Sentences with phrase «big painting series»

Not exact matches

Expect an more serious suspension than we've seen on a 2 - Series, as well as burlier brakes with painted calipers, larger wheels, and an aggressive aero package with bigger air intakes.
The Albion Online entry to my long - running series of MMO game overviews, this behemoth article paints a comprehensive picture of the game based on research and a week of play during the title's closed beta, aggregating information and analysis of every major game feature into one big resource for prospective players.
Her latest series of works covers the big issues today — ice caps melt and Aleppo is under siege in her typical explosive painting style where everything is recognisable yet with an air of the intangible.
The mural features a new image from her series, Nebraska Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and big sky of the artist's native state.
The two new bodies of work presented — Boone's Gate painting series, and new body of sculptures referred to as Doghouses — are a clear continuation of previous works, as it has always been at the core of Boone's intention to create systems to assimilate the breadth of his interests, to arrive at abstraction that is «bigger than myself.»
Notably, «Big Ox,» the large and frequently reproduced work from this series, is the first painting one sees upon entering the museum, introducing and announcing the exhibition.
Now Lund is about to return with his third show in this series, a sendup of the way corporate sponsorships and brand collaborations have become the next big post-market trend (you'll see paintings with more paid - for logos than a NASCAR driver's uniform).
The acquisitions include: Benny Andrews (1930 2006), Mississippi River Bank (Trail of Tears Series), 2005; McArthur Binion (b. 1946), DNA: Black Painting: IV, 2015; Jeffrey Gibson (b. 1972), Sharecropper, 2015; Titus Kaphar (b. 1976), Darker Than Cotton, 2018; Glenn Ligon (b. 1960) Condition Report, 2000; Deborah Luster (b. 1951), six gelatin silver prints from the series One Big Self: Prisoners of Louisiana, 1999 2001; Toyin Ojih Odutola (b. 1985), The Engagement, 2015; Noah Saterstrom (b. 1974), Road to Shubuta, 2016; and Hank Willis Thomas (b. 1976), Flying Geese,Series), 2005; McArthur Binion (b. 1946), DNA: Black Painting: IV, 2015; Jeffrey Gibson (b. 1972), Sharecropper, 2015; Titus Kaphar (b. 1976), Darker Than Cotton, 2018; Glenn Ligon (b. 1960) Condition Report, 2000; Deborah Luster (b. 1951), six gelatin silver prints from the series One Big Self: Prisoners of Louisiana, 1999 2001; Toyin Ojih Odutola (b. 1985), The Engagement, 2015; Noah Saterstrom (b. 1974), Road to Shubuta, 2016; and Hank Willis Thomas (b. 1976), Flying Geese,series One Big Self: Prisoners of Louisiana, 1999 2001; Toyin Ojih Odutola (b. 1985), The Engagement, 2015; Noah Saterstrom (b. 1974), Road to Shubuta, 2016; and Hank Willis Thomas (b. 1976), Flying Geese, 2012.
They included a series of rotating spin paintings, such as «Beautiful, cheap, shitty, too easy, anyone can do one, big, motor - driven, roto - heaven, corrupt, trashy, bad art, shite, motivating, captivating, over the sofa, celebrating painting» (1996).
More recently, the artist's meditations on branding have led to two new series of camouflaged map paintings that put Warhol, Madison Avenue, Big Pharma and the shelf of the local marijuana dispensary into a blender.
Inside, though, I found an early — and slightly gauche — digital video thudding away on the gallery's biggest wall, a huge, dressing screen - like sculpture created from a grid of metal bars, and, best of all, an ingenious series of abstract paintings created from bathroom tiles and coloured grouting.
He had already been painting the stars in the late 1980s, with series such as «The Secret Life of Plants», and he must have loved the big skies around him at Barjac.
Chris Martin: Painting Big is the second exhibition in the Gallery's NOW at the Corcoran series, a contemporary program dedicated to showcasing the work of emerging and mid-career artists.
Photo: Richard Schmidt) As we make the journey through Hockney's oeuvre — one that the artist has also clearly enjoyed revisiting — we move from his formative pictures as a student at the Royal College of Art in London, through to the breakthrough Los Angeles paintings — typified by A Bigger Splash (Hockney first moved to the Hollywood Hills in 1979)-- to the first big room of the show: a stunning display that reunites Hockney's celebrated series of large double portraits.
So based on his series Who's Afraid of Red, Yellow and Blue, I did a big red Newman-esque scale painting, with my palette knife - honed surface.
