Sentences with phrase «black book paul»

9:45 pm — IFC — Black Book Paul Verhoeven invests Black Book with just enough of his signature over-the-top brashness to give the WWII story of a Dutch Jewish woman infiltrating the Gestapo for the Resistance a healthy dose of panache.

1:35 am (14th)-- Sundance — Black Book Paul Verhoeven invests Black Book with just enough of his signature over-the-top brashness to give the WWII story of a Dutch Jewish woman infiltrating the Gestapo for the Resistance a healthy dose of panache.

10:00 pm — Sundance — Black Book Paul Verhoeven invests Black Book with just enough of his signature over-the-top brashness to give the WWII story of a Dutch Jewish woman infiltrating the Gestapo for the Resistance a healthy dose of panache.

Not exact matches

When Paul Robeson, the black actor and singer, went to the U.S.S.R. after he was virtually hounded out of the U.S. for being a Communist sympathizer in the 1950s, Max's father served as Robeson's booking agent for several of his singing performances there.

In the following years Matthias got cast in several short films and played a supporting role in Paul Verhouven's «Black book» (2006) and also landed his first starring role in «Dennis van Rita» (2006).

«As «Black Panther» continues to redefine what is possible in terms of box office in the month of February (with a massive $ 500 million earned globally after just 9 days in theaters), the film will leap to new heights in a second weekend that will also rewrite the record books,» Paul Dergarabedian, senior media analyst with comScore, said.

Sound Pud Cusack — «Free State of Jones,» «The Mask of Zorro» Susan Dawes — «Deadpool,» «Wild» Chris Duesterdiek — «The Revenant,» «Elysium» Tammy Fearing — «Trainwreck,» «Bridesmaids» Roberto Fernandez — «St. Vincent,» «Drive» Eric Flickinger — «The Big Short,» «World War Z» Gabriel Gutiérrez — «Automata,» «Mama» Matthew Harrison — «Paper Towns,» «The Maze Runner» Nina Hartstone — «The Book Thief,» «Gravity» Michael Hertlein — «The Hateful Eight,» «American Hustle» Paul Hsu — «Spotlight,» «Salt» George Lara — «Chi - Raq,» «Spotlight» Anna MacKenzie — «Spectre,» «Prometheus» John G. Marquis — «Godzilla,» «Beautiful Creatures» James Harley Mather — «Mission: Impossible — Rogue Nation,» «Sherlock Holmes» Chuck Michael — «Mad Max: Fury Road,» «X-Men: Days of Future Past» Timothy Karl Nielsen — «Racing Extinction,» «War Horse» Eric Norris — «Unbroken,» «Man of Steel» Ben Osmo — «Mad Max: Fury Road,» «Happy Feet Two» Eliza Paley — «Miles Ahead,» «Carol» Glenfield Payne — «Beasts of No Nation,» «Blue Jasmine» Michele Perrone — «The Revenant,» «Straight Outta Compton» Lisa Pinero — «Steve Jobs,» «Fury» Mac Ruth — «The Martian,» «World War Z» Christopher Scarabosio — «Star Wars: The Force Awakens,» «The Grand Budapest Hotel» Paul P. Soucek — «Fright Night,» «Michael Clayton» Nancy Nugent Title — «Spy,» «Dawn of the Planet of the Apes» Richard Toenes — «Iron Man 3,» «Warrior» Todd Toon — «The Revenant,» «The Princess and the Frog» Bernard Weiser — «American Hustle,» «The Hurt Locker» David White — «Mad Max: Fury Road,» «The Railway Man» Byron Wilson — «Black Mass,» «True Grit» Matthew R. Wood — «Star Wars: The Force Awakens,» «WALL - E» Tamás Zányi — «Son of Saul,» «Delta»

Paul Gitter, the senior VP of licensing for Marvel at Disney Consumer Products, explains that much of the upcoming marketing push will focus on that: «With a new comic book and his first appearance in a Marvel film both occurring during his 50th anniversary year, excitement is already underway for Black Panther product.

Her past credits include Kevin Smith's «Cop Out» starring Bruce Willis; John Hamburg's «I Love You, Man,» co-starring Paul Rudd; John Krasinski's «Brief Interviews with Hideous Men»; Tracey Hecht's «Life in Flight»; Nick Hurran's «Little Black Book» co-starring Brittany Murphy and Holly Hunter; and Jennifer Derwingson's «Roadside Assistance.»

