Big paintings because the scale is very important, the scale within the picture but also dealing with the periphery, beyond the periphery.
Not exact matches
Conservative wonks like to dangle images of companies taking advantage of the
big new influx of funds to build factories and hire workers,
because that
paints an appealing picture of what the strategy amounts to.
Honestly, the reason these comments are so critical and judgmental is
because the people issuing their ignorant opinions do not see the
bigger picture the author intended to
paint.
The kids have to take turns
because some are older and
bigger so when the
bigger kids go in the smaller ones get to do finger
painting... I am having the parent bring old clothes for them so they don't ruin anything to fancy and I have tons of wipes and buckets of water on hand to clean them up.
We must not
paint everybody with the same brush and say that all the «
big beasts» were failures, just
because Major's government was ultimately unsuccessful.
She believes it's an excellent way of engaging the public with science,
because a
painting is «something you can talk about which avoids
big words.»
I love the
paint - dipped look, but
because this basket is HUGE, it would be tough to find a
big enough container or enough
paint to dip this
big beast into.
So I guess I'm not sure what the difference is with chalk
paint — is it a
big trend now
because of the ingredients in the actual
paint (low toxins, etc.) or is there something else that chalk
paint can do that regular latex can't?
But buying MAC nail
paint was a
big problem — all
because of its price.
Stir in the drops of coloured
paint one at a time
because only the tiniest amount will make a
big difference to the colour!
That's
because «Tomb Raider» is a
paint by numbers,
big - budget, action / adventure, with numerous perilous action sequences set in exotic locations.
And thus, the
Big 5, especially Hachette at the moment, are only attempting to
paint Amazon as the bad guy
because they fear losing their author pipeline — which in turn will render them extinct.
This can lead to some stupid glitches where your «team» ambles in front of guards who completely ignore them
because you're in stealth mode on the other side of the map, but they are surprisingly decent at gunning down the enemy, though real players are still much more effective.The
biggest issue is that your A.I. comrades won't gather up gold or
paintings or other objectives of that ilk, leaving you to wander back and forth between the gold boxes and the escape car, for example.
Not
because Yoshi's
paint is a little rough, but
because of that noticeable seam in his
big, bulbous nose.
But this
painting vibrates with the feeling that something's not right — maybe it's
because her shoulders seem too
big for her head, or that her skin seems to crawl, or that she appraises us with a cool, reptilian, alien stare.
Those
big paintings they made, they were in a certain group and I couldn't make
paintings that
big even if I wanted to
because I had no room.
I love small
paintings, but
big paintings are easier for me
because I'm an athletic, bodily person.
And in that, I thought that he was showing that he cared deeply about the housewives and students and
big - boobed women — he respected them, in a way,
because he respected the craft of
painting so much.
A 37 - year - old Art Center graduate who was in Sterling Ruby's class, Joshua Nathanson is only now starting to get attention — he's currently having his first solo show at Various Small Fires — but the timing is fortuitous,
because if Ruby's rambunctious sculptures and
big - sky
paintings capture the L.A. of the aughts, Nathanson's thoughtful, computery, sleek, and telegraphic
paintings exemplify the city's present - day art moment.
It's in these pieces — unkempt, offhand, and inching towards intimacy — that one realizes how much Katz, the grand reconciliator of realism and abstraction, has been oversold — how the
big paintings are all things to all people
because their emptiness repels nothing.
The
big yellow
painting in the far room («Rain in The Port of Spain») is actually for me, quite a sad
painting because within the city of Porto Spain where I live one whole city block in the centre of the city is occupied by the jail.
Because, growing up in the early «90s, my generation was mostly involved in a
big questioning of the object, questioning
painting, but I finally felt through Richter that, you know, maybe it would be interesting to do a kind of cartography of
painting.
Doing those
paintings was a
big help in the transition
because I was working from the shape of the piece of marble, a found shape, and as a result, I started using diagonals.