Following this logic, works involving food are also present — such as the chubby sausages that mimic human activities from the series Abstract Sculptures (Sitting Big), 2014 and Big Kiss, 2015; the installation with 37 painted acrylic cucumbers on pedestals, Self - Portrait as Pickles, created in 2008 and presented in several countries since then, and Spit on Someone's Soup (2003).
At his atelier in the working class reaches of northern Paris, Maguire has just completed a series of paintings on the migrant crisis, because «what an artist has to do is reflect their time... That's really what I'm trying to do, to reflect what is for me the biggest story in Europe — those deaths in the Mediterranean.»
Christie's has the 1992 Martin Kippenberger self - portrait, «Untitled (from the series Hand - Painted Pictures),» on Oct. 11 and Phillips the 1984 Basquiat painting, «Big Joy» tomorrow.
I had the idea of making a series of paintings — dawn in New York City, noon in the Midwest and then sunset in LA, with each canvas progressively bigger than the last.
Other artworks of interest could be John Chamberlain's Ballantine ($ 250.000 - 350.000), Alfred Leslie's Four Panel Green - Big Green ($ 250.000 - 350.000), Agnes Martin's rare Untitled ($ 50.000 - 70.000), Dan Colen's dez ez sassy ez a jay - bird ($ 80.000 - 120.000) and It isn't that smoke but it's simple enough ($ 70.000 - 90.000), Zhang Xiaogang's In - Out Series No. 9 ($ 200.000 - 300.000), Deborah Butterfield's Dance House ($ 250.000 - 350.000), Olga de Amaral's Muro Tejido ($ 50.000 - 70.000) and Montaña ($ 70.000 - 90.000), and two Fernando Botero's paintings, Seated Woman ($ 200.000 - $ 300.000) and Nude in Mirror ($ 200.000 - 300.000).
Like his masters, Thomas Struth shot one - point perspective of empty, unpopulated scenes, sometimes of the streets in Düsseldorf, and later in his career made pictures on a monumental scale: The photos in his museum series are as big as the paintings they depict.
Around this time last year, Bernstein presented a series of big paintings at Gavin Brown's Enterprise called Birth of the Universe, which she displayed under ultraviolet light.
In this he was not quite alone: Guston also gave hope to many figurative painters through the series of big semi-abstract still life paintings and interiors of c1959 - 62.
Three smaller side - chapel - like galleries are devoted to a progression of artists with Minimalist leanings: the colored steles of Anne Truitt, the slathered process paintings of Ms. Heilmann and finally a series of big, stuttering black inkjet X's on white linen by Wade Guyton that pledge allegiance to painting while crossing their fingers behind their backs.
As every viewer of his «Ocean Park» series knows, Diebenkorn's big abstract paintings tend to be thin materially but dense with revisions.
-- Sasha Bogojev «I just realized that the 4 series I was making until this show - spray caps miniatures, skate deck sculptures, big paintings and drawings, were somewhat of a meditation on what this show turned into.
His 2008 series Big Momma's House includes 65 paintings, pastels, and drawings created over a two - year period.
In 1965 and 1966, he painted a series of big canvases marked with one, two, or three enormous gestural brush strokes, in which every drip and splatter appeared to have been carefully rendered with the precision of a machine.
This exhibition will present paintings from two bodies of work: the 1986 - 87 series Big Girls / Little Girls, built from imagery with an almost journalistic remove, alongside works from her 1989 Porn Grids, which capture women and men engaged in what the porn industry refers to as «money shots.»
Barbara Takenaga has created a new work of an unprecedented scale for a 100 foot wall in the Hunter Center lobby at MASS MoCA.The mural features a new image from her series, Nebraska Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and big sky of the artist's native state.
Zhang is best - known for his «Bloodline» paintings («Bloodline: the Big Family»), a series of mostly monochromatic, stiffly - posed portraits of Chinese people, whose faces appear calm but whose insides are churning with emotion.
This sale launched a weeklong series of contemporary art auctions at Sotheby's, Christie's and Phillips de Pury, stocked with big - money paintings by Warhol and Rothko.
they were the Berkeley hills and landscape concerns later continued thru his big light filled last paintings... the Ocean Park Series.
May Stevens (b. 1924), Dark Flag, 1976, from the series «Big Daddy» Paintings, 1967 - 76.
For his big solo show opening at Next Street Gallery in Paris, Kurar will present us with a new series of artworks, in form of paintings, sculptures and installation, all revolving around the topic of TV and the way it is still an inevitable, omnipresent factor of our everyday life.
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