Not exact matches
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This included firing four percent of district teachers, mostly
black, and replacing them largely with TFA -
style teachers, mostly white, whom one astute
black Washingtonian labeled «
cultural tourists.»
Combining patterns and
styles drawn from a 1970s aesthetic, Thomas's compositions simultaneously recall the «
black is beautiful» movement, as well as the second wave of feminism that shattered
cultural assumptions about sexuality, family, the workplace, and reproductive rights.
Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair:
Black Hair Culture,
Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (
Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in
Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.
Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair:
Black Hair Culture,
Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (
Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in
Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.
Although
cultural heritage defines the concerns of most of the artists represented in the exhibition Our Stories, other
black artists have been preoccupied with mainstream aesthetic issues, experimenting with abstraction and other innovative
styles.
As I've grown older and become more aware of my blackness and my American - ness, I've wondered whether our shared flag could celebrate my community: its
black hair; its unique
style and language; the pain of its history; our fight for
cultural power.
From entertainment to sports, business to politics, design to
style, Savoy is a
cultural catalyst for the African - American community — a magazine that showcases and drives positive dialogue on and about
black culture.