Sentences with phrase «big museums like»

Big museums like MoMA absorb alternative spaces like PS1, while the New Museum now flaunts a star director, a star collector, star artists, and star architects, most blatantly with its sellout display of the Joannou collection.

«In a big museum like the MFA, we have a huge scientific department that can do an analysis of coatings to see how [a painting] was made,» explains MacBeth.

«But when most people go to a big museum like the Louvre, it reaffirms their idea of what real art is supposed to look like.

Not exact matches

It lacks an arch and has an opposable, or grasping, big toe, like living apes, says Yohannes Haile - Selassie, a paleoanthropologist at the Cleveland Museum of Natural History in Ohio and the lead author of the new study, which appears online today in Nature.

I love movies I'm a big movies buff.I also like to bowl, go for long walks, visit museums, read and i listen...

I like morning jogs, walks in the city, museums, clubs, bars and having conversational dinners at restaurants or lounges or simply cooking a big meal at home.

However, classic tourist attractions like Big Ben, Changing the Guard ceremony, Abbey Road, and all of Britain's national museums are free!

Its iconic museums, avant - garde restaurants, exceptional theatre, countless pubs, and iconic attractions like the London Eye, Big Ben, and Buckingham Palace just scratch the surface of everything there is to explore here.

The hotel's prime location offers quick access to some of Barcelona's best family attractions like CosmoCaixa (the biggest science museum in Europe), or the sweet stop at Museu de la Xocolata, a classic for the youngsters and adults.

We had arrived late so didn't get to spend as much time as we would have liked in the museum but we glimpsed the Big Hole, which is in fact, a really big hole and is alleged to be the largest pit ever excavated by haBig Hole, which is in fact, a really big hole and is alleged to be the largest pit ever excavated by habig hole and is alleged to be the largest pit ever excavated by hand.

The Van Abbe is one of the biggest modern art museums in the Netherlands and houses works by famous artists like Picasso, Kandinsky and Warhol.

As in «Mediascape» at the Guggenheim Museum's Soho outlet or the work of Lawrence Weiner, the messages read like a joint effort of Big Brother, the left, and a fortune - cookie manufacturer.

In an era of big money, trashy gestures, bad boys, and dead celebrities like Andy Warhol himself, it has become all too frequent, even apart from Cai Guo - Qiang on a museum scale — or John Bock in the New Museum cafeteria for «Skin Fruit.&museum scale — or John Bock in the New Museum cafeteria for «Skin Fruit.&Museum cafeteria for «Skin Fruit.»

Since his bravura institutional outing in 1997 at the Stedelijk Museum, Amsterdam, Melgaard's forté has been crass, crudely drawn, graffiti - like images of, and writings about, bareback and interracial gay sex — «hate fucking,» «gay terrorism,» «white Daddy dick,» «big fat black dick,» «straight cock,» and other delightful variations on the theme, all layered and scrawled on paintings, old beds, couches spilling over with posters, and other messy piles of carefully amalgamated bric - a-brac.

«I can't help but feel like there's something else behind this and that she's taking the fall for bigger problems in the institution,» Hammer Museum chief curator Connie Butler said.

Explore the exhibition with New Museum educators through small group conversations and learn how Burden has investigated ideas of limits, speed, and play through artworks like Ghost Ship, The Big Wheel, A Tale of Two Cities, and All the Submarines of the United States of America.

They are big, bright, and anything but sleek, much as the new Whitney Museum in the Meatpacking District looks from the outside like a hospital or a prison.

Twenty - four - year - old Andrea Crespo has had a busy (and impressive) few years, exhibiting at big - league institution like The Whitney, ICA London, New Museum (online), Swiss Institute, Serpentine Galleries, and The Kitchen since the beginning of 2015.

It's still unnerving for me to venture into a big - time museum show at a venue like Pérez Art Museum Miami and view the work ofmuseum show at a venue like Pérez Art Museum Miami and view the work ofMuseum Miami and view the work of an...

Both are making their first big statements with the contemporary collection, though since arriving at the museum in 2008, they've worked on smaller shows, like Ms. Halbreich's «9 Screens» and Mr. Cherix's -LCB- ldquo -RCB- In & Out of Amsterdam.

The notion of a Northwest School, like most labels, was devised from outside Seattle during the late»30s and war years, when Tobey — eldest and most traveled of the Big Four — and Graves first drew notice in New York museums and galleries.

Well, Bob was one of the first artists in your gallery to have a big museum show like that.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

Spotted at Tuesday's V.I.P. opening were big - money collectors like Steven A. Cohen, the hedge fund billionaire; Daniel S. Loeb, the activist hedge fund manager and Sotheby's new board member; Mitchell P. Rales, the Washington industrialist, and his wife, Emily; Jerry I. Speyer, chairman of the Museum of Modern Art; and Daniel Brodsky, chairman of the Metropolitan Museum of Art, and his wife, Estrellita, an independent curator.

Like his masters, Thomas Struth shot one - point perspective of empty, unpopulated scenes, sometimes of the streets in Düsseldorf, and later in his career made pictures on a monumental scale: The photos in his museum series are as big as the paintings they depict.

+ Jeff Koons showed off what looked like a big pile of Play - Doh and an inflatable Hulk at the Whitney Museum as part of his first New York retrospective, and later sold other peoples handbags as readymades.

«I think Philippe and Helen are both brilliant, and I can't help but feel like there's something else behind this and that she's taking the fall for bigger problems in the institution,» Hammer Museum chief curator Connie Butler said.

