Sentences with phrase «black spray enamel»
, 2 Halloween Craft Skulls (we bought ours at our local Michael's Craft Store, 1 can Black Spray Enamel, 1 can Black Glitter Spray Paint
http://www.frugelegance.com/ Not exact matches
Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv
RASHID JOHNSON, «Untitled Collision,» 2017 (vinyl, spray enamel, black soap, wax).
Rashid Johnson Untitled (Wood Chair), 2013 Burned red oak, black soap, wax, spray enamel, shea butter 41.5 x 14 x 48 inches Photography © Fredrik Nilsen
In his more recent works, including those in this show, he uses enamel on linen, spray painting looping black lines, then erasing or blurring them with rags, engaging in a complex play of presence and absence, gesture and cancellation.
In Parrino's Untitled (1992), the anarchist symbol is sprayed in black engine enamel on white vellum.
The graffiti style of Wool's black enamel — applied via spray gun — belies the complexity of their creation and the prowess of the artist himself.
Floating atop this ethereal backdrop, Wool approaches the linen canvas graffiti - style, with his spray - gun loaded with black enamel paint.
DAN SHAW - TOWN Untitled 2013 steel bar and fittings, spray enamel, screenprinting ink, newspaper ink, carbon black toner and graphite on Econolite with steel frame 72.5 x 120 inches DST 13.11
Rashid Johnson (b. 1977) Falling Man mirror, ceramic tile, spray enamel, black soap and wax on wood 96 7/8 x 72 3/4 x 2 1/4 in.
Maggie Michael, Colored Ground Series (Orange): How to Make (Frame) a Black Rainbow, 2014 latex, ink, enamel, spray paint on canvas, 39 × 56».
Lot 198: RASHID JOHNSON, «Falling Man,» 2016 (mirror, ceramic tile, spray enamel, black soap and wax on wood).
The media presented in the exhibition are diverse — black soap, wax, ceramic tile, spray enamel, books, vinyl records, oyster shells, shea butter, live plants with grow lights — but are all familiar from the artist's multivalent practice, and through their repeated use many have become Johnson's signature materials, offering a gateway to the artist's world: sculpture, painting, installation and video.
References to Johnson's interest in cosmology is depicted in the enamel and spray paint painting on canvas, Death in Outer Space, and through the two other black soap and wax pieces with titles of Cosmic Slop.
I spray painted the lids with black satin valspar premium enamel spray paint and used the stickers that the carton came with and attached them to the top of the lids.