Sentences with phrase «black book gallery»

«Black Book Gallery, a Denver based contemporary art gallery, is thrilled to announce its upcoming exhibition featuring Gabe Richesson, entitled «Aptitude for Destruction.»

Denver's Black Book Gallery presents exhibits two artists this month; Martin Whatson and Hama Woods.

Black Book Gallery Anchoring this year's exhibition schedule, Black Book Gallery in Denver will be welcoming powerhouses, Shepard Fairey, Even Hecox and Jim Houser together in a group show during the month of August.

Not exact matches

Gorgeous mirrored console table with glass lamp, faux python tray, art in black gallery frame, Pellegrino, pink peonies, books and cobalt blue glassware.

Each box contains nine slim accordion books that expand into a 7.5 - foot - long gallery of black and white photographs.

Kick - off Comic - Con with comics» greatest creators at the Comic Book Legal Defense Fund's Comic - Con Welcome Party, sponsored by Image Comics and comiXology, with a special gallery display from Black Phoenix Alchemy Lab!

Among the periods she intends to highlight are the years 1924 to 1943, when the notion of a distinct American folk art came into public consciousness through the efforts of the Whitney Studio Club and MoMA director Alfred Barr; the long decade from the late 1960s through the early 1980s that saw both the publication of Roger Cardinal's 1972 book Outsider Art and Jane Livingston and James Beardsley's groundbreaking 1982 show «Black Folk Art in America, 1930 — 1980» at the Corcoran Gallery; and the near present, with its ongoing conversation about how to contextualize vernacular art.

If you have not heard of fantastic photo book by Meryl Meisler, Disco Era Bushwick: A Tale of Two Cities, you must be living under a rock because everyone, including Bushwick Daily have been raving about this amazing photography project virtually non-stop since its launch during Bushwick Open Studios at Black Box Gallery at Bizarre

The book is published by Penguin Random House, in conjunction with the exhibition at Steven Kasher Gallery, Teju Cole: Blind Spot and Black Paper and is available now.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Sarah Plimpton's new work, Black Light, at the June Kelly Gallery is, like her other paintings and books, instantly recognizable.

To commemorate the last week of Teju Cole's highly praised first solo exhibition, Blind Spot and Black Paper, the artist will be signing copies of the associated new book, Blind Spot at Steven Kasher Gallery from 4 - 6 pm, tomorrow, August 8th.

Edited by antique dealer Frank Maresca of Ricco / Maresca Gallery in New York, «Black Dolls» (Radius Books) was published to coincide with the Mingei International Museum show and includes essays by Margo Jefferson, Lyle Rexer, and artist Faith Ringgold.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

1986 The Frederick R.Weisman Foundation Collection of Art Laforet Harajuku, Tokyo, Japan Institute of Contemporary Arts Nagoya, Aichi, Japan Navio Museum, Osaka, Japan Sogo Museum of Art, Kanagawa, Japan Original Works for the Picture Books, Niigata City Art Museum, Niigata, Japan Today's Watercolor» 86, Kaneko Art Gallery, Tokyo, Japan The 14th Ryu Contemporary Art Sakaide Civic Art Museum, Kagawa, Japan Contemporary Japanese Art, The Taipei Fine Arts Museum, Taiwan Black and White in Art Today, The Museum of Modern Art, Saitama, Japan Kanagawa Art Dialogue for Peace, Okurayama Memorial Hall, Kanagawa, Japan Culture of Water, Effects of Trees, Ishinomaki Culture Center, Hokkaido, Japan Twelve Months by Twelve Artists, Tokyo Gallery, Tokyo, Japan 1985 Japanese Prints, Tochigi Prefectural Museum of Fine Arts, Japan A Panorama of Modern Japanese Prints from the Museum Collection, Niigata City Art Museum, Niigata, Japan Reconstructions: Avantgarde Art in Japan 1945 - 1965, Museum of Modern Art Oxford, Oxford, England Fruitmarket Gallery, Edinburgh, England

Displayed on a polished black surface reflecting surrounding artworks and the architecture of the gallery, The Book and the Rose — A New Book (1988) brings to mind what is commonly termed the Mackintosh rose, a motif that appears in the gallery's building designed by Charles Rennie Mackintosh (1868 — 1928).

