Sentences with phrase «black earth works»

Not exact matches

Earth Angel has worked on the sets of commercials, televisions series, and 13 feature films — including movies like Black Panther, The Post, The Amazing Spider - Man 2, and Ghostbusters.

lol You won't sound as dumb, especially if you happen to be a leader if you tell «your people» that you at least know about the mysterious instead of just being real and admitting you really have no idea how the earth, those twinkling lights in the black sky and the sun all work.

Ironic how people get worked up when the Los Angeles Clipper's owner doesn't want his girlfriend to associate with black people, but don't have a problem discriminating against anyone who is not Christian, or don't care that the founding fathers were some of the most racist people on Earth and actually owned slaves.

A curiosity, what would Zeq be if the earth were a black - body and the Stefan - Boltzmann law worked?

Well, the answer is simple, the Stefan - Boltzmann law works for a «black - body», while, as everybody knows, the Earth is not «black»!!!!

Professor Mavalvala worked with researchers at the US - based underground detectors Laser Interferometer Gravitational - wave Observatory (LIGO) Laboratory to build sophisticated sensors to detect gravitational ripples created from the collision of two black holes some 1.3 billion years ago and had been hurtling through space to reach Earth on September 14, 2015.

Hard working down to earth black king.

I am 35 years old black male 6» 3 extra pounds, working and a student down to earth man.

I, m dark 5» 6» bi crossdressing submissive who loves to be dominated I have brown sexy eyes long black hair always done nicely I, m 135 pounds work out often very athletic nice body shaved all over nice butt cute face down to earth love dressing up have lots of hot outfits n boots of all designs...

Hey fello's Im 5 «3 born n raised n miami, love to cook, work hard, stay home person, real down to earth, Geniune, get along with any and everybody, just taking the time out to c how this site is, its hard to find real people, Im hoping I get a chance to have a nice conversation with a Black male,...

Im a down to earth god fearing man, hard working a sweetheart, sexy black man good looking, one woman man, i love being happy life is to short to be down all the time.if u want to know more just ask

i am a working honest down to earth man from N.Y i don't drink or get high off anything but life, a church going man but still learning.I am a black man who love's to have... Read More

Black Swan offers a perfect balance between Aronofsky's more poetic works and his down - to - earth style of The Wrestler.

A.V. Club favorite Ben Rivers (Two Years At Sea) started coming into his own just as doom and black metal were becoming dominant influences on experimental film, and The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers (Grade: B --RRB- works in that now - familiar palette of natural landscapes, rituals, and enigmatic violence.

The Dirty Dozen - inspired plotline involves black ops ringleader, federal agent Amanda Waller (Davis, Blackhat), bringing together Task Force X, a group of strangers, all violently criminal super-powered sociopaths locked away in elaborately imagined high - security prisons, forced to do the government's dirty work to stave off the threat of other meta - humans that, in the wake of the death of Earth's savior, Superman, can't be stopped by conventional forces.

Working class husband and father Curtis LaForche, played with sincere compassion and palpable anxiety by Michael Shannon, has visions of an Armageddon of Biblical proportions: black rain, Earth - scorching storms, birds gone mad.

Not only does Black Panther work as a superhero film, but also a narrative about what it means to be the most powerful nation on Earth.

A different kind of invention was at work in the Finnish black comedy Iron Sky in which a colony of surviving Nazis prospecting gas on the dark side of the moon decides to return to earth to «cleanse» it.

She is a part - time cheesehead, tending a small organic orchard and vineyard near Black Earth, WI, where she also runs the Black Earth Institute, a think - tank for artists who connect spirituality, the environment, and social justice in their work.

Surely all the colors had been present all along, but for her it was suddenly as if some gears had clicked or aligned, allowing her to notice them now, some subtle rearrangement or recombination blossoming now into her mind's palette: the gold of the wheat stubble and the elk's hide, the dark chocolate of the antlers, the dripping crimson blood midway up both of Ralph's arms, the blue sky, the yellow aspen leaves, the black earth of the field, the purple liver, the maroon heart, Bruce's black and red plaid work shirt, Ralph's faded old denim.

In such diverse works as Sounds in the Distance (1982), a collection of monologues from «people who lived and worked in the streets» and The Weight of the Earth, Part I & II (1988), an arrangement of black - and - white photographs taken during his travels and life in New York, Wojnarowicz continually returned to the personal voices of individuals stigmatized by society.

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

Hughie O'Donoghue: Scorched Earth @ Marlborough Fine Art Bright reds, oranges and a deep black slathered across large works makes these landscapes feel abstract and at times nightmarish.

The work evokes a transparent form that extends into a landscape, only to be forced to turn back in on itself, held within the earth's black embrace.

The stark palette of black, white, gray and muted earth tones suggests early photography and lends a timeless quality to the work, almost as if the images themselves are fragments from the past.

«My Red Homeland» emphasizes the exploration of color and materiality in your practice, and recently you started working with the blackest pigment on earth.

