Even NYT Bestselling authors and those with contracts through
the big publishers still have to do a certain amount of self - promotion.
Big publishers still control a lot of what is advertised and promoted, and a lot of it is crap.
And since most
big publishers still aren't doing this, if you're self - publishing the free campaign is the Ace up your sleeve; the one trick they can't match us on.
Not exact matches
With
big publishers like Square Enix and Atlus
still supporting the Vita, we're
still finding reasons to pick up our favorite handheld.
E3 2015 Was A Huge Success But
Still There Were Some Flop Announcements and it came from some
big publishers / developers.
Most of the independent
publishers are ready to embrace and use digital comics, while the
bigger publishers, while getting involved, are
still figuring it out.
Meanwhile, the old - school business model of the
Big Five
publishers is dying
still.
So in case your head's
still stuck in the sand, here's what we self -
publishers get from your
biggest competition:
The publishing world is
still rebounding from the effects of the DoJ suit against Apple and five of the then -
Big Six
publishers, and the effects of the judgement against the parties involved is
still resolving itself.
Not only do the
Big Six
still produce some of the finest books in the world, but thousands of legitimate, well - edited small
publishers exist, in all genres.
It's only my second novel, I'm
still a newbie, but here's the question: what are the
biggest reasons for seeking an agent and / or traditional
publisher?
That simple question will be the one aspect of your contract that in twenty years you will
still be swearing about, long after the validation of being published by a «
big publisher» has faded.
A Note about the Brand Name: If you see a
big name traditional
publisher tied to a vanity press, here's what you need to know: it's
still a vanity press if you're paying for their services or their books or to be published.
While traditional
publishers (actually, the top end
publishers) are fighting over business and legal issues, like any
big business, you adapt and work with what works — eBooks
still represent a minority in sales, but it is rapidly catching up to print, and by all accounts, has already passed hardcover (which has been in decline in a slow death since the advent of paperbacks and trade paperbacks in the 40s and 50s).
Acronyms like ePUB, mobi, XML, DRM, iOS, and words like Apps, Android, e-Ink are
still one
big jumble for most
publishers, who are overwhelmed and confused at the same time.
It's also a bit amusing to see you, aka
publishers, bleeding from hundreds, maybe thousands of little cuts that self - pub authors have inflicted, and one pretty
big one from Amazon (so Hachette claims),
still wading right into the shark pool.
But I've suspected for nearly three years now that this company (not one of the
big traditional
publishers, but a smaller [
still large] company) has been having serious financial problems.
There are small and micro presses that will do everything the legacy
publishers do and
still give us a
bigger piece of the pie.
I
still like the idea of the agent, the
big publisher, the glory and teeth - gashing of that game.
Simon & Schuster isn't the only major
publisher to sign up with Oyster and Scribd, but it is
still a major «get» for both services thanks to the number of
big name books and authors in the
publisher's catalog.
Whether your book was produced and printed by you or by a
Big Five
publisher, at the end of the process, you will
still be holding a physical book in your hands, asking yourself how you can tell people about it.
The Seattle based online company intends on
still maintaining their relationship with Indie
publishers and the
big six.
Guests: New York is
still the headquarters of the
Big Two, Marvel and DC, as well as a host of smaller
publishers, so there will be plenty of writers, artists, editors, and industry honchos on hand.
So now the spin explains why Amazon is not a demon for wanting to raise prices but
Big 5
publishers still ARE demons for wanting to raise prices?
One in four
publishers saw the
biggest year - on - year growth from audio, many
publishers are
still making no money from audiobooks direct, choosing instead to license the content to dedicated audiobook
publishers or not acquire the rights in the first place.
AG is not known for a reputation of supporting self - published authors, and some commenters see this as a move to provide a cheaper, faster solution for
bigger authors and major
publishers who want to get swift take - down notices against indie authors who
still don't have the means to defend themselves.
A US judge is
still in the process of handling the DOJ lawsuit against Apple — along with five of the then -
Big Six
publishers — for conspiring to raise the price of ebooks in order to impact the market share that Amazon held over the industry.
I
still hope to be picked up by a
bigger publisher at some future date.
Still, that
Big Publisher's name does carry some weight.
At the same time, I
still chose to secure the help of an agent, and am working with him to find a traditional
publisher for my
big fat epic fantasy novel, and another large YA fantasy novel.
It almost makes it seem that if writers can make a
big platform, they can go with a small press, but if one wants to sell fiction (like most of us), it's
still better to go with the
big publishers.
The majority of authors will never receive that
big book deal with a major
publisher and gone are the days of the six - figure book advances for a debut author, but
still, if your ultimate goal is to share a story with the world, if you put the time and effort into the craft of storytelling, you will find your audience.
The
Big Six
publishers still offer decent advances.
The
biggest problem we run into are
still those
publishers who refuse to offer their ebooks to libraries.
«First, these figures don't look at sales of print books, which will
still be a major part of the earnings from a
Big five
publisher.
Titles from
big publishers are
still responsible for a very substantial chunk of Amazon's publishing revenue and losing those titles would sink its Kindle business.
Entitled Dog Bites Man; Pope Condems Violence;
Publishers Still Don't Get It, this is an unbelievably astute commentary on some of the
biggest issues affecting the publishing world today.
Of course, the
Big Six are
still there and will continue to be there, but small guys who have a good story to tell — yet may get shunned from the large
publishers because they already have a stable of successful authors — can make it.
Apple and five of the
Big Six
publishers are
still undergoing a Department of Justice investigation into an alleged price fixing agreement in order to muscle out Amazon's 90 % control of the ebook market in 2010, just in time for the iPad to make its way to the market.
While legal proceedings move at a snail's pace, it's not surprising that the ongoing lawsuit filed against Apple and five of the
Big Six
publishers is
still slowly unfolding.
Besides the drawback that
publishers are
still imposing checkout limits and raising the price of an ebook by as much as 300 % for libraries, the
biggest obstacle may be instituting the lending program itself.
Now that Judge Denise Cote ruled that Apple was, in fact, guilty of the price fixing allegations that the Department of Justice brought against it and five of the
Big Six
publishers, Apple's punitive fate is
still being hashed out.
The ebook industry is
still really in its infancy and many of the
big six
publishers only see less then 10 % of their profits stem from ebooks, but the industry is growing.
Neither Amazon nor Barnes & Noble would comment on whether bundling was feasible, and
still other
Big Six
publishers expressed concerns over such things as how author royalties are paid out since print pays at one rate and digital royalties pay out at another.
There has been an almost conspicuous lack of comments from the parties involved in the DoJ and class action lawsuits
still pending against Apple and some of the
Big Six
publishers.
Though at the time of the announcement, the offer was restricted to the United States, and only one or two of the
big five
publishers had signed up, it
still attracted considerable attention both inside and outside the industry.
The
Big 5
Publishers still have 75 % of the «Books People Want to Read».
There are
still writers who sit sheepishly on the fence, throwing wisps of hope into the air that some
big publisher will throw them a bone.
Despite all the excitement about self - publishing these days — and I'm a
big proponent — many writers
still dream of being published by a
big house like St. Martin's Press or a prestigious literary
publisher like Algonquin or Bloomsbury.
I'm sure the
big publishers will always be there and will always earn the lion's share of book revenue, and the mainstream path is
still the best choice for certain authors and certain books.