Sentences with phrase «black film over»

The editing of these scenes is a bit choppy to near incoherence, and though the film tries, it doesn't keep up the snarky zip that we're accustomed to from a Shane Black film over the years.

Not exact matches

Before she turned actress Natalie Portman into a ballerina for the film Black Swan, dancer Mary Helen Bowers was already training women all over New York City through her fitness company, Ballet Beautiful, which she founded in 2008.
«Panther» will end up over $ 600 million in foreign grosses and set precedent in destroying the truism that films starring mostly black characters do not perform well internationally, particularly in Asia.
I wanted to know if the black churchgoing community that make up his strongest fan base — for Perry's films are all rooted deeply in Christian themes and values — are likely to give him a backlash over the amount of marijuana use and comments about the drug in the new film.
The film, Black Hawk Down, with its depiction of U.S. military prowess in Somalia, grossed over $ 110 million dollars at the box office.
What was disturbing is at the beginning of the movie the Chanel jacket, a white jacket with a black trim, ends up looking, at the end of the film, over worn, dirty, and even unrecognizable as a label.
Cameron promoted her film in the fashion house's red silk crepe dress featuring an all - over black heart pattern and ruffled sleeves.
Reynolds» superb turn as unhinged central character goes a long way towards smoothing over The Voices» various faults, which finally does confirm the film's place as a distinctive black comedy that is, in essence, an instant cult classic.
The basics have been well - publicized: The film, shot in black and white, is about a German Nazi who took over a factory in Poland during World War II and talked his powerful acquaintances into allowing him to use cheap labor, in the form of Jewish workers.
It was a risky venture, with Spielberg waiving his fees entirely, shooting a film that was over three hours long, in black and white, with relative no name stars save Neeson and Kingsley (Searching for Bobby Fischer, Sneakers).
Valletta's roles — given the actress» off - camera motherhood and intermittent magazine work — accumulated slowly over the next several years (in films such as the Nicolas Cage holiday vehicle The Family Man and the Danny DeVito - directed black comedy Duplex); as a result, Valletta only ascended gradually to top billing.
This is really the actor's moment to shine after over a decade in the black wig, working that cape like America's Next Top Model, increasingly alluring visual - kei, Jrock star styling and short appearances in each of the films.
In so doing, the film's conflict symbolizes, as my colleague Vann Newkirk writes, an old argument over «the nature of power and the rightness of its use» that has long «dominated black thought in the United States,» and even beyond.
An over indulgent and often confusing stab at film noir, The Black Dahlia leaves little to be desired as director Brian De Palma continues to prove that his best days are behind him.
So yeah, we all know that Black Panther, a.k.a. Prince T'Challa, is going to triumph over adversity in his bid to bring harmony to the kingdom of Wakanda, that there will be the obligatory action sequences where actual danger is a distant possibility for both hero and bystander, and that the plot will pivot on a mysterious object of unknown origin («Vibranium,» in this case — don't worry if it sounds unfamiliar; the film's characters will mention it at least three - dozen times over the course of the movie).
Dzundza has worked in some interesting and / or popular films over the course of his career including Michael Cimino's «The Deer Hunter» (1978), Robert Altman's «Streamers» (1983), «No Way Out» (1987), Clint Eastwood's «White Hunter, Black Heart» (1990), and «Basic Instinct» (1992).
After finishing The Lord of the Rings — all three films, The Fellowship of the Ring, The Two Towers, and The Return of the King, were shot simultaneously over 18 months in New Zealand — Bloom headed to Morocco for a role in Ridley Scott's Black Hawk Down.
Director Shane Black has covered familiar territory before in the 2005 movie «Kiss Kiss Bang Bang» (a massively underrated film in my opinion), but he has managed to win me over once again here.
Before Marvel became a production studio powerhouse, a solo Black Widow film almost went into production over at Lionsgate.
Black Panther, which filmed partly in Tyler Perry Studios, has earned over $ 670 million at the box office beating Titanic.
Over the past year, Fandango has leveraged FanShop to reward its ticket buyers with complimentary movie collectibles and exclusive movie posters inspired by highly - anticipated films, including Marvel's Avengers: Infinity War, Solo: A Star Wars Story, Deadpool 2, Black Panther, Thor: Ragnarok, Star Wars: The Last Jedi, Ready Player One, Incredibles 2 and many others.
The film kicks off with a montage of 9/11 phone calls playing over black and the sequence is cut perfectly, rousing the heartache of that day through a sense of hysteria, but also by giving certain audio clips time to breathe, establishing a personal connection.
While the total overseas performance of «Black Panther» is still yet to be determined, with Russia, Japan, and China getting the film in the coming weeks, a domestic total of over $ 600 million is all but likely as the film expected to knock it off the No. 1 spot on the charts, fellow Disney release «A Wrinkle In Time,» doesn't come out until March 9.
Over 270 Black List scripts have been produced into films grossing over $ 23 billion in worldwide box offOver 270 Black List scripts have been produced into films grossing over $ 23 billion in worldwide box offover $ 23 billion in worldwide box office.
But one of the most delightfully unexpected moments of I Am Not Your Negro comes when Kendrick Lamar's «The Blacker the Berry» plays out over the film's closing credits.
Although there's the usual selection of premieres, at least half of the screenings this year are retrospectives: a look at 1928, the last great year of silent film; personal selections from the festival's guest programmers over the years, and a salute to black - and - white cinematography.