This year, at Ben Brown Fine Arts in London, he mounted a solo exhibition titled «Make America Great Again»; and at Night Gallery in Los Angeles, he presented a body of work using imagery sourced from a rejected 1968 Black Panther coloring book to explore institutionalized racism and police brutality in the United States.

Participating institutions include Candela Books + Gallery, Anderson Gallery VCUarts, Black Iris, 1708 Gallery, Elegba Folklore Society, Reynolds Gallery, the Valentine Richmond History Center, and the Virginia Museum of Fine Arts.

Untitled - 1, 2013, 2015, was produced at Book Works, London, exclusively for the Whitechapel Gallery to accompany Anna Parkina's works included in Adventures of the Black Square: Abstract Art and Society, 1915 - 2015.

Amistad Research Center, Tulane University, New Orleans, LA The Art Institute of Chicago, Chicago, IL Baltimore Museum of Art, Baltimore, MD Bennett College for Women Collection, Greensboro, NC Cleveland Museum of Art, Cleveland, OH Corcoran Gallery of Art, Washington, DC de Young Museum, San Francisco, CA Fisk University Gallery, Nashville, TN Hampton University Museum, Hampton, VA Howard University, Gallery of Art, Howard University, Washington, DC Milwaukee Art Museum, Milwaukee, WI LeMoyne - Owen College, Memphis, TN The Metropolitan Museum of Art, New York, NY Museum of Art, Rhode Island School of Design, Providence, RI Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY Museum of Nebraska Art, Kearney, NE National Portrait Gallery, Smithsonian Institution, Washington, DC North Carolina Museum of Art, Raleigh, NC Philadelphia Museum of Art, Philadelphia, PA Savannah College of Art and Design, Lawrence, KS Schomburg Center for Research in Black Culture, New York, NY Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, NE Spencer Museum of Art, The University of Kansas, Savannah, GA The Yale Collection of American Literature, The Beinecke Rare Book and Manuscript Library, New Haven, CT

Berkeley Art Museum, University of California, Berkeley, CA Birmingham Museum of Art, Birmingham, AL Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Cameron Art Museum, Wilmington, NC Colby College Museum of Art, Colby College, Waterville, ME Hampton University Museum, Hampton University, Hampton, VA Harvard Art Museums, Harvard University, Cambridge, MA La Salle University Art Museum, La Salle University, Philadelphia, PA Library of Congress, Washington, DC The Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY Nasher Museum of Art, Duke University, Durham, NC National Collections of France, Ministry of Culture, Paris, France National Museum of African American History & Culture, Smithsonian Institution, Washington, DC Newark Museum, Newark, NJ New Orleans Museum of Art, New Orleans, LA New - York Historical Society Museum & Library, New York, NY The Galleries at Pasadena City College, Pasadena City College, Pasadena, CA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Philadelphia Art Alliance, Philadelphia, PA Philadelphia Board of Education, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Ruth Chandler Williamson Gallery, Scripps College, Claremont Colleges, Claremont, CA St. John's University, Queens, NY Smithsonian American Art Museum, Washington, DC Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA The State Museum of Pennsylvania, Harrisburg, PA The Studio Museum in Harlem, New York, NY United States General Services Administration, Washington, DC

The artist's 2010 gallery show, The Bible Illuminated: R. Crumb's Book of Genesis, presented 207 individual black - and - white drawings from his now landmark The Book of Genesis Illustrated by R. Crumb.

Repeating this same color palette in her installation, Reynaud - Dewar has covered the walls of the Lobby Gallery with curtains partially dipped in black ink and inscribed with excerpts from French writer Guillaume Dustan's 1996 book In My Room.

