She engages with the tension between a personal investigation of eroticism, black femininity and beauty and a pop - cultural critique of the overt sexual imagery prevalent in the media — from
Blaxploitation film heroines like Cleopatra Jones to the construction of middle - class, African - American taste in Ebony magazine.
They depict raffish black superheroes,
blaxploitation film heroines and a brown clown - faced phallus — curvaceous characters with layers of dots, glitter - strewn resin and exotic backdrops