Sentences with phrase «black shadow looks»

Black shadow looks fine over it, too, but could still use some help.

Not exact matches

A child of 5, looking for sand crabs and starfish at low water, works his toes into the wet sand and bends over his little black hunting shadow in an attitude that is timeless, and when a full - grown and city - bred man, pale and desk - ridden, takes off his shoes and walks with the child, his shambling gesture repeats, atavistically, that of the child.

The kids» costumes may be ready and a few bags of candy may be spilled into the bowl, yes, but without a few spooky decorations your house will look like a boring black shadow compared to the rest.

The number of black and ethnic minority members in the new - look shadow cabinet is hugely impressive, while the appointment of former chief prosecutor Sir Keir Starmer — yes, another North London MP — give Labour some much - needed clout in the vital shadow Brexit brief.

Whites and blacks look excellent, offering great contrast and lifelike shadows.

«When she performed for the Oscars in 2005, we had four look changes — 20 minutes to go from black liner to pastel - green shadow,» says Tolot.

You can pair it with black eye shadow to get a dramatic smoky eye makeup look.

For this look, I used Lime Crime's Venus 2 Palette which has this unbelievably beautiful shade in it called Boot that's a super dark navy / black eye shadow with specks of purple and blue glitter.

I can see [that look] very clearly when I think about Olympic beauty, I can see her eyes staring through that thick black smoke of eye shadow.»

But for Balmain fall 2017, makeup artist Tom Pecheux created a black - and - metallic eye look that required him to pull out all the stops: black pencil, black gel liner, two loose metallic pigments, and black eye shadow — and that's not counting the concealer, highlighter, brow pencils, and contouring powder he also used to achieve the look.

Channeling Marilyn's legendary and trademark look, the collection consists of deep black eyeliners for that «bedroom eyes» look, highly pigmented eye shadows is gorgeous colors, rosy pink blushes and lipsticks in shades like «Charmed I'm Sure to Shop», «Love Goddess to Shop» and «Deeply Adored to Shop».

Because I used a shadow as my liner, adding this black liner to my waterline and lashline can help my lashes look fuller and more voluminous before I even reach for mascara.

Try a cream - based shadow stick for easy application, and finish with two coats of black mascara for an even more dramatic look.

To copy the look, sweep shimmering maroon shadow around the entire eye, then use black kohl to rim the waterline (top and bottom).

Swipe a gilded shadow ($ 2.99; nyxcosmetics.com) across the entire lid for a pretty, chic look that works day or night, or pair the shimmery color with black liner to give your trusty cat - eye a soft glow.

Since I wear a lot of grey eye shadows, I like the more subtle look of the grey eye liner compared to the harsher black that I normally wear.

And look at Faint (bottom row, middle shade) That's a nice shadow for a nude look on a black woman.

To achieve this smitten kitten look have on hand a Black Eye - liner, Black Mascara and 3 eye - shadow colours in the same tone range.

Using a flat brush, apply Blackout at the end of your lash line and stamp the color and then lightly «flick» the black shadow into the rest of the eye look.

Dark brown and black hair play with shadows and light for a rich thick look with a variety of curl sizes.

To make green eyeshadow like Miley's wearable, pick a pale seafoam shadow, and stick to black liquid liner and mascara so the look stays glam, not Halloween - chic!

Nice palette, though I do this dark smoky eye rock chic look quite a bit so I have a good enough army of black shadows that do the trick!

Black levels also seemed dense and full, while shadow detail was clear and appropriately opaque without any concerns due to shots that looked too dark.

Black levels came across as deep and dense, while shadow detail looked appropriately heavy but never excessively thick; low - light situations were easily discernible at all times.

Blacks were dark and dense, while shadows looked clear and distinctive.

Coinciding with the new aesthetic, MvC3 also looks significantly less anime - stylized than previous sprite - based Vs. games, with the heavy use of shadow and thick black lines at times giving the game a Western look somewhat like the work of comic legend Jack Kirby.

Blacks looked dark and dense, while shadows felt smooth and concise.

However, looking at some side - by - side comparisons, the loss of detail is apparent, mostly in the darker areas of the frame where blacks and shadow detail tend to be splotchy.