2,» «Doctor Strange» Steve Emerson * — «Kubo and the Two Strings,» «The Boxtrolls» Doug Epps — «Mars Needs Moms,» «Disney's A Christmas Carol» Conny Fauser — «Tomorrowland,» «Iron Man» Paul Giacoppo — «Rogue One: A Star Wars Story,» «Pacific Rim» Joachim Grüninger — «The Impossible,» «John Rabe» Rhonda C. Gunner — «The Amazing Spider - Man 2,» «Wrath of the Titans» Craig Hammack — «Deepwater Horizon,» «Tomorrowland» Jonathan Harb — «The Hunger Games: Mockingjay — Part 1,» «Elysium» Darren Hendler — «Furious Seven,» «Maleficent» Erik Henry — «Dead Man Down,» «The Expendables 2» David Hodgins — «Transformers: Dark of the Moon,» «2012» Matt Johnson — «Into the Woods,» «X-Men: First Class» Oliver Jones * — «Kubo and the Two Strings,» «ParaNorman» Nikos Kalaitzidis — «The Fate of the Furious,» «X-Men: Days of Future Past» Daniel Kramer — «Ghostbusters,» «Edge of Tomorrow» Francois Lambert — «Ant - Man,» «Pirates of the Caribbean: Dead Man's Chest» Mohen Leo — «Rogue One: A Star Wars Story,» «Deepwater Horizon» John M. Levin — «Jurassic World,» «Lucy» Jacqui Lopez — «Elysium,» «The Great Gatsby» Fumi Mashimo — «Avengers: Age of Ultron,» «The Mummy: Tomb of the Dragon Emperor» Glen McIntosh — «The Mummy,» «Jurassic World» Keith Francis Miller — «Wonder Woman,» «Batman v Superman: Dawn of Justice» Mohsen Mousavi — «Independence Day: Resurgence,» «The Amazing Spider - Man» Colette Mullenhoff — «Doctor Strange,» «Captain America: The Winter Soldier» Peter Muyzers — «Elysium,» «District 9» Kenneth Nakada — «Fantastic Four,» «Life of Pi» Steve Nichols — «Suicide Squad,» «Guardians of the Galaxy» David Niednagel — «X-Men: Days of Future Past,» «Transformers: Dark of the Moon» Brett Northcutt — «Lucy,» «Pirates of the Caribbean: On Stranger Tides» Danielle Plantec — «Immortals,» «Hereafter» Darren Michael Poe — «The Hateful Eight,» «Godzilla» Nordin Rahhali — «Fantastic Beasts and Where to Find Them,» «Iron Man 3» Philippe Rebours — «Avengers: Age of Ultron,» «Avatar» Jay Redd — «Alice through the Looking Glass,» «Men in Black 3» Jonathan Rothbart — «Deadpool,» «Avatar» Brad Schiff * — «Kubo and the Two Strings,» «ParaNorman» J.D. Schwalm — «The Fate of the Furious,» «The Jungle Book» Thomas J. Smith — «Argo,» «Contagion» Jason Snell — «Deepwater Horizon,» «Now You See Me» Robert Stadd — «War Dogs,» «Public Enemies» Paul Story — «The Jungle Book,» «Dawn of the Planet of the Apes» Ryan Tudhope — «Deadpool,» «Looper» Robert Weaver — «Teenage Mutant Ninja Turtles: Out of the Shadows,» «Star Trek Into Darkness» Louis Zutavern — «The Dictator,» «Elf»

At the WGA West ceremoney in Los Angeles special honors went to: The Post writers Liz Hannah and Josh Singer with Paul Selvin Award; Milk writer Dustin Lance Black with the Valentine Davies Award for his work for the LGBTQ community; Mary Tyler Moore show co-creator James L. Brooks with the Laurel Award for Screenwriting Achievement; writer - producer Alison Cross (Roe vs. Wade, Murder in the First) with the Paddy Chayefsky Laurel Award for Television Writing Achievement; and late comic - book icon Len Wein, co-creator of Wolverine, with the Animation Writers Caucus Animation Writing Award.