2006 Kalup Linzy and Charles Nelson, Romo Gallery, Atlanta, GA Empathetic, curated by Elizabeth Thomas, Temple Gallery, Tyler School of Art, Philadelphia, PA Black Alphabet, curated by Maria Brewinska, Zacheta National Gallery of Art, Warsaw, Poland No More Drama: The Saga Continues, The Center for Book Arts, New York, NY Mid-Life Crisis, curated by Tara Subkoff and Ivana Salander, Salander - O'Reilly, New York, NY Masquerade: Representation and the Self in Contemporary Art, Museum of Contemporary Art, Sydney, Australia Do You Think I'm Disco, Longwood Art Gallery@Hostos, Bronx, NY

She recently published A Tale of Two Cities: Disco Era Bushwick to much acclaim and will soon be launching a new book, Purgatory & Paradise: Sassy «70s Suburbia & The City at the Bushwick Open Studios at The Black Box Gallery in June 2015.

Displayed on a polished black surface reflecting surrounding artworks and the architecture of the gallery, The Book and the Rose — A New Book (1988) brings to mind -LSB-.....]

Following the release of her book Purgatory & Paradise: Sassy»70s Suburbia & the City last year, more than 35 of black and white prints are on display at Steven Kasher Gallery through April 9.

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

To mark the milestone, Panther co-founder Bobby Seale spoke in Sacramento at Brickhouse Art Gallery, where he promoted his new book «Power To The People: The World of The Black Panthers,» which features photographs by Stephen Shames, and recounted the founding of the local chapter.

The Portland, Ore. - based company produces art books, calendars and gift products and for more than a dozen years has collaborated with the gallery on wall calendars showcasing works by 20th century African American artists including Cortor, whose stately and graceful images often celebrate the black female figure.

Necessary Journeys (London: ACE) 2005 NEWS artist's book (London: SPSL) 2005 «A — Y (Entries for an Inventionry of Dented «I's)» essay in David A. Bailey, Ian Baucom, Sonia Boyce eds., Shades of Black (London: inIVA, N. Carolina: Duke UP) 2005 «If You Were There» exhibition catalogue essay for Mayling To: If You Were There (University of Hertfordshire: Margaret Harvey Gallery) 2005 «Outtakes» essay in Dennis Atkinson & Paul Dash eds., Social and Critical Practices in Art Education (Stoke on Trent: Trentham Books) 2004 «Cruel / Loving Bodies» essay in Sasha Welland, ed.

«Speaking out: Siting the Voice in Contemporary Asian Art», Courtauld Institute of Art and Kings College, University of London 2017 Conceptualism — Intersectional Readings, International Framings Conference, AHRC Black Artists and Modernism project in collaboration with Van Abbemuseum, NL, 7 - 9 December 2017 Trinh T Minh - ha Symposium, ICA London, 3 December 2017 Women in Collections Symposium, Contemporary Art Society / Sackler CPD Programme, Leeds City Art Gallery, 19 October 2017 Deviant Researching Symposium, part of Demodernising the Collection, Van Abbemuseum, NL, 21 - 23 September 2016 Now and Then, Here and There Conference, AHRC Black Artists and Modernism, Chelsea College of Art and Design, UAL / Clore auditorium, Tate Britain, 6 - 8 October 2016 Kung Fury: Contemporary Debates in Martial Arts Cinema Symposium, AHRC Martial Arts Studies Network, Birmingham City University, 1 April 2015 Martial Arts Studies Conference, with Luke White, Cardiff University, 10 - 12 June 2015 How to See the World Panel discussion & book launch, with Nicholas Mirzeoff, Jon Bird, Sonia Boyce, Nadja Milner - Larsen, ICA, London 4 June 2015 (In) Direct Speech: «Chineseness» in Contemporary Art Symposium, University of Lisbon, 16 - 19 March 2014 Thinking with Berger Conference, with Juliette Kristensen, Cardiff Metropolitan University, 4 - 5 September 2014 Mega Events & Culture: Arts & Artists Engagement in Events - based Regeneration, Resistance & Research Regional Studies Association, Research Seminar, Queen Elizabeth Olympic Park, London, 17 June 2014 Image — Movement — Story Conference, University of Roehampton, 14 June 2014 SPSL / A to Y Public Lecture, MAI (Montreal Arts Interculturels / University of Concordia, Montreal QC, 12 April 2013 Inter-Asian Connections IV Conference, in the strand «Contemporary Art and the Inter-Asian Imaginary», Koç University, Istanbul.