The global cultural phenomenon of «Black Panther» has dominated the box office charts emerging as the third biggest movie of all time domestically with over $ 665 million — the first film in eight years to spend five weeks at No. 1 — and rising to the global top 10 of all time with over $ 1.3 billion.
While film historians have rightly called foul over the colourisation of black - and - white classics, they surely will have less cause to complain about the decision to remaster Oz digitally and to present it as if it's a new James Cameron movie.
«Black Panther,» which will probably be the most popular action film of the year when 2018 is over, was released in February.
White Nights / Le notti bianche Luchino Visconti, Italy / France, 1957, 35 mm, 101m Italian with English subtitles Visconti's adaptation of a Dostoevsky story (filmed many times over, including by Robert Bresson) is a ravishing romantic reverie composed in incandescent black and white.
And in November, USA Today stumbled over a headline where it declared black - starring films were «race - themed.»
«Black Panther» fever took over Los Angeles and beyond this weekend as the highly anticipated Disney film opened to the kind of fervor typically reserved for the latest offering in the «Star Wars» franchise.
Both films employ a conspiratorial, first person voice - over together with a potent mix of surreal realism and exceedingly black humour to invest the experiences of their anti-heroes with genuine pathos.
The film leaves us with the hope inherent to openness; that exposure to the irreducible complexity of human experience will win out over the isolation and black - and - white thinking that fosters belief in an evil «other».
Previously out of of print, «The Decline of Western Civilization» documents Los Angeles punk culture over two decades with the first film highlighting acts like Black Flag and the Germs, while the second film showcases metal acts like London and Odin, and the last film focuses the latter - day L.A. punk scene.
It's not every director who can show three kids (including an infant wrapped in swaddling clothes) perforated by bullets without so much as flinching, but that's Cooper's M.O., refined over the three films since his relatively marshmallowy «Crazy Heart»: As in «Black Mass» before this, violence packs more punch if depicted matter - of - factly, which somehow registers as «realistic» these days (although one suspects that it would be far more horrifying if his victims suffered slow, agonizing deaths after being shot).
If beating advance ticket sales for previous buzzed - about superhero films are like flipping over cars during a late - night road chase sequence in a movie trailer, then Black Panther is like... Black Panther, leaping ahead of those vehicles while a Run The Jewels track plays behind it.
While it's easy to bemoan his involvement in Marvel — which tends to strip directors over their individualized voices rather than supporting them — seeing how Coogler, with Creed, fought the Hollywood machine to make one of the best films of 2015, we can only hope he does the same with Black Panther.
Gilliam and his co-screenwriters (an uncredited Charles Alverson (Jabberwocky), Charles McKeown and most famously, Tom Stoppard worked on it on and off over six years) stuff the film with subversive bon mots, furiously paced slapstick and sight gags, and the blackest of humour — it is at once thrilling and hilarious.
Black, who marveled that the scripts bought for the most money were the ones that looked the least like those scripts when the movies finally came out, later described the film as «a frustrating proposition, so much potential, then a lot of «big action» which evolved over time and bloated a much less grandiose blueprint.
Nobody would deny Marvel's good fortune over the last ten years, nor that it has simplest persevered to transform extra staggering in recent years: final yr, films within the MCU made $ 2.6 billion international, whilst simply two months in the past Black Panther smashed records in each course, and the critiques from fanatics and critics alike in most cases fit.
This is even more true for Sundance 2018 as the program has made major strides for filmmakers of color this year with the inclusion of over 30 black films.
Black Panther is the rare example when a film turns over music responsibilities to a lone record label — in this case TDE — which boasts a roster that includes Kendrick Lamar, SZA, ScHoolboy Q, Ab - Soul, and Jay - Rock.
You'd think that The Shape of Water remains too undeniably weird to have any shot at awards, and I think that the stuffy Academy that decided to go with The King's Speech over The Social Network or Black Swan (yep, still bitter) might not have given much more than token nominations for an inter-species romance monster movie, but the Academy has gotten younger and more diverse in the years since then, allowing for some more left of center films to get a boost.
But through the course of the film, the MCU iteration of Black Widow handily won over the detractors.
Over the course of a short two hours — particularly short given the film's slow - burn approach — Black Mass builds a damning case against not only Bulger and his reputation amongst both friends and enemies, but against the FBI.
Over the course of a couple of phone chats — one interrupted by a dead cell phone battery — one can hear the earnest joy in her voice, usually followed by that laughter, when talking about her journey from M. Night Shyamalan's The Village, her feature film debut, to the massive success of Jurassic World despite her character's penchant for running in heels from dinosaurs and, most recently, her 2017 Screen Actors Guild Award - nominated performance in an episode of Netflix's Black Mirror.
Additionally, only four black women, three Asian women and one Latina directed any of those 1,100 films over that span of 11 years.
The success of the film follows the massive critical and financial success of Marvel's Black Panther, which opened in February and has already earned over $ 1 billion globally.
The Black Panther solo film established a rich array of characters, like Shuri and M'Baku, all of whom could pick up the mantle after T'Challa's reign is over (if it isn't already...).
a b c d e f g h i j k l m n o p q r s t u v w x y z