Not exact matches
Thomas Gainsborough, Figures in a Wooded Landscape, 1785 — 88,
black chalk,
black ink wash, with white
chalk, worked wet,
heightened with white.
Figures in a Wooded Landscape, 1785 — 88,
black chalk,
black ink wash, with white
chalk, worked wet,
heightened with white.
Claude Gellée, called Claude Lorrain (1600 — 1682), Apollo Watching the Herds of Admetus, 1663, pen and brown ink and wash,
heightened with white gouache, over
black chalk.
In its focus on the man's costume and its technique of
black chalk on lightly toned paper,
heightened with white
chalk, the study is comparable to several drawings by Van Dyck also on view in this exhibition.
Giovanni Battista (Giambattista) Piazzetta (Italian, 1682 — 1754) A Young Woman Buying a Pink from a Young Man, ca. 1740
Black crayon (wetted and rubbed),
heightened with white
chalk, on blue laid paper (faded to green - gray) The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1938.387
Peter Paul Rubens (1577 — 1640), Seated Male Youth, ca. 1613,
black chalk,
heightened with white
chalk, on light gray paper, purchased by Pierpont Morgan (1837 — 1913) in 1909, The Morgan Library & Museum, I, 232.
Peter Paul Rubens (1577 — 1640), Seated Male Youth,
black chalk,
heightened with white
chalk, on light gray paper.