Not exact matches
Expect an more serious suspension than we've seen on a 2 -
Series, as well as burlier brakes with
painted calipers, larger wheels, and an aggressive aero package with
bigger air intakes.
The Albion Online entry to my long - running
series of MMO game overviews, this behemoth article
paints a comprehensive picture of the game based on research and a week of play during the title's closed beta, aggregating information and analysis of every major game feature into one
big resource for prospective players.
Her latest
series of works covers the
big issues today — ice caps melt and Aleppo is under siege in her typical explosive
painting style where everything is recognisable yet with an air of the intangible.
The mural features a new image from her
series, Nebraska
Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and
big sky of the artist's native state.
The two new bodies of work presented — Boone's Gate
painting series, and new body of sculptures referred to as Doghouses — are a clear continuation of previous works, as it has always been at the core of Boone's intention to create systems to assimilate the breadth of his interests, to arrive at abstraction that is «
bigger than myself.»
Notably, «
Big Ox,» the large and frequently reproduced work from this
series, is the first
painting one sees upon entering the museum, introducing and announcing the exhibition.
Now Lund is about to return with his third show in this
series, a sendup of the way corporate sponsorships and brand collaborations have become the next
big post-market trend (you'll see
paintings with more paid - for logos than a NASCAR driver's uniform).
The acquisitions include: Benny Andrews (1930 2006), Mississippi River Bank (Trail of Tears
Series), 2005; McArthur Binion (b. 1946), DNA: Black Painting: IV, 2015; Jeffrey Gibson (b. 1972), Sharecropper, 2015; Titus Kaphar (b. 1976), Darker Than Cotton, 2018; Glenn Ligon (b. 1960) Condition Report, 2000; Deborah Luster (b. 1951), six gelatin silver prints from the series One Big Self: Prisoners of Louisiana, 1999 2001; Toyin Ojih Odutola (b. 1985), The Engagement, 2015; Noah Saterstrom (b. 1974), Road to Shubuta, 2016; and Hank Willis Thomas (b. 1976), Flying Geese,
Series), 2005; McArthur Binion (b. 1946), DNA: Black
Painting: IV, 2015; Jeffrey Gibson (b. 1972), Sharecropper, 2015; Titus Kaphar (b. 1976), Darker Than Cotton, 2018; Glenn Ligon (b. 1960) Condition Report, 2000; Deborah Luster (b. 1951), six gelatin silver prints from the
series One Big Self: Prisoners of Louisiana, 1999 2001; Toyin Ojih Odutola (b. 1985), The Engagement, 2015; Noah Saterstrom (b. 1974), Road to Shubuta, 2016; and Hank Willis Thomas (b. 1976), Flying Geese,
series One
Big Self: Prisoners of Louisiana, 1999 2001; Toyin Ojih Odutola (b. 1985), The Engagement, 2015; Noah Saterstrom (b. 1974), Road to Shubuta, 2016; and Hank Willis Thomas (b. 1976), Flying Geese, 2012.
They included a
series of rotating spin
paintings, such as «Beautiful, cheap, shitty, too easy, anyone can do one,
big, motor - driven, roto - heaven, corrupt, trashy, bad art, shite, motivating, captivating, over the sofa, celebrating
painting» (1996).
More recently, the artist's meditations on branding have led to two new
series of camouflaged map
paintings that put Warhol, Madison Avenue,
Big Pharma and the shelf of the local marijuana dispensary into a blender.
Inside, though, I found an early — and slightly gauche — digital video thudding away on the gallery's
biggest wall, a huge, dressing screen - like sculpture created from a grid of metal bars, and, best of all, an ingenious
series of abstract
paintings created from bathroom tiles and coloured grouting.
He had already been
painting the stars in the late 1980s, with
series such as «The Secret Life of Plants», and he must have loved the
big skies around him at Barjac.
Chris Martin:
Painting Big is the second exhibition in the Gallery's NOW at the Corcoran
series, a contemporary program dedicated to showcasing the work of emerging and mid-career artists.
Photo: Richard Schmidt) As we make the journey through Hockney's oeuvre — one that the artist has also clearly enjoyed revisiting — we move from his formative pictures as a student at the Royal College of Art in London, through to the breakthrough Los Angeles
paintings — typified by A
Bigger Splash (Hockney first moved to the Hollywood Hills in 1979)-- to the first
big room of the show: a stunning display that reunites Hockney's celebrated
series of large double portraits.
So based on his
series Who's Afraid of Red, Yellow and Blue, I did a
big red Newman-esque scale
painting, with my palette knife - honed surface.