Elle France's Oscar entry, directed by notorious provocateur Paul Verhoeven (Basic Instinct, Showgirls, Turkish Delight, Black Book, etcetera) features screen icon Isabelle Huppert in arguably the crowning role of her inimitable career as a video game designer chillingly obsessed with uncovering the identity of her rapist.

Holly Hunter (Little Black Book, Moonlight Mile) steals most of her scenes with a terrific performance as the Paul's wife, afflicted with Tourette's Syndrome, although this is a comedic device that only offers spurts of vulgarity for the sake of having it, never really funny in a genuine way.

Black Book (# 20) Leave it to director Paul Verhoeven to make an erotic thriller set in World War II that flies by at nearly two and a half hours with smooth transitioning fast paced scenes.

Honorable Mention: Very high on the top of our honorable mention list is Paul Verhoeven «s very exceptional and relevant return to form in the WWII drama, «Black Book,» Guy Maddin «s oedipal melodrama (aren't they all?)

Filed Under: Articles and Opinions, Movies, News, Oli Davis Tagged With: adam wingard, Anthony and Joe Russo, Assassin's Creed, Avengers: Infinity War, Batman, Batman v Superman, Batman v Superman: Dawn of Justice, Ben Affleck, Black Panther, Booster Gold, Captain America, Captain America: Civil War, DC, Disney, Dwayne Johnson, fantastic four, Gael García Bernal, Gal Gadot, Gambit, Gareth Edwards, Ghostbusters, Godzilla 2, James Bobin, Jennifer Lawrence, Jumanji, Jungle Book, Justice League, Louis Theroux, Marvel, MCU, Michael B. Jordan, Michael Fassbender, My Scientology Movie, Ocean's 11, Paul Feig, Sandra Bullock, Simon Kinberg, Spider - Man, Splinter Cell, Star Wars, Star Wars: Episode VIII, Thanos, The Mummy, The Woods, thomas crown affair, Tom Cruise, Tom Hardy, Warner Bros., Willem Dafoe, Wonder Woman, X-Men, X-Men: Apocalypse, Z

Black Book This is the kind of film I think only Paul Verhoeven could get away with making.

(Ernst Karel, Véréna Paravel & Lucien Castaing - Taylor, 2015) Vita Brevis (Thierry Knauff, 2014) El abrazo de la serpiente (Embrace of The Serpent, Ciro Guerra, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Intimations (Nathaniel Dorsky, 2015) 88:88 (Isiah Medina, 2015) Francofonia (Aleksandr Sokurov, 2015) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) El botón de nácar (The Pearl Button, Patricio Guzmán, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) Beixi moshuo (Behemoth, Zhao Liang, 2015) Torneranno i prati (Greenery Will Bloom Again, Ermanno Olmi, 2014) Peace to Us in Our Dreams (Sharunas Bartas, 2015) Paul Sharits (François Miron, 2015) João Bénard da Costa — Outros amarão as coisas que eu amei (João Bénard da Costa — Others Will Love the Things I Loved, Manuel Mozos, 2014) Branco sai, preto fica (White Out, Black In, Adirley Queirós, 2014) O Meu Outro País (Solveig Nordlund, 2014) Die Hohlmenschen (Peter Nestler, 2015) Engram of Returning (Daïchi Saïto, 2015) El Movimiento (The Movement, Benjamin Naishtat, 2015) El Club (The Club, Pablo Larraín, 2015) Ta luo (Tharlo, Pema Tseden, 2015) Dead Slow Ahead (Mauro Herce, 2015) Passion (Jean - Claude Rousseau, 2015) Mga Anak ng Unos, Unang Aklat (Storm Children, Book One, Lav Diaz, 2014) Look Love (Yun Ye, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Scrapbook (Mike Hoolboom, 2015) Brat Dejan (Brother Dejan, Bakur Bakuradze, 2015) 11 minut (11 Minutes, Jerzy Skolimowski, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Miliy Hans, Dorogoy Petr (My Good Hans, Alexander Mindadze, 2015) The Knick season 2 (Steven Soderbergh, 2015)

Director Paul Verhoeven hasn't made a feature length film since 2006's World War II thriller «Black Book,» and you can tell the Dutch provocateur spent the past decade itching to get back to work.

