The artist's ongoing «Black Monolith» project dedicated to memorializing black artists, writers, thinkers, and poets, is represented by
Black Monolith X, Birth of Mohammad Ali (2016), another large - scale painting that features two irregular shapes which appear both pooled across the surface and, from a distance, unmoored from it.
Black Monolith X, Birth of Muhammad Ali, 2016.
Detail of Jack Whitten's
Black Monolith X, Birth of Muhammad Ali, 2016.
Not exact matches
Jack Whitten,
Black Monolith, II: Homage To Ralph Ellison The Invisible Man, 1994, acrylic and mixed media on canvas: molasses, copper, salt, coal ash, chocolate, onion, herbs, rust, eggshell, razor blade, 1.5
x 1.3 m. Courtesy: the artist and Hauser & Wirth © Jack Whitten
In recent years, Whitten's best known body of work has been the ongoing
Black Monoliths series, begun in the 90s, which uses acrylic and mixed medium to create mosaics of black artists, writers, and political thinkers such as Jacob Lawrence and Malco
Black Monoliths series, begun in the 90s, which uses acrylic and mixed medium to create mosaics of
black artists, writers, and political thinkers such as Jacob Lawrence and Malco
black artists, writers, and political thinkers such as Jacob Lawrence and Malcolm
X.
Jack Whitten, 1939 - 2018
Black Monolith, II: Homage To Ralph Ellison The Invisible Man, 1994 Acrylic and mixed media on canvas: molasses, copper, salt, coal ash, chocolate, onion, herbs, rust, eggshell, razor blade 58
x 52 in
The deep
black XZ Premium I tested is a 6.1
x 3
x 0.3 - inch replica of the
Monolith from Stanley Kubrick's classic 2001: A Space Odyssey
The deep
black XZ Premium I tested is a 6.1
x 3
x 0.3 - inch replica of the
Monolith from Stanley Kubrick's classic 2001: A Space Odyssey — a tall, slightly forbidding rectangle with smooth edges.