Seeing Round Corners (Turner Contemporary, Margate UK, 2016); Objects Do Things, (Centre of Contemporary Art, Poland 2016); Stories in the Dark (Whitstable Biennale, UK, 2016); Doug Fishbone's Leisure Land Golf, (Venice Biennale 2015); Reads Like a Book The Book Lovers (Cricoteka, Poland, 2015); Mirrorcity (Hayward Gallery, London, 2014); The Red Queen (MONA, Tasmania, Australia 2013); Toulouse International Art Festival (Hȏtel - Dieu, Toulouse, France, 2013); Entangled2 Theatre II (Matt's Gallery London 2013); Monocular4 (Quad, Derby, UK 2013); Nowhere Less Now (Artangel commission, Tin Tabernacle, Kilburn, London, 2012); Entangled2 (Turner Contemporary, Margate, UK 2012); Extramission 6 (Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery, London, 2014); The Red Queen (MONA, Tasmania, Australia 2013); Toulouse International Art Festival (Hȏtel - Dieu, Toulouse, France, 2013); Entangled2 Theatre II (Matt's Gallery London 2013); Monocular4 (Quad, Derby, UK 2013); Nowhere Less Now (Artangel commission, Tin Tabernacle, Kilburn, London, 2012); Entangled2 (Turner Contemporary, Margate, UK 2012); Extramission 6 (Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery London 2013); Monocular4 (Quad, Derby, UK 2013); Nowhere Less Now (Artangel commission, Tin Tabernacle, Kilburn, London, 2012); Entangled2 (Turner Contemporary, Margate, UK 2012); Extramission 6 (Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen,Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen, 2007).

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Ellison's central argument, that racism has rendered black people both visible and invisible, inspired Martos Gallery director Ebony L. Haynes to explore the concept in a show titled after the book.

Pindell wrote, in her artist statement for the 1980 show at A.I.R. Gallery: «As a Black American woman, I draw on my experience as I have lived it and not as others wish to perceive my living it as fictionalized in the media and so - called «history» books.»

The New York Review of Books reviews the show Blind Spot and Black Paper at Steven Kasher Gallery, calling it «nearly perfect.»

