The exhibition features a new series of
Black Lives Matter paintings conceived by the Richmond, Va. - born artist in response to the Michael Brown and Eric Garner killings and the rallying of communities across the United States in protest of police use of lethal force on unarmed black men and youth.
ADAM PENDELTON has created a new series of
Black Lives Matter paintings made with a low - tech «painting machine.»
Not exact matches
They are both invested in art's revolutionary possibilities for social change as evinced in Rainer's anti-war protest dances in the 1970s and the feminist dimensions of her radical choreographic style and films, as well as in Pendleton's
Black Lives Matter flag for the Belgian Pavilion in the 2015 Venice Biennial and his latest series of
paintings entitled Untitled (A Victim of American Democracy), which debuted this past summer as part of Edwards» Blackness in Abstraction exhibition at Pace Gallery and are now on display in Pendleton's first show with Galerie Eva Presenhuber, Zurich named Midnight in America.
On the occasion of his new show of figurative
paintings at Jack Shainman, which alludes to the
Black Lives Matter movement and the current political climate, the artist shares some frustrations about the reception of his work.
Born in Zanzibar and raised in the UK, she has focused on a range of subjects related to race, from
matters of the African diaspora to the visibility of
black creatives in museums.Whether working on Guardian newspapers or directly onto porcelain tableware, Himid continually subjects painting to the material of everyday life in order to explore Black iden
black creatives in museums.Whether working on Guardian newspapers or directly onto porcelain tableware, Himid continually subjects
painting to the material of everyday
life in order to explore
Black iden
Black identity.
By dint of their subject
matter, her larger - than -
life paintings of
black men she met on the streets of Harlem inevitably recall the recent survey of portraits by Alice Neel of her neighbors in Spanish Harlem and on the Upper West Side, organized by Hilton Als at David Zwirner gallery.
Her inaugural exhibition with the gallery presents a series of new larger - than -
life paintings of
black men, long her sole subject
matter.
Friday, identity politics gets graphic with Sean O'Connor's wallpaper - like
paintings of homoerotic sports stuff at the Leslie Lohman Museum of Gay and Lesbian Art and Carla Cubit's
Black Lives Matter posters at chashama.
And finally I wish Henry Taylor's powerful images of
black life were receiving more attention than Schutz's George - Condo - like confections, where Taylor's expressive
paint - handling and use of scale truly reflect the
life, and death, of his subject
matter.
Titus Kaphur
painted the Ferguson, Mo., protestors for Time magazine; Dred Scott wrote an essay titled «Illegitimate» for the Walker Art Center on the killing of Michael Brown; and Adam Pendleton «s current exhibition at Pace London features new work inspired by the
Black Lives Matter movement that has sprung up in reaction to the incidents.
Dreams, personal experience, and conversations inspire her works; police brutality has figured prominently in recent
paintings, leading many to associate the works with the
Black Lives Matter movement.
A posthumous icon of the Civil Rights Movement, his image — and this
painting — now reads as totally pertinent in the context of
Black Lives Matter.