Following this logic, works involving food are also present — such as the chubby sausages that mimic human activities from the
series Abstract Sculptures (Sitting
Big), 2014 and
Big Kiss, 2015; the installation with 37
painted acrylic cucumbers on pedestals, Self - Portrait as Pickles, created in 2008 and presented in several countries since then, and Spit on Someone's Soup (2003).
At his atelier in the working class reaches of northern Paris, Maguire has just completed a
series of
paintings on the migrant crisis, because «what an artist has to do is reflect their time... That's really what I'm trying to do, to reflect what is for me the
biggest story in Europe — those deaths in the Mediterranean.»
Christie's has the 1992 Martin Kippenberger self - portrait, «Untitled (from the
series Hand -
Painted Pictures),» on Oct. 11 and Phillips the 1984 Basquiat
painting, «
Big Joy» tomorrow.
I had the idea of making a
series of
paintings — dawn in New York City, noon in the Midwest and then sunset in LA, with each canvas progressively
bigger than the last.
Other artworks of interest could be John Chamberlain's Ballantine ($ 250.000 - 350.000), Alfred Leslie's Four Panel Green -
Big Green ($ 250.000 - 350.000), Agnes Martin's rare Untitled ($ 50.000 - 70.000), Dan Colen's dez ez sassy ez a jay - bird ($ 80.000 - 120.000) and It isn't that smoke but it's simple enough ($ 70.000 - 90.000), Zhang Xiaogang's In - Out
Series No. 9 ($ 200.000 - 300.000), Deborah Butterfield's Dance House ($ 250.000 - 350.000), Olga de Amaral's Muro Tejido ($ 50.000 - 70.000) and Montaña ($ 70.000 - 90.000), and two Fernando Botero's
paintings, Seated Woman ($ 200.000 - $ 300.000) and Nude in Mirror ($ 200.000 - 300.000).
Like his masters, Thomas Struth shot one - point perspective of empty, unpopulated scenes, sometimes of the streets in Düsseldorf, and later in his career made pictures on a monumental scale: The photos in his museum
series are as
big as the
paintings they depict.
Around this time last year, Bernstein presented a
series of
big paintings at Gavin Brown's Enterprise called Birth of the Universe, which she displayed under ultraviolet light.
In this he was not quite alone: Guston also gave hope to many figurative painters through the
series of
big semi-abstract still life
paintings and interiors of c1959 - 62.
Three smaller side - chapel - like galleries are devoted to a progression of artists with Minimalist leanings: the colored steles of Anne Truitt, the slathered process
paintings of Ms. Heilmann and finally a
series of
big, stuttering black inkjet X's on white linen by Wade Guyton that pledge allegiance to
painting while crossing their fingers behind their backs.
As every viewer of his «Ocean Park»
series knows, Diebenkorn's
big abstract
paintings tend to be thin materially but dense with revisions.
-- Sasha Bogojev «I just realized that the 4
series I was making until this show - spray caps miniatures, skate deck sculptures,
big paintings and drawings, were somewhat of a meditation on what this show turned into.
His 2008
series Big Momma's House includes 65
paintings, pastels, and drawings created over a two - year period.
In 1965 and 1966, he
painted a
series of
big canvases marked with one, two, or three enormous gestural brush strokes, in which every drip and splatter appeared to have been carefully rendered with the precision of a machine.
This exhibition will present
paintings from two bodies of work: the 1986 - 87
series Big Girls / Little Girls, built from imagery with an almost journalistic remove, alongside works from her 1989 Porn Grids, which capture women and men engaged in what the porn industry refers to as «money shots.»
Barbara Takenaga has created a new work of an unprecedented scale for a 100 foot wall in the Hunter Center lobby at MASS MoCA.The mural features a new image from her
series, Nebraska
Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and
big sky of the artist's native state.
Zhang is best - known for his «Bloodline»
paintings («Bloodline: the
Big Family»), a
series of mostly monochromatic, stiffly - posed portraits of Chinese people, whose faces appear calm but whose insides are churning with emotion.
This sale launched a weeklong
series of contemporary art auctions at Sotheby's, Christie's and Phillips de Pury, stocked with
big - money
paintings by Warhol and Rothko.
they were the Berkeley hills and landscape concerns later continued thru his
big light filled last
paintings... the Ocean Park
Series.
May Stevens (b. 1924), Dark Flag, 1976, from the
series «
Big Daddy»
Paintings, 1967 - 76.
For his
big solo show opening at Next Street Gallery in Paris, Kurar will present us with a new
series of artworks, in form of
paintings, sculptures and installation, all revolving around the topic of TV and the way it is still an inevitable, omnipresent factor of our everyday life.