The HD presentation (letterboxed at a shade under 1.85:1) is attractive, with solid blacks, saturated colours, and impressive amounts of shadow detail — basically, the look for which Arrow has become known.

Transferred at 1.82:1 and enhanced for 16x9 displays, the theatrical version looks sensational, although it wants for more detailed shadows; perhaps blacks were crushed on purpose, as the image in and of itself has enough surface clarity to betray substantial — if unobjectionable — grain.

Picture quality handily recreates the film's 2D theatrical presentation, with deep blacks and good shadow detail, which is especially important for a film with a generally dim look and a number of low - lit interiors and nighttime exteriors.

Black levels were deep and rich, and shadow detail looked appropriately heavy but not excessively thick.

Black levels appeared solid and deep, and shadow detail was excellent; low - light situations looked appropriately heavy but not excessively dark.

Black levels also appeared wonderfully deep and dense, and shadow detail looked appropriately heavy but never excessively opaque.

Blacks appeared deep and firm, while shadows looked smooth and well - defined.

The black and white photography is strong, dappled lights and shadows giving it a very film noir look.

Although it looks a little digitized and shadow detail occasionally suffers from black crush, colours (blood reds and blue summer skies) are so vibrant as to lend the film a fitting pop - art flavour.

This Black, shadow Kia is clean and shiny exterior makes it look like it came straight from the factory.

She can just make the crab out, shadowed and distorted, trundling sideways across the rock, and she pursues it, kicking her feet to stay pressed down against the bottom, and then she lays her hands on the cold crisp shell, somersaults in the water, and surges upward into her own plume of hair, up along a passage of black rock, pitted and winding, gaping windows alterately fountaining water or sucking it back, the weeds moving rhythmically in and out with this labored breathing, some trick of the light making the pool's surface into a shifting mirror, and though she should look up and see her grandpa bent over the pool, she can not.

Kobo tries to hide the shadows with a black bar on screen, but there's an option in settings to turn the black bar off and I think it looks better without it because the shadows are hardly noticeable.

Again, just ignore the black «shadow industry» pie wedge — because if you're a pundit looking at data from the AAP, the BISG, Nielsen, or Bowker, those ebook sales are invisible.

Behind the wedding party the towering Shinto shrine Meiji Jingu cast a long shadow over the pavilion where we stood, and the stoic couple — the groom clad in black and the bride in a white kimono and wearing the traditional wedding headgear known as the watabōshi — looked impassively forward as the Shinto priest bowed before them, completing a ceremony that dates its roots back thousands of years.

I'd rather see detailed graphics in HD, instead of awkward black smudges and shadows... It comes off as lazy looking.

I mean a huge example would be Driveclub game got a huge graphical upgrade, everything from higher textures to better normal maps, global illumination, advanced weather systems, drip maps, reflections shadows and improved lighting but most gamers didn't notice it, maybe cause a lot of gamers think crushed blacks and or certain lighting affects look better then others kind of like console gamers who claim they cant see the difference in 30 and 60 fps or even weird cases of gamers saying 120 fps is not noticeable or even worse then 60 fps.

The game doesn't look as good as Black Flag, and has an abundance of jagged shadows and bleak locations.

Admittedly we didn't do particularly well, as our opponents clearly knew the maps inside out and we found it hard to tell who was friend or foe half the time (one black shape looks much like another when dodging between the shadows).

Players control a small little black flame looking dude which has the shadow core.

And on closer look, a tiny abstract dot floats in the sky, black like the birds, and complete with its own little shadow.

Bearing two great swathes of black against a blue ground, Black Blue (1959) is calculatedly lit so that it is impossible to look closely at it without your own shadow falling on the black against a blue ground, Black Blue (1959) is calculatedly lit so that it is impossible to look closely at it without your own shadow falling on the Black Blue (1959) is calculatedly lit so that it is impossible to look closely at it without your own shadow falling on the work.

Shot on rough ground, Thomas Roma's black and white pictures of the shadows of dogs at play look a bit like cave paintings, where featureless silhouettes distill the doggy essence of each animal.