemporary is pleased to present Line, Curve, Form, an exhibition of paintings and wall sculptures by Simon Aldridge, Alex Couwenberg, Mark Emerson, Julie Karabenick, Scott Malbaurn and Richard Roth.

Inside, though, I found an early — and slightly gauche — digital video thudding away on the gallery's biggest wall, a huge, dressing screen - like sculpture created from a grid of metal bars, and, best of all, an ingenious series of abstract paintings created from bathroom tiles and coloured grouting.

In the mid - and late 1960s, contemporary art galleries were filled with big, abstract Color Field paintings and physically formidable Minimal sculpture.

One big decision the curators agonized over was whether to dispense with the traditional museum practice of devoting separate galleries for drawings and prints; paintings and sculpture; photographs; and film and video — in part because they felt that artists today think and produce across different media.

Comprising of installation, painting and sculpture, the show boasts big 20th - century names, including Gerhard Richter, Carl Andre and Donald Judd.

In tandem with an independently organized retrospective at the Neuberger Museum of Art, Purchase College, State University of New York, this hometown survey of Fishman's fifty - year - long career features the painter's esteemed large - scale gestural abstractions alongside a selection of intimate studio investigations — an assortment of miniature paintings, sketchbooks, and small sculptures — that share the same physicality and unapologetic emotional punch as her bigger, iconic works.

DBy I think the biggest challenge is not to do a survey, which implies a necessarily broad census - taking that captures peaks not valleys (and conjures the featureless roundups of midcentury big American museum shows — Recent Painting and Sculpture from France, Italy and Germany for instance).

June 24 - July 16: «Let the Players Play,» paintings and drawings July 22 - August 13: «Radical Vaudeville; A Big Group Show,» including paintings, drawings & sculpture

People who like big, hulking handmade sculpture will like a crouching monster from Thomas Houseago or Uklanski's «textile painting» with a massive red - vinyl lollipop in front.

It is the fabulous balance of red and white squares in a Malevich gouache, or the glowing sheaves of fluorescent tubes in a Dan Flavin sculpture; it is Hélio Oiticica's black and white rectangles swing - dancing across a painted board, and Sophie Taeuber - Arp's cross-stitch embroidery of circles and triangles holding hands, as it seems, with a big scarlet square.

Featuring works from the last decade, Bickerton blurs the lines between painting and sculpture and draws inspiration from — or parodies — some of arts biggest names, like Willem de Kooning and Andy Warhol.

Following this logic, works involving food are also present — such as the chubby sausages that mimic human activities from the series Abstract Sculptures (Sitting Big), 2014 and Big Kiss, 2015; the installation with 37 painted acrylic cucumbers on pedestals, Self - Portrait as Pickles, created in 2008 and presented in several countries since then, and Spit on Someone's Soup (2003).

Ironically, the best way to catch one's eye at art fairs these days, it seems, is to show virtually nothing at all — to eschew the big paintings, bigger sculptures, and shiny mirror pieces that fill so many art fairs, and to instead devote lots of space to just a few works.

Ann Temkin, the Museum of Modern Art's chief curator of painting and sculpture, is changing the walls of the permanent — collection galleries, on the fourth and fifth floors, from stark white to a grayish putty color, Benjamin Moore's Big Bend Beige.

Its collection - featuring painting, sculpture, works on paper, including photography, prints, illustrated books and electronic media - includes masterpieces by Pablo Picasso, Georges Braque, Fernand Leger and Alexander Calder, plus the biggest outsider art collection in France.

A five - foot tall cedar - wood sculpture painted bright red, Big Phrygian recalls the distinctive conical shape of a Phrygian cap worn in antiquity by people of Eastern Europe and Anatolia.

The British artist — whose provocative and playful pieces range from found objects and sculptures to paintings, films and music — is preparing his biggest show ever, at the Southbank Center's Hayward Gallery.

Organized chronologically, Brand New features rarely seen paintings, sculpture and installations from the biggest names in art today, alongside their lesser - known counterparts, including Ashley Bickerton, Jessica Diamond, General Idea, Peter Halley, Jenny Holzer, Jeff Koons, Barbara Kruger, Peter Nagy, Joel Otterson, Richard Prince, Cindy Sherman, Haim Steinbach, Meyer Vaisman, and Julia Wachtel, among others.

«The recognition of African - American artists is a big piece of [what the Obamas are doing with the White House collection],» Melissa Chiu, the director of the Hirshhorn Museum and Sculpture Garden, which has lent the Obamas several paintings, told the Times.

The survey of the great existentialist Giacometti's portraits across painting and sculpture also promises to be one of the season's big hits by past masters (National Portrait Gallery, WC2, Thu to 10 Jan).

Emerging black artists starred last month at the Armory Show, New York's biggest contemporary art fair, where Nicodim Gallery sold out of paintings and sculptures by South Africa's Simphiwe Ndzube on the first day...

The Technicolor Heart (The Big One), a 12 - foot painted bronze heart will be displayed on the adjoining Keeler Sculpture Terrace.

It is showing 13 of the best artists and artist groups from India in a veritable cornucopia of Indian installation art, sculptures and giant paintings, and many of the works have been produced specifically for ARKEN — one of the biggest contemporary art museums in Denmark.

The first floor of the exhibition features wow - factor conjunctions in the manner of Jean - Hubert Martin's work at La Maison Rogue: behold, a Basquiat paired with spotlit prehistoric Menhirs from southern France; a medieval sculpture of a Madonna and child paired with a big, white, gaping circular Anish Kapoor; rods studded with healing crystals by Marina Abramović alongside a painted 19th century palmistry illustration.

Open Studio Night features the best in SCAD illustration, painting, photography, printmaking and sculpture by the next big names in fine art.

Other big - ticket works going to the block are Jackson Pollock's drip painting The Blue Unconscious (1946), for $ 20 - 30 million; an Yves Klein sculpture, Sculpture éponge bleue sans titre, SE 168 (1959), which is tagged in the region of $ 20 million; and a large Clyfford Still abstraction, PH - 21 (1962), for $ 16 - 20sculpture, Sculpture éponge bleue sans titre, SE 168 (1959), which is tagged in the region of $ 20 million; and a large Clyfford Still abstraction, PH - 21 (1962), for $ 16 - 20Sculpture éponge bleue sans titre, SE 168 (1959), which is tagged in the region of $ 20 million; and a large Clyfford Still abstraction, PH - 21 (1962), for $ 16 - 20 million.

Other speakers included Chuck Close (who credited Friedman for launching his career with the purchase of «Big Self - Portrait,» the first painting he ever sold); Claes Oldenburg (who raved about the Minneapolis Sculpture Garden), Ursula von Rydingsvard (who made the party favors) and museum directors Adam Weinberg (Whitney Museum of American Art), Richard Koshalek (Hirshhorn Museum and Sculpture Garden) and Olga Viso, the Walker's current director.

Her first big break was having a painting included in the Annual Painting and Sculpture Exhibition at Whitney Museum of American Art, New York, painting included in the Annual Painting and Sculpture Exhibition at Whitney Museum of American Art, New York, Painting and Sculpture Exhibition at Whitney Museum of American Art, New York, in 1971.

On a low pedestal rest 19 cast resin sculptures of household items — mugs, mirrors and bells — that also appear in the biggest paintings.

Other, less aesthetically appealing works, like Ane Graff «s marble slab sculptures, Ketuta Alexi - Meskhishvili «s abstract photographs, and Avery Singer «s big monochrome paintings, seem to serve no other purpose than to take up space.