Part 3 — Michael Heizer, Actual Size: Munich Rotary — from March 25 to April 10 Michael Heizer (b. 1944), renowned for his large scale earth works and landscape interventions, will present his iconic installation «Actual Size: Munich Rotary», realized in Germany in 1970 and composed of six black - and - white glass slide projections, six custom - made steel projectors, and six steel pipes with wood platforms.

His palette of pale earth tones, blacks and grays creates a muted, subdued atmosphere, while his carefully worked surfaces and minimal gestures demonstrate his sophisticated paint handling.

Works include: Sleepwalkers (MoMA, New York — 2007); Sonic Pavilion (INHOTIM, Brumadinho — 2009); Frontier (Rome — 2009 & Basel — 2010); Black Mirror (Athens / Hydra Island — 2011); Altered Earth (Arles, produced by LUMA Foundation — 2012); SONG 1 (Hirshhorn Museum, Washington DC — 2012); MIRROR (Seattle Art Museum, Seattle — 2013).

Since the 1970's, Kaltenbach's work has been included in many conceptual art surveys including «1965 - 1975: Reconsidering The Object As Art ``, Museum of Contemporary Art, Los Angeles, CA (1995), «The Quick and The Dead», Walker Art Center, Minneapolis, MN (2009), «1969», PS1, New York, NY (2010), «Under the Big Black Sun», MOCA, Los Angeles, CA (2011), «State of Mind», Orange County Museum of Art, Newport Beach, CA (2011) and Berkeley Art Museum / Pacific Film Archive, Berkeley, CA (2012), «ENDS OF THE EARTH: Land Art to 1974», MOCA, Los Angeles (2012), Brooklyn Museum (2013).

Since the 1970's, Kaltenbach's work has been included in many conceptual art surveys including «1965 - 1975: Reconsidering The Object As Art ``, Museum of Contemporary Art, Los Angeles, CA (1995), «The Quick and The Dead», Walker Art Center, Minneapolis, MN (2009), «1969», PS1, New York, NY (2010), «Under the Big Black Sun», MOCA, Los Angeles, CA (2011), «State of Mind», Orange County Museum of Art, Newport Beach, CA (2011) and Berkeley Art Museum / Pacific Film Archive, Berkeley, CA (2012), «ENDS OF THE EARTH: Land Art to 1974», MOCA, Los Angeles (2012), «When Attitudes Become Form: Bern 1969 / Venice 2013», Prada, Venice, Italy (2013), and «Materializing «Six Years»: Lucy R. Lippard and the Emergence of Conceptual Art», Brooklyn Museum (2013).

Committed to bringing together people who are activists reforging the links between spirit, earth, and society, Black Earth Institute is looking for people who work in literarature, drama, performance or media arts, and journalearth, and society, Black Earth Institute is looking for people who work in literarature, drama, performance or media arts, and journalEarth Institute is looking for people who work in literarature, drama, performance or media arts, and journalists.

From Black, White and Grey, the first museum exhibition of Minimalist art; to publishing limited edition silkscreen portfolios of work by major contemporary artists in the 1960s; to advocating for Earth art that manipulates the natural landscape; Wagstaff was a trailblazer and an influential tastemaker in contemporary art.

The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.

The survey will bring together the artist's key bodies of work — including her early shaped canvases, freestanding sculptures, and light encasements that she engineered in the mid-1960s, as well as her breakthrough White Light paintings, begun in 1968, and the Black Earth series that she initiated after moving in 1970 from downtown Los Angeles to Topanga Canyon, where she lives and works today.

2010 «Open Files ``, Black Door, Istanbul, Turkey «Masterpieces from earth — and you could have a buddy like mine ``, Brunnen3, Berlin, Germany «meist liegt das material in rohform vor ``, Galerie Leuenroth, Frankfurt am Main, Germany (C) «An Act of Mischievous Misreadings ``, ISCP, New York, United States «exhibition # 05 — GATHERING — landscape and abstraction ``, BES arte, Lisbon, Portugal «ANTIGRAV — Figuren des Schwebbens und Schwindelns ``, Galerie Parrotta, Stuttgart, Germany «The Library of Babel / In and Out of Place — Works from the Zabludowicz Collection ``, Projektspace 176, London, UK (C)

So it seems to me that the simple way of communicating a complex problem has led to several fallacies becoming fixed in the discussions of the real problem; (1) the Earth is a black body, (2) with no materials either surrounding the systems or in the systems, (3) in radiative energy transport equilibrium, (4) response is chaotic solely based on extremely rough appeal to temporal - based chaotic response, (5) but at the same time exhibits trends, (6) but at the same time averages of chaotic response are not chaotic, (7) the mathematical model is a boundary value problem yet it is solved in the time domain, (8) absolutely all that matters is the incoming radiative energy at the TOA and the outgoing radiative energy at the Earth's surface, (9) all the physical phenomena and processes that are occurring between the TOA and the surface along with all the materials within the subsystems can be ignored, (10) including all other activities of human kind save for our contributions of CO2 to the atmosphere, (11) neglecting to mention that if these were true there would be no problem yet we continue to expend time and money working on the problem.

HOW DOES DRIVING SCHOOL IN BLACK EARTH WISCONSIN WORK?