Sentences with phrase «big talk productions»

Sony is backing this one, working alongside Nira Park and Big Talk productions, but there's no word on an exact start date yet.

Not exact matches

Faraday Future has talked a big game since debuting a concept vehicle at last year's CES but had yet to unveil an actual production car.

Teachout is a Catherine wheel of ideas — in the course of the day we talked about anti-trust, fracking, the desperate need for broadband in rural communities, the way Big Ag gobbles up subsidies meant for family farmers, and the «chickenization» of production that puts all the economic risk and environmental damage on farmers as firms like Tyson keep squeezing the market.

@ Seth — I'm not talking about some big production, just meeting over coffee.

I'm talking meeting someone for coffee or a quick happy hour drink, not an expensive dinner or other big production (which in my opinion puts too much pressure on a 1st date, especially one from the internet where you have no previous in - person contact).

If a few of the big Hollywood productions disappointed, there were some real foreign gems that had people talking: Chili's The Club, Denmark's Men and Chicken, France's Evolution and Eva Husson's Bang Gang (A Modern Love Story) will all be festival regulars from now until the end of the year.

However, this is a big studio production we're talking about; a no - name over Lautner?

While English comedies of this sort can go the way of cute and light Feel Good Brit Flick (an often way too saccharine genre), they can also produce generally winning films like «Billy Elliot» and «The Full Monty,» and production company Big Talk have an excellent track record, with «Shaun Of The Dead,» «Attack The Block» and «Sightseers» among their triumphs.

We grab a patio to talk (more) reactions to Prometheus, the various production troubles of The Lone Ranger and World War Z, and the big changes to the pass - and - ticket buying processes at TIFF 2012.

We talk with Re-recording Mixer Scott Millan and Music Production Supervisor Curt Sobel about the music that is featured in the film and the work that was required to prepare a wide range of archival recordings for the big screen.

SCRIPTED COMEDY CATASTROPHE Sharon Horgan, Rob Delaney, Ben Taylor, Jack Bayles — Avalon Television / Merman Films / Birdbath Productions / Channel 4 CHEWING GUM Production Team — Retort / E4 THIS COUNTRY Daisy May Cooper, Charlie Cooper, Tom George, Simon Mayhew - Archer — BBC Studios / BBC Three TIMEWASTERS Daniel Lawrence Taylor, Barunka O'Shaughnessy, Josh Cole, George Kane — Big Talk Productions / ITV2

CATASTROPHE Sharon Horgan, Rob Delaney, Ben Taylor, Jack Bayles — Avalon Television / Merman / Birdbath Productions / Channel 4 CHEWING GUM Production Team — Retort / E4 THIS COUNTRY Daisy May Cooper, Charlie Cooper, Tom George, Simon Mayhew - Archer — BBC Studios / BBC Three TIMEWASTERS Daniel Lawrence Taylor, Barunka O'Shaughnessy, Josh Cole, George Kane — Big Talk Productions / ITV2

We talk to big - budget production designer Ray Ball and to Graham Williams about production design when there's less cash to splash.

Lexus showed the LF - LC concept car a while back (above), and it looks like they're ready to unveil the production version of the LC (or LC 500, depending on who you talk to) a big, high - performance GT car that has the Mercedes - Benz SL squarely in its sights.

This was never intended to be a big seller with scheduled production of 1000 vehicles per month, but talking to people at Lexus, they could have increased that had it not been for the disaster in Japan.

In all of these scenarios, the marginal cost of production is not going to be even $ 1 for a trade paperback and will rarely be over $ 1.50 for a trade hardcover (obviously the last big brick Harry Potter novels cost a teeny bit more due to sheer volume of paper needed to print a 750 page novel, but not * that * much more), meaning that if we're talking marginal cost of production as the difference in price between a paperback and an ebook, we're not talking about a huge difference in price.

Aha, once again it is time to pick the best posts of the week from big sister site Gamasutra and elsewhere on our Think Services sites / blogs - headed up by a pair of fine features talking about production and game design.

Screening and Talk: «Ugly Duckling Presse: Costume en Face» at The Kitchen In conjunction with Big Dance Theater's new production «Big Dance: Short Form,» the Kitchen presents a screening of a rare film of Butoh dance's founding father Tatsumi Hijikata's 1976 production of Costume en Face.

Performance and Talk: «Big Dance: Short Form» at The Kitchen In celebration of its 25th anniversary, Big Dance Theater's new production Big Dance: Short Form presents the New York premiere of five short works along with a 15 - minute improvised intermission party.

Also, the utility and oil companies are and will interfere with progress that hurts their bottom line; economics has a place to be sure, but just old fashioned greed hinders progress... still, there are hard working people who support families and citizens who do can not afford any upgrades or changes, the building of the wind infrastructure is already past a billion dollars and has not brought the efficiency we need to even talk of transitions, and with the 7 - 10 billion dollars car makers are requesting in addition to 20 - 75 billion for the current production lines to be maintained (and to stop the big three from filing chapter 11) and the regular gas powered vehicles to continue in the mainstay, it is not likely the government will have the money (or credit?)

MacKinnon says his biggest concern «is the potential chilling effect: people maybe not wanting to talk to the media, and the risk that [production orders] may become a more common tool... for police to get information»; he likewise notes incidents in Quebec of police wiretapping journalists» phones.

«When we first started talking about using video internally, we were thinking about a big production budget,» recalls Young.

Mitchell, who remembers when big, clunky car phones were the rage in the 1990s, talked to his video - production class and told the students that he didn't think they could tear themselves away from social media.