The insight that Bowling brought, after this initial contact with Smith, to the First National
Black Art Convention hinted at the richness of practice within the US.
His attendance at the First National
Black Art Convention, held in Wolverhampton in 1982, put him into contact with the BLK Art Group, whose members included myself, Marlene Smith, Eddie Chambers, Claudette Johnson, and Donald Rodney, as well as young UK - based artists such as Sonia Boyce, Lubaina Himid, and Rasheed Araeen.
Not exact matches
On 17 — 18 March, a working
convention will be held at Nottingham Contemporary, in collaboration with Spike Island in Bristol, Modern Art Oxford and New Art Exchange in Nottingham, which will in part reflect on the relevance of the 1984 Radical Black Art Working Convention in Nottingham
convention will be held at Nottingham Contemporary, in collaboration with Spike Island in Bristol, Modern
Art Oxford and New
Art Exchange in Nottingham, which will in part reflect on the relevance of the 1984 Radical
Black Art Working
Convention in Nottingham
Convention in Nottingham for today.
Highlighting, and perhaps bridging, the gap between dissimilar realms, Pruitt draws upon
black popular culture as he employs strategies of conceptual
art and
conventions of
art history.
As much as Rauschenberg's work of the early 1950s had been championed for its elimination of painterly
conventions — no subject, no image, no taste, no object, no beauty, no message — Untitled [glossy
black painting] makes the case that Rauschenberg was equally radical for what he was willing to let in — chance, duration, changing context, accidents, a life in the present.18 Historians tell us about the Rauschenberg who pursued a mode of creativity that had «a life beyond its initial conception,» but it is not always possible to observe the process of accretion.19 In 1986, Untitled [glossy
black painting] would appear on the cover of
Arts Magazine, its identity photographically stilled.20 That was part of the history of this single canvas.
A finalist for Britain's Turner Prize in 2013, Yiadom - Boakye is known for her paintings of
black fictional characters that play on
conventions of European portraiture, drawing attention to inequities in representation throughout
art history.
The artists are known for producing videos criticizing the
conventions of the
art world, and they recently wrote that an exhibition of Zanele Muholi's
art at the Stedelijk Museum was shown only «because she comes from South Africa and is lesbian and
black.»
Black has talked about how heavily her work is rooted in feminism and its impact on the visual
arts, primarily in its questioning of
conventions of practice and interpretation.
Black art is framed by pillars of white
convention, where only a bit of African color slips through.