Sentences with phrase «black public media»

Not exact matches

Many claimed to be pressured by social media firms, but the results were a PR black - eye that could possibly damage their public reputation.

In 2016, the ACLU in California also discovered through a public records investigation that social media surveillance companies like Geofeedia were improperly exploiting Facebook developer data access to monitor Black Lives Matter and other activists.

This negative reaction to black conservatives by most blacks partly explains the reluctance of the new black conservatives to engage in public debates in the black community, and their contrasting eagerness to do so in the mass media, where a few go so far as to portray themselves as courageous, embattled critics of a black liberal establishment — while their salaries, honorariums and travel expenses are paid by well - endowed conservative foundations and corporations.

If I could add but one word, it is that all the post-verdict talk about blacks and whites «perceiving reality» in incompatible ways was great grist for second - hand deconstructionists in the media, and played nicely into the new tolerance for racial separatism in our public discourse.

Cathie Black another example, a bachelor's degree in English, former advertising and media mogul, appointed to be the NYC Schools Chancellor lacks credits, coursework, relevant graduate degrees and professional experiences in public education yet she is suppose to lead the largest public school system in the nation.

Black leaders held an emergency summit Thursday night at Sylvia's Restaurant in Harlem to discuss the media firestorm and flailing public support that has ensnared Paterson.

Today's professional deniers, with their deep pockets and sophisticated use of media, are better than ever at convincing the general public that black is white and vice versa.

This «Reveal» roundup of black talent in public media features KPCC education reporter @priskaneely & former WBUR edreporter @TonyaMosley.

The public at large is starting to accept touch screen interactive devices in their daily lives, with the first iteration of IPHONES, Black Berry Storms, and other Google Android driven smart phones that have eliminated physical keyboards and maintain a pure interactive approach to their media.

Specifically, the Black Château Author Network includes a combination of public relations, social media, content, email, reviews / influencer marketing, SEO and online advertising to propel authors and their books.

Due to animal rights activism, the sophistication of «cause marketing» campaigns by fundraising groups and the media's desire for ratings, the black sheep of the dog breeding family have come to represent most dog breeders in the public's mind.

Colescott, a black artist, depicts the scene as the media and public saw it, rather than portraying the actual white culprit, and in doing so underscores the problematic association between crime and the black community in America, while sparking conversations about race and identity that remain prescient and necessary in our current world.

This exhibition will feature collaged works on paper, and mixed media canvases including a rare series of black and gold paintings executed in early 2010, never before on public view.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

A program of video - based works that used television technology to bring public attention to Black American identity, through intervention, documentation, and parody, as in Anthony Ramos's About Media, in which the artist uses his Portapak camera to turn a news crew's visit to his home into media critMedia, in which the artist uses his Portapak camera to turn a news crew's visit to his home into media critmedia critique.

Notable galleries for 2014 include: Kevin Kavanagh (Dublin), presenting a storytelling series by Sonia Shiel, current ISCP NY artist - in - residence and recipient of Ireland's 2014 Arts Council Project Award; Laura Bulian Gallery (Milan), highlighting career Conceptualist Vyacheslav Akhunov, whose cultural investigations were featured in dOCUMENTA (13) and the 2013 Venice Biennale's Central Asian Pavilion; contemporary Bahamanian art hub Popopstudios (Nassau), spotlighting «everyday» assemblages and mixed - media works by founder John Cox; Frederieke Taylor Gallery (New York), revealing environmental concerns of downtown stalwart Christy Rupp, whose seminal public art projects factored into the 2012 exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMITH.

Work featured in the group show, including David Blandy's The White & Black Minstrel Show, 2007, will provide a framework for discussions surrounding the adoption and distribution of multiple personae in our public lives, through our bodies, on social media platforms and beyond.

Just as there are plenty of «units» established to «communicate» science, and a surfeit of media organisations intent on burdening the public with «information» about climate change, journalists like Black were ten - a-penny.

a) start off by making a hypothesis concerning the color of crows and how this impacts their habits b) based on the hypothesis, create model scenarios to simulate the color and behavior of crows c) investigate fossil remains of pre-historic Archaeopteryx d) declare that the paleo - avain findings check closely with the model e) validate the model scenarios by comparing them with one another f) declare that the hypothesis has been confirmed by the model simulations g) project that (if unabated by exorbitantly costly measures involving major payments to dictatorships in the developing world) black crows will destroy all other species plus our planet by 2100 h) ensure that «crow disaster scenario» is conveyed to public by a doomsday - hungry» media