Sentences with phrase «black overlaid by»

Not exact matches

«Englantine» light ivory and nude French tulle ball gown with draped one - shoulder overlay detail and off - the - shoulder spiral draped sleeve, with black silk organza hand molded oversized flower, by Vera Wang

Sheer overlay from the Collectif Bethan dress, Flamenco Mermaid Skirt by Pinup Girl Clothing, old season Topshop bralet, Black Sateen Grommet Belt by Pinup Girl Clothing, Ali Express necklace, hand bedazzled heels (tutorial)

Perhaps her New York City dance training on Glee is rubbing off: The wears a showgirl - approved lace bodysuit with sheer striped overlay by Zimmermann, accenting it with strappy black heels and rings by J / Hadley and Graziela at the Elle party.

Your fantastic future can easily be told by looking at your palm, and what better palm is there to read than this belted shirt dress with its strategically placed black overlay?

For Monday, a Basquiat blouse overlaid with a structured vest and completed by a pair of Chucks made my black trousers Panic!

The No Child Left Behind law, the major education reform effort of the last decade, is overlaid by a gloss of civil rights rhetoric, but it has done nothing to address the concentration of black and Latino students in the same schools, and the lack of resources they face.

The breed can be recognized by its thick mahogany - colored coat with varying degrees of black overlay, and a black mask.

The space is shallow, close to the surface and achieved by innumerable small arcs superimposed on a black ground overlain with a wash of white.

David Hammons forges links, too, but different ones, between art and street in his 2014 piece «The New Black,» which consists of a blue gestural painting covered up, and canceled out, by an overlay of black industrial Black,» which consists of a blue gestural painting covered up, and canceled out, by an overlay of black industrial black industrial tarp.

Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.

In giant white block letters on a black ground, it proclaims, «Blind Idealism is Reactionary Scary Deadly,» with the words reactionary and scary overlaid by red crosses.

Red and black overlays scar a 1943 bird by Morris Graves, the Seattle - area painter, but also bring to life its skeletal form and its claws like table forks.

I feel guilty singling out overlays of acrylic and text by Mike Smalley at Grande Contemporary, industrial piping in white paper by Wataru Ito at ex-chamber museum, the blackboard equations of «Concinnitas» at Nancy Hoffman, the meeting of bedrooms and industry by Everett Kane at Black & White, or the cyanotype traces of Ellen Steinberg at LOOC Art.

More complicated is a lenticular text work by Hank Willis Thomas which overlays two statements — «Black is Black,» and «Black is White» — which would appear to question the ability of black people to hold onto their own identity in a majority white socBlack is Black,» and «Black is White» — which would appear to question the ability of black people to hold onto their own identity in a majority white socBlack,» and «Black is White» — which would appear to question the ability of black people to hold onto their own identity in a majority white socBlack is White» — which would appear to question the ability of black people to hold onto their own identity in a majority white socblack people to hold onto their own identity in a majority white society.

A 16th — 17th - century Tibetan Buddha sculpture goes with a 1944 print titled Time of Change, in which a bird overlaid by three broad bands of color in sequence — black, red, and white — gazes at its own reflection.

Mehretu's «Cairo» (from 2013), recalls the Freudian overlays of history and the unconscious that are the essence of the megalopolis lifestyle; Bradford's «Corner of Desire and Piety» (2008) refers to the social failures of the Hurricane Katrina catastrophe and by extension the frailty and irrationality of the urban fabric; and the El Anatsui tapestry, «Red Black,» 2010, undulating on the wall, recalls the skin of the museum itself, woven of many pieces, with a curious declivity dramatizing its strength.

Overlaid on the image of shampoo is a digital image of black and orange imprints that were created by making a print of the artist's own arm, leading to a human interruption in the industrial production.

At the Lia Rumma booth, I was immediately struck by a stark multimedia piece — a black silhouette of a cloven creature on a white background that looks at once prehistoric and fantastic, with the number 2584 overlaid on the image in neon.

At the Hammer, one triptych includes a simple black and white photo of a walnut tree, a drawing of the tree transcribed by his numerical system, and another drawing that overlays the previous grid.

The vivid blue of that shape — in places, almost black — is softened by lavender overlays and invigorated by fiery undertones.

A disc of black acrylic gesso overlain by a waxing moon form created with hand - applied squiggles of mud, the work nearly covers the double - height wall; runoff sludge splatters the floor and ceiling.

A disc of black acrylic gesso overlain by a waxing moon form created with hand - applied squiggles of mud,

Tobey's The Void Devouring the Gadget Era (1942), an energetic cluster of symbols overlaid by smoky tempera, and Graves's Bat Dancing for a Slug (1943), in which the titular animals emerge from an inky black background, combine Eastern influences with a focus on the natural world.

Barbara Kruger (born 1945) is an American conceptual artist represented by Sprüth Magers Berlin London.Much of Kruger's graphic work consists of black - and - white photographs with overlaid captions set in white - on - red Futura Bold Oblique.

This figure is an overlay of a lightning stroke map from WWLLN (black circles) and 91 - gigahertz brightness temperatures provided by the Special Sensor Microwave Imager / Sounder (SSMIS) radiometer on the low - orbit satellite DMSP F - 18.

Nacho Notch manages to easily hide the notch on a smartphone by simply producing a black overlay above the status bar to blend with the physical cut out of the display.

Basic black jute is overlaid with a swath of classic black and red tartan fabric — matched by a plaid - patterned plate — that's just right for a festive feast, be it Christmas or Hogmanay.