, Elizabeth Foundation for the Arts, NYC 2017 Notas al Futuro, Galeria Breve, Mexico City, MX 2017 Known Unknowns, 86 Orchard St, NYC 2017 Beach Sessions Fundraiser, Black and White Gallery, Brooklyn 2016 High Summer, Foley Gallery, NYC 2015 Camera Club of New York's Annual Benefit Auction, Affirmation Arts Gallery, NYC 2015 Annual Juried Competition and Exhibition, Baxter St. at the Camera Club of NY, NYC 2015 We Got Divorced, 156 Freeman Street, Brooklyn 2015 Advanced Master Remix, Baxter St. at the Camera Club of NY, NYC 2015 CKTV, Red Bull Studios, NYC 2015 This One's For You, International Center of Photography, NYC 2014 New Wight Biennial, UCLA New Wight Gallery, Los Angeles 2014 Camera Club of New York's Annual Benefit Auction, Affirmation Arts Gallery, NYC 2014 New York Art Book Fair, MoMA PS1, Long Island City 2014 BRIC Biennial, BRIC Arts Media, Brooklyn 2014 Call + Response + Response, Photoville, Brooklyn 2014 The American South, Morris Museum of Art, Augusta, Georgia 2014 Living Los Sures, Ildiko Butler Gallery, Fordham University, NYC 2014 Feast Day, ICP - Bard MFA Studios, Long Island City 2014 9/50 Summit, Atlanta Contemporary Arts Center, Atlanta, Georgia 2014 We Got Married, 145 Sackett Street, Brooklyn 2014 Inaugural, 321 Gallery, Brooklyn 2013 Fishing in the Dark, Violet's Café, Brooklyn 2013 Table Dive, Side Effects Gallery, Brooklyn 2013 Looking In / Looking Out, Bronx Art Space, Bronx 2013 Rising Waters: Photographs of Sandy, Museum of the City of New York, NYC 2012 Flat Out, Art Currents Institute, NYC 2012 Shadowline, 321 Gallery, Brooklyn 2011 Summer Salon, Rabbithole Gallery, Brooklyn 2011 Almost Down, Gallery Tayuta, Tokyo 2011 UnionDocs Collaborative Group Show, Brooklyn

2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT

/ Us.Here.Now., curated by Zohra Opoku, Wiener Festwochen, Vienna, Austria Recent Histories, The Walther Collection,Neu - Ulm, Germany 1:54 Contemporary African Art Fair, AFRONOVA GALLERY, Pioneer Works, New York, USA SA Taxi Foundation Art Award Finalist, Lizamore and Associates Gallery, Johannesburg, South Africa Infecting the City, Africa Centre, Cape Town, South Africa Booknesses: South African Artists» Books, FADA Gallery, University of Johannesburg, Johannesburg, South Africa Les Territoires du Corps, Black Box, Art Paris, Grand Palais, Paris, France Le jour qui vient, Galerie des Galeries, Paris, France New Home, AVAF Edition 1, Cape Town Art Fair, Cape Town, SouthGALLERY, Pioneer Works, New York, USA SA Taxi Foundation Art Award Finalist, Lizamore and Associates Gallery, Johannesburg, South Africa Infecting the City, Africa Centre, Cape Town, South Africa Booknesses: South African Artists» Books, FADA Gallery, University of Johannesburg, Johannesburg, South Africa Les Territoires du Corps, Black Box, Art Paris, Grand Palais, Paris, France Le jour qui vient, Galerie des Galeries, Paris, France New Home, AVAF Edition 1, Cape Town Art Fair, Cape Town, SouthGallery, Johannesburg, South Africa Infecting the City, Africa Centre, Cape Town, South Africa Booknesses: South African Artists» Books, FADA Gallery, University of Johannesburg, Johannesburg, South Africa Les Territoires du Corps, Black Box, Art Paris, Grand Palais, Paris, France Le jour qui vient, Galerie des Galeries, Paris, France New Home, AVAF Edition 1, Cape Town Art Fair, Cape Town, SouthGallery, University of Johannesburg, Johannesburg, South Africa Les Territoires du Corps, Black Box, Art Paris, Grand Palais, Paris, France Le jour qui vient, Galerie des Galeries, Paris, France New Home, AVAF Edition 1, Cape Town Art Fair, Cape Town, South Africa

Its down - value look and activist ethos are evident in everything, including the black house - paint mural he has brushed, single - handedly, across one of the museum's walls and the hand - printed, hand - bound books he has placed in the gallery he designates as chapel and library.