«It is a large, gravity - defying work that is like a big globe composed of three sculptures that become a structure within a structure, which Sarah refers to as a scientific model,» explained Holly Block, the Bronx Museum's executive director and a commissioner of the United States pavilion.

For those not familiar with Art Basel, it's like walking through the world's biggest museum of modern and contemporary art, except everything is for sale.

Discovered by a larger audience through 80's cult films like Wild Style and Style Wars, his artwork and performances has been exhibited world wide, in galleries and museums including P.S. 1 and the Venice Biennale, and the biggest museum of all: the train yard.

This might not sound like a big deal, but consider how many digital image files we are going to receive for the Dallas Museum of Art.

George W. Neubert, curator of art at the Oakland Museum, has done a large group show to demonstrate that California artists do stuff just like the big boys in New York do.

It's still unnerving for me to venture into a big - time museum show at a venue like Pérez Art Museum Miami and view the work of an artist I used to see tagging the gritty streets of the Lower East Side and hanging out at the Muddmuseum show at a venue like Pérez Art Museum Miami and view the work of an artist I used to see tagging the gritty streets of the Lower East Side and hanging out at the MuddMuseum Miami and view the work of an artist I used to see tagging the gritty streets of the Lower East Side and hanging out at the Mudd Club.

And a big, sprawling place like the Los Angeles County Museum of Art is large enough that a deputy director serves the museum - wide function of chief cuMuseum of Art is large enough that a deputy director serves the museum - wide function of chief cumuseum - wide function of chief curator.

Museum of Contemporary Art - Los Angeles Curated by Paul Schimmel By Tucker Neel «MOCA's Under The Big Black Sun: California Art 1975 - 1981 ″ features works by legendary artists like John Baldessari, Chris Burden, Judy Chicago, Mike Kelley, Paul McCarthy, Raymond Pettibon, Martha Rosler and Bette Saar.

Traveling to the Museion, Bozen, Italy 6th Prague Biennale, Prague, Czech Republic Less Like an Object, More Like the Weather, Hessel Museum of Art, Bard Center for Curatorial Studies, Annandale - on - Hudson, New York, USA Edge, Order, Rupture, Galerie Lelong, New York, USA Pasión II, Centro de Arte Contemporáneo, Málaga, Spain NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, USA Yale University Art Gallery, New Haven, Connecticut, USA The Bigger Picture, The Artist's Institute, New York, USA, curated by Haim Steinbach Abstraction Manifeste, Le Quartier, centre d'art contemporain de Quimper, France Geometric Abstraction, Pace Prints, New York, USA

«There are too many big galleries competing with one another and acting like museums,» he said recently.

For a small museum like the Colby College Museum of Art, in Waterville, Me., acquiring a set of Picasso etchings is a bigmuseum like the Colby College Museum of Art, in Waterville, Me., acquiring a set of Picasso etchings is a bigMuseum of Art, in Waterville, Me., acquiring a set of Picasso etchings is a big deal.

Adding branches and off - site project spaces is just one more way the big galleries act like museums.

Selected Group Exhibitions Barristers Gallery, New Orleans, La., Artists Who Wish They Were Dead, Curated by Dan Tague, 2011 Dock 6, Chicago, Curated by Hinge Gallery, 2011 Dock 6, Chicago, Curated by Edra Soto, 2010 Perimeter gallery, Chicago, SOFA Art Chicago, 2009 Bridge Art, Miami Art Basel Miami, 2008 Jonathan Ferrara Gallery, New Orleans, P1 Project, 2008 Perimeter Gallery, Chicago, The Figure, 2008 KK Projects, New Orleans, Interior Ritual, 2008 Good Children Gallery, New Orleans, Choice Cuts, 2008 Polish Museum of America, Chicago, J - Walking, 2007 Perimeter Gallery, Chicago, Circumstantial Landscape, 2007 Fort Morgan Gallery, Chicago, Group Exhibition, 2006 Giola Gallery, Chicago, No Place Like Home, 2005 Open End Gallery, Chicago, Around the Coyote, 2005 Jonathan Ferrara Gallery, New Orleans, New Paintings by John Davis and Jeff Forsythe, 2005 Zone Gallery, Kansas City, MO, Brave New Abstraction, 2004 Open End Gallery, Chicago, Brave New Abstraction, 2003 Jonathon Ferrara Gallery, New Orleans, No Dead Artists, 2003 Big Top Gallery, New Orleans, State of Grace, 2003 Canal Street Light Project, New Orleans, 2003 Arthur Roger Gallery, New Orleans, Grids and Correlations, 2002 Steve Martin Gallery, New Orleans, Brave New Abstraction, 2002 Pickery Gallery, New Orleans, Art in the Dark, 2002 Pickery Gallery, New Orleans, Post-Suburbia: The New Utopia, 2002 Galerie IM Andesphoff, Innsbruck, Austria, Artists Exchange, 2001 Pickery Gallery, New Orleans, The Waste Land, 2001

E.C. - It's going to be a big show, like a museum show, with new and old paintings.

Thee next one, which is to be curated by Los Angeles Museum of County Art chief curator — and former Menil Collection curator — Franklin Sirmans, was supposed to happen this year but was postponed until 2014 so as not to compete with bigger, more glamorous extravaganzas like the Venice Biennale.)

Like most museums, MOCA stages the gala as its biggest fundraiser of the year.