One
big decision the curators agonized over was whether to dispense with the traditional museum practice of devoting separate galleries for drawings and prints;
paintings and sculpture; photographs; and film and video — in part
because they felt that artists today think and produce across different media.
It's a
big deal to see the latter
painting again in New York,
because the last time it showed up here, in 1999, then mayor Rudy Giuliani led a disgraceful campaign to censor Ofili and strip the Brooklyn Museum, which was exhibiting it, of city funding.
Unfortunately, that demand seems to be stuck in the lower ranges, perhaps
because few
paintings capture
big prices and the artist has created a large body of prints.
The thing about Fremicourt, also about St. Marks, I had to roll [
big]
paintings to get them out, which was a real drag,
because of thickness [of
paint].
Because of the complicated manner in which the Norton Simon museum as it presently exists came to be, its holdings include some
big abstract
paintings from the 1960s despite Mr. Simon's distaste for nonobjective art.
At his atelier in the working class reaches of northern Paris, Maguire has just completed a series of
paintings on the migrant crisis,
because «what an artist has to do is reflect their time... That's really what I'm trying to do, to reflect what is for me the
biggest story in Europe — those deaths in the Mediterranean.»
In «Working Space,» Stella wrote that abstract
painting «has the freedom to be
big without magnification,»
because abstract forms, having no reference, have no inherently right size.
Partly, it's
because what has been thought of as art photography — which legitimized itself in [an aesthetic of]
painting when it started to be taken more seriously — was
big painting-esque tableau photographs by people like Andreas Gursky or Jeff Wall.»
Finally, the thing — me, my attitude, the history of the work, the
paintings themselves —
because its mass is so
big, it starts moving, ever so slowly shifting.»
But there is the
big question: should I
paint with oils just
because somebody told me an oil
painting has more value?
Happily,
because art — and the market that seems to drive it — has trended toward the
big: the
big wall - power
painting and print, the gigantor sculpture; and the
big spaces and names that can accommodate.
When I got into Yale Al offered me a ride up to New Haven
because I had this
big trunk full of acrylic
paint.
P.P. - Part of this is
because painting has become pretty much a niche medium in the
big - time contemporary art world.
He innovated quite a bit, and yet at the end of the day,
because they look like good
paintings, we are not asking the
bigger questions.
A newly announced partnership between the world's
biggest private coal mining company and coal - burning country cuts against recent efforts to
paint China green
because of its push on manufacturing wind turbines and solar panels.
Not that it's overtly bad — although it does tail behind just about every third - party antivirus solution — but
because it has a
big target
painted on it for attackers.
We went with a light color
because the room is SO
big, plus the adjoining dining room is
painted a much darker color, Farrow and Ball Hague Blue.
Stir in the drops of coloured
paint one at a time
because only the tiniest amount will make a
big difference to the colour!
It's embarrassing how long I lived with those old cabinets
because painting them wasn't that
big of deal!
And I find it interesting that you
painted the frame around the doors but not the windows which is awesome
because I have often decided against
painting trim as it's just such a
big job.
Photo 7: I am asking about
painting walls and wood the same color (different finish of pain)
because I remember reading that makes a room look
bigger.
Because if you have a
big, red sofa, there are only so many colours you can choose to
paint and accessorize the room.
I agree with you, if I had it my way, the living room with its huge window would be my
painting studio and a VERY much needed homework / computer / library room -
because it is the
biggest room in the house and the least used... read you soon and will be looking forward to your updates on the used - to - be-living room
Sure, you can do the
painting job on your own if you want to but if there is one thing you need to invest in, it has got to be good, quality
paint because if you go for cheaper brands and do it by yourself, there's a
big chance that the
paint will not last long and you'll be compelled to repaint it all over again.
BIG MISTAKE,
because I ended up having to do 6 coats of chalkboard
paint because it kept soaking up into the MDF board.
I also giggled
because I had a
big straw ball that came black and to go with my new bit of whimsy, I globed white
paint on it and glitter.