Advisory Board: Emoke B'Racz — Owner of Malaprop's Bookstore Jeff Davis — Poet, Computer Network Specialist Gene Felice — New Media Artist, Teacher Jean B. Franklin — Co-Owner of Black Mountain Books Rick Gruber — Director Emeritus, The Ogden Museum of Art Larry Hopkins — Owner, Ananda Hair Studio Katie Lee Koven — University Gallery Director, Utah State University David McConville — President of the Buckminster Fuller Institute Carol Pennell — Real Estate Broker Susan Rhew — Graphic Designer, Susan Rhew Design Glen Shults — Attorney Jane Anne Tager — Human Resources Director Fred Turner — Associate Professor of Communication and Director of the Program in Science, Technology and Society at Stanford University

CHANEL's photographic exhibition dedicated to Karl Lagerfeld's latest book, The Little Black Jacket: CHANEL's classic revisited by Karl Lagerfeld and Carine Roitfeld, opened at the Saatchi Gallery in London on 12 October.

1987 Message Units, 516-277-4338, New York, US About Sculpture, Anthony d'Offay Gallery, London, UK Perverted by Language, Hillwood Art Gallery, Long Island University, Brookville, New York, US Saga 87 (premiere foire), Eric Linard Editions, Grand Palais, Paris, FR Ohne Die Rose... Grusse an Beuys von 199 Kunstlern, Stadtisches Museum Haus, Monchengladbach, and Koekkoek, Kleve, DE XXX Anniversary Exhibition, Leo Castelli Gallery, DE Group Exhibition, Rudiger Schottle Gallery, Munich, DE Hyperspaces, Art City, New York, US Group Exhibition, Marian Goodman Gallery, New York, US Snow, Weiner, Nannucci, Art Metropole, Toronto, CA; Alberta College Art Gallery, Calgary, CA; MacDonald Stewart Art Center, Guelph, Ontario, CA; Anna Leonowens Gallery, NSCAD, Halifax, CA; Forrest City Gallery, London, Ontario, CA; Emily Carr College of Art, Vancouver, B.C., CA Marc Hostettler und die Editions Media, Graphik - Sammlung ETH, Zurich, CH Stichting Fort Asperen, Asperen, NL Group Exhibition, Galerie Francoise Lambert, Milan, IT Group Exhibition, Castello di Rivoli, Museo d'Arte Contemporanea, Turin, IT Jack Goldstein, John Lamka, Lawrence Weiner, Piezo Electric, New York, US Folkwang Video, Videogalerie Gerry Schum, Essen, DE Incrocio - Un Racconto, La Saleriana, Erice, Sicily, IT Aspects of Conceptualism in American Work, Part II, Avenue B Gallery, New York, US Leo Castelli y Sus Artistas, XXX Anos de..., Centre Cultural Arte Contemporaneo, Polanco, MX Leo Castelli: A Tribute Exhibition, Butler Institute of American Art, Youngstown, Ohio, US Comic Iconoclasm, ICA, London, UK; Douglas Hyde Gallery, Dublin, IR; CornerHouse Gallery, Manchester, UK Dessins, Gallerie Catherine Issert, Paris, FR In Print - Artists» Books, Power Gallery of Contemporary Art, University of Sydney, AU Director's Invitational, David Brown Gallery, Provincetown, Massachusetts, US Musee St. Pierre Art Contemporain Lyon, Frankfurter Kunstverein, Frankfurt, DE Strong Statements in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, BE

Its down - value look and activist ethos are evident in everything, including the black house - paint mural he has brushed, single - handedly, across one of the museum's wall and the hand - printed, hand - bound books he has placed in the gallery he designates as chapel and library.

Dayanita Singh's Museum Bhavan contains nine accordion books that expand into a 7.5 - foot - long gallery of black and white photographs.