Powerful juxtapositions that tempt taboo, such as Glenn Ligon's Notes on the Margin of the Black Book, 1991 — 93, as threatening cyclorama for Paul McCarthy's Michael Jackson Fucked Up Big Head Big Foot (MJFUBH), 2010, exemplify the extreme potential of this method to complicate both past and present.

On April 9, NEH announced $ 18.6 million in grants for a traveling exhibition and public programming exploring the role of blacks in American cinema from 1900 - 1970, a New York Historical Society touring exhibition on Black Citizenship in the Age of Jim Crow, development of undergraduate curriculum at the University of Dayton related to the life and work of Paul Laurence Dunbar, and research for a book on self - taught Louisiana painter Clementine Hunter (1887 - 1988).

Necessary Journeys (London: ACE) 2005 NEWS artist's book (London: SPSL) 2005 «A — Y (Entries for an Inventionry of Dented «I's)» essay in David A. Bailey, Ian Baucom, Sonia Boyce eds., Shades of Black (London: inIVA, N. Carolina: Duke UP) 2005 «If You Were There» exhibition catalogue essay for Mayling To: If You Were There (University of Hertfordshire: Margaret Harvey Gallery) 2005 «Outtakes» essay in Dennis Atkinson & Paul Dash eds., Social and Critical Practices in Art Education (Stoke on Trent: Trentham Books) 2004 «Cruel / Loving Bodies» essay in Sasha Welland, ed.

