Not exact matches
With a very
small brush, Tibbetts
painted half the faces with a wasplike pattern of tiny
black and yellow stripes.
I then used my
black acrylic
paint and my
smallest striping
brush for the Berry wine set to outline the leaves.
Using a
smaller detailed
brush about a quarter of the way down the jar I
painted two
small black dots for eyes and a
small rounded triangle for a nose.
Armed with 8 - inch blank carvings, a few inks (red, yellow,
black and blue) and one
brush, none of us came close to achieving the sharp, clean lines boasted by even the
smallest of the professionally
painted dolls, which were about 3 inches tall.
At this point I started to introduce contrast in tone, adding areas of more concentrated
black paint with a
smaller brush, to define the eyes and features I wanted to bring forward.
[ok for week no. 2 meeting] white paper 90 lb smooth, notebook is fine exacto or utility knife rubber cement straight edge or ruler fashion magazines, instructions in class to follow commercial
paint supply color strips, instructions in class to follow titanium white or equivalent gouache french ultramarine blue gouache cobalt blue gouache cerulean blue gouache veridian green gouache cadmium red medium alizarin crimson gouache magenta gouache cadmium yellow light gouache cadmium yellow deep gouache raw sienna gouache lamp
black or equivalent gouache 2 glass containers with lids for water plastic
paint palette with dividers 2 - 3
paint brushes including
small round tip, medium flat, example # 8 flat or equivalent
small spray bottle [facial atomizers are good] clean rag or paper towel
Taking the largest - size
brush (he hated
small brushes) and dipping it alternately into dirty turpentine and
black paint, he would outline a shape in sweeping rhythmic curves.
What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out
small brushes of figures, trains, horses, landscapes, buildings, using only
black paint.
T1938 - 31 (1938) a
small painting on wood could be seen as a precursor to Jackson Pollock's mature
paintings —
black tempera is dripped and
brushed on a white ground.
Using a
small detail
brush I take the
black paint and start to
paint the stencil.
This is all I used: Valspar Chalky Finish
paint in Boot
Black Polycrylic by Minwax wood filler and putty knife drawer knobs drill Purdy
paint brushes (the
smaller one is great for doing the sides!)
Using a
small craft
brush and white craft
paint, I edged out the inside of the
black lines and then filled it in by pouncing with a sponge.
I grabbed my round coffee canister lid and a
small square canvas to create my shapes and then outlined them with the
black paint and a
small brush.
Once dry, dab a
small paint brush into a mix of brown and
black slightly - watered - down craft
paint and dab it all over each hardware piece and jar lid.
The essentials are a straight pen holder, Leonardt 30 pointed nib,
black ink, plastic pippette and a
small paint brush.
GATHER • Blown eggs, as many as desired, clean and dry •
Black chalkboard
paint (spray or
brush - on) •
Small flat paintbrush (if using
brush - on
paint) • Coloured chalk • Paper towel • Tiny magnets and glue (optional) CREATE 1
Paint the eggs and let them dry.