«Physical Evidence,» Lehman College Art Gallery, Bronx, NY, April 12 — May 28, 1994 «Duchamp's Leg,» Walker Art Center, Minneapolis, MN; traveled to the Center for the Fine Arts, Miami, FL; brochure «The Magic Magic Book,» Whitney Museum of American Art, New York, NY, 1994; catalogue «New Paintings,» Max Protetch Gallery, New York, NY, 1994 «Black Male: Representations of Masculinity in Contemporary Art,» Whitney Museum of American Art, New York, NY, 1994; traveled to the UCLA Hammer Museum, Los Angeles, CA; catalogue «Transformers: The Art of Multiphrenia,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY; traveled to Decker Galleries, Maryland Institute College of Art, Baltimore, MD; Herbert F Johnson Museum of Art, Cornell University, Ithaca, NY; Nexus Contemporary Art Center, Atlanta, GA; Art Gallery of Windsor, Windsor, Ontario, Canada; Illingworth Kerr Art Gallery, Alberta College of Art and Design, Calgary, Alberta, Canada; catalogue «Dark o'Clock,» Museu de Arte Moderna de Sâo Paulo, Sâo Paulo, Brazil, 1994; traveled to Plug In, Inc, Video Pool, Ace Art, Winnipeg, Manitoba, Canada; catalogue «Stories,» Max Protetch Gallery, New York, NY, 1994 «Equal Rights and Justice, High Museum of Art,» Atlanta, GA, 1994; traveled to the National Museum of African American History and Culture, Smithsonian Institution, Washington, DC; catalogue «Drama,» Max Protetch Gallery, New York, NY 1994 «Oliver Herring, Byron Kim, Glenn Ligon,» Galerie Gilles Peyroulet, Paris, France, 1994 «The Label Show: Contemporary Art and the Museum,» Museum of Fine Arts, Boston, MA, 1994; brochure «Don't Look Now,» Thread Waxing Space, New York, NY, 1994; catalogue