Anselm Kiefer will also present his celebrated lead books, including the paintings For Paul Celan, Ash Flowers (Für Paul Celan, Aschenblume), 2006 and Black Flakes (Schwarze Flocken), 2006.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Huiles sur toile et Pastels Galerie Jean Fournier, Paris (catalogue) Joan Mitchell: Pastels Les Cordeliers Châteauroux Joan Mitchell: Selected Paintings and Pastels 1950 — 1990 Manfred Baumgartner Galleries, Inc., Washington, D.C. 1994 Pastels Galerie Jean Fournier, Paris Joan Mitchell»... my black paintings...» 1964 Robert Miller Gallery, New York (catalogue) Joan Mitchell: Oeuvres de 1951 à 1982Musée des Beaux - Arts de NantesJoan Mitchell: les dernières années, 1983 - 1992 Galerie Nationale du Jeu de Paume, Paris (catalogue) Works on Paper Montgomery — Glasoe Gallery, Minneapolis Joan Mitchell in Vétheuil Newport Harbor Art Museum, Newport Beach 1993 83rd Annual Exhibition: Joan Mitchell Maier Museum of Art, Randolph — Macon Woman's College, Lynchburg (catalogue) Galerie Ulrike Barthel, Bremen Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989 Galerie Daniel Blau, Munich Joan Mitchell 1992 Robert Miller Gallery, New York (catalogue) Joan Mitchell Prints and Illustrated Books: A Retrospective Susan Sheehan Gallery, New York Joan Mitchell: Etchings and Lithographs Pace Prints, New York 1992 New Prints Bobbie Greenfield Fine Art, Venice Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan Galerie Jean Fournier, Paris Trees & Other Paintings, 1960 to 1990 Laura Carpenter Fine Art, Santa Fe Joan Mitchell: Pastels Whitney Museum of American Art, New York Joan Mitchell: Recent Lithographs Susan Sheehan Gallery, New York Joan Mitchell: Sunflowers and Trees Series Tyler Graphics, Mt. Kisco 1991 Robert Miller Gallery, New York (catalogue) 1990 Joan Mitchell: Paintings and Drawings Barbara Mathes Gallery, New York Joan Mitchell: Champs Galerie Jean Fournier, Paris 1989 Robert Miller Gallery, New York (catalogue) 1988 Joan Mitchell: Selected Paintings Spanning Thirty Years Manny Silverman Gallery, Los Angeles (catalogue) The Paintings of Joan Mitchell: Thirty - Six Years of Natural Expressionism organized by Judith Bernstock and the Herbert F. Johnson Museum of Art, Cornell University, Ithaca; traveled to: Corcoran Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Albright Knox Art Gallery, Buffalo; La Jolla Museum of Contemporary Art, La Jolla (catalogue) 1987 Joan Mitchell: Peintures, 1986 et 1987 - River, Lille, Chord Galerie Jean Fournier, Paris (catalogue) 1986 An Exhibition of Paintings and Works on Paper Keny & Johnson Gallery, Columbus Joan Mitchell: New Paintings Xavier Fourcade Inc., New York (catalogue) 1985 Joan Mitchell: The Sixties Xavier Fourcade Inc., New York (catalogue) 1984 La Grande Vallée et autres peintures Galerie Jean Fournier at the Foire Internationale d'Art Contemporain, Grand Palais, Paris Joan Mitchell — La Grande Vallée Galerie Jean Fournier, Paris (catalogue) 1983 Joan Mitchell: New Paintings Xavier Fourcade Inc., New York 1982 Choix des peintures, 1970 — 1982 Musée d'Art Moderne de la Ville de Paris, Paris (catalogue) 1981 Paintings and Works on Paper Janie C. Lee Gallery, Houston Joan Mitchell: New Paintings Xavier Fourcade, Inc., New York Gloria Luria Gallery, Bay Harbor 1980 Galerie Jean Fournier, Paris Joan Mitchell: Major Paintings Richard Hines Gallery, Seattle Joan Mitchell: The Fifties, Important Paintings Xavier Fourcade Inc., New York 1979 Gallery Paule Anglim, San Francisco 1978 Galerie Jean Fournier, Paris Webb and Parsons Gallery, Bedford Village New Paintings and Pastels Ruth S. Schaffner Gallery, Los Angeles 1977 Joan Mitchell: New Paintings, 1977 Xavier Fourcade, Inc., New York 1976 Joan Mitchell: New Paintings, 1976 Xavier Fourcade, Inc., New York (catalogue) Galerie Jean Fournier, Paris 1974 Joan Mitchell: Recent Paintings The Arts Club of Chicago, Chicago Whitney Museum of American Art, New York (catalogue) 1973 Ruth Schaffner Gallery, Santa Barbara 1972 My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Everson Museum of Art, Syracuse, New York (catalogue) My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Martha Jackson Gallery, New York 1971 Galerie Jean Fournier et Cie, Paris 1969 Galerie Jean Fournier et Cie, Paris 1968 Joan Mitchell: Recent Paintings Martha Jackson Gallery, New York 1967 Galerie Jean Fournier et Cie, Paris 1965 Stable Gallery, New York 1962 Joan Mitchell: Ausstellung von Ölbildern Galerie Klipstein und Kornfeld, Bern Galerie Jacques Dubourg, Paris Galerie Lawrence, Paris Paintings by Joan Mitchell The New Gallery, Hayden Library, Massachusetts Institute of Technology, Cambridge (catalogue) 1961 Joan Mitchell: Paintings 1951 — 1961 Mr. and Mrs. John Russell Mitchell Gallery, Southern Illinois University, Carbondale Dwan Gallery, Los Angeles Recent Paintings by Joan Mitchell Stable Gallery, New York Holland - Goldowsky Gallery, Chicago 1960 Galleria dell «Ariete, Milan Gallery Neufville, Paris 1958 Stable Gallery, New York 1957 Stable Gallery, New York 1955 Stable Gallery, New York 1954 Stable Gallery, New York 1953 Stable Gallery, New York 1952 New Gallery, New York (catalogue) 1950 Paintings by Joan Mitchell St. Paul Gallery and School of Art, St. Paul Paintings by Joan Mitchell Bank Lane Gallery, Lake Forest Solo Exhibition Home of Mrs. George Roberts, Lake Forest, Illinois 1943 Solo exhibition Francis Parker School, Chicago

This major survey exhibition, inspired by Paul Gilroy's book The Black Atlantic: Modernity and Double Consciousness (1993), identifies a hybrid culture, a network of contacts crossing the Atlantic, which connects African, North and South American, Caribbean and European cultures.

Paul Driessen is senior policy analyst for the Committee For A Constructive Tomorrow (www.CFACT.org), and author of Eco-Imperialism: Green power — Black death and other books on the environment.

However, if you see a completely different species, say an Australian Black Swan Cygnus atratus, on the same lake, then you might come to a different and more rapid conclusion; but in order to do so you have to know one kind of swan from another and broadly speaking, I'm not sure Paul MacRae does, and that is the real problem with taking this book seriously.

Read Taleb's book, Paul, and you will see that there are very likely to be major «black swans», especially as they would apply to the embryonic climate science today.