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tbook photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TBook an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tbook Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Huiles sur toile et Pastels Galerie Jean Fournier, Paris (catalogue) Joan Mitchell: Pastels Les Cordeliers Châteauroux Joan Mitchell: Selected Paintings and Pastels 1950 — 1990 Manfred Baumgartner Galleries, Inc., Washington, D.C. 1994 Pastels Galerie Jean Fournier, Paris Joan Mitchell»... my black paintings...» 1964 Robert Miller Gallery, New York (catalogue) Joan Mitchell: Oeuvres de 1951 à 1982Musée des Beaux - Arts de NantesJoan Mitchell: les dernières années, 1983 - 1992 Galerie Nationale du Jeu de Paume, Paris (catalogue) Works on Paper Montgomery — Glasoe Gallery, Minneapolis Joan Mitchell in Vétheuil Newport Harbor Art Museum, Newport Beach 1993 83rd Annual Exhibition: Joan Mitchell Maier Museum of Art, Randolph — Macon Woman's College, Lynchburg (catalogue) Galerie Ulrike Barthel, Bremen Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989 Galerie Daniel Blau, Munich Joan Mitchell 1992 Robert Miller Gallery, New York (catalogue) Joan Mitchell Prints and Illustrated Books: A Retrospective Susan Sheehan Gallery, New York Joan Mitchell: Etchings and Lithographs Pace Prints, New York 1992 New Prints Bobbie Greenfield Fine Art, Venice Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan Galerie Jean Fournier, Paris Trees & Other Paintings, 1960 to 1990 Laura Carpenter Fine Art, Santa Fe Joan Mitchell: Pastels Whitney Museum of American Art, New York Joan Mitchell: Recent Lithographs Susan Sheehan Gallery, New York Joan Mitchell: Sunflowers and Trees Series Tyler Graphics, Mt. Kisco 1991 Robert Miller Gallery, New York (catalogue) 1990 Joan Mitchell: Paintings and Drawings Barbara Mathes Gallery, New York Joan Mitchell: Champs Galerie Jean Fournier, Paris 1989 Robert Miller Gallery, New York (catalogue) 1988 Joan Mitchell: Selected Paintings Spanning Thirty Years Manny Silverman Gallery, Los Angeles (catalogue) The Paintings of Joan Mitchell: Thirty - Six Years of Natural Expressionism organized by Judith Bernstock and the Herbert F. Johnson Museum of Art, Cornell University, Ithaca; traveled to: Corcoran Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Albright Knox Art Gallery, Buffalo; La Jolla Museum of Contemporary Art, La Jolla (catalogue) 1987 Joan Mitchell: Peintures, 1986 et 1987 - River, Lille, Chord Galerie Jean Fournier, Paris (catalogue) 1986 An Exhibition of Paintings and Works on Paper Keny & Johnson Gallery, Columbus Joan Mitchell: New Paintings Xavier Fourcade Inc., New York (catalogue) 1985 Joan Mitchell: The Sixties Xavier Fourcade Inc., New York (catalogue) 1984 La Grande Vallée et autres peintures Galerie Jean Fournier at the Foire Internationale d'Art Contemporain, Grand Palais, Paris Joan Mitchell — La Grande Vallée Galerie Jean Fournier, Paris (catalogue) 1983 Joan Mitchell: New Paintings Xavier Fourcade Inc., New York 1982 Choix des peintures, 1970 — 1982 Musée d'Art Moderne de la Ville de Paris, Paris (catalogue) 1981 Paintings and Works on Paper Janie C. Lee Gallery, Houston Joan Mitchell: New Paintings Xavier Fourcade, Inc., New York Gloria Luria Gallery, Bay Harbor 1980 Galerie Jean Fournier, Paris Joan Mitchell: Major Paintings Richard Hines Gallery, Seattle Joan Mitchell: The Fifties, Important Paintings Xavier Fourcade Inc., New York 1979 Gallery Paule Anglim, San Francisco 1978 Galerie Jean Fournier, Paris Webb and Parsons Gallery, Bedford Village New Paintings and Pastels Ruth S. Schaffner Gallery, Los Angeles 1977 Joan Mitchell: New Paintings, 1977 Xavier Fourcade, Inc., New York 1976 Joan Mitchell: New Paintings, 1976 Xavier Fourcade, Inc., New York (catalogue) Galerie Jean Fournier, Paris 1974 Joan Mitchell: Recent Paintings The Arts Club of Chicago, Chicago Whitney Museum of American Art, New York (catalogue) 1973 Ruth Schaffner Gallery, Santa Barbara 1972 My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Everson Museum of Art, Syracuse, New York (catalogue) My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Martha Jackson Gallery, New York 1971 Galerie Jean Fournier et Cie, Paris 1969 Galerie Jean Fournier et Cie, Paris 1968 Joan Mitchell: Recent Paintings Martha Jackson Gallery, New York 1967 Galerie Jean Fournier et Cie, Paris 1965 Stable Gallery, New York 1962 Joan Mitchell: Ausstellung von Ölbildern Galerie Klipstein und Kornfeld, Bern Galerie Jacques Dubourg, Paris Galerie Lawrence, Paris Paintings by Joan Mitchell The New Gallery, Hayden Library, Massachusetts Institute of Technology, Cambridge (catalogue) 1961 Joan Mitchell: Paintings 1951 — 1961 Mr. and Mrs. John Russell Mitchell Gallery, Southern Illinois University, Carbondale Dwan Gallery, Los Angeles Recent Paintings by Joan Mitchell Stable Gallery, New York Holland - Goldowsky Gallery, Chicago 1960 Galleria dell «Ariete, Milan Gallery Neufville, Paris 1958 Stable Gallery, New York 1957 Stable Gallery, New York 1955 Stable Gallery, New York 1954 Stable Gallery, New York 1953 Stable Gallery, New York 1952 New Gallery, New York (catalogue) 1950 Paintings by Joan Mitchell St. Paul Gallery and School of Art, St. Paul Paintings by Joan Mitchell Bank Lane Gallery, Lake Forest Solo Exhibition Home of Mrs. George Roberts, Lake Forest, Illinois 1943 Solo exhibition Francis Parker School, Chicago

This new Duane Hanson book, produced to accompany the artist's exhibition at the Serpentine Sackler Gallery, presents a selection of previously unpublished black and white photographs from the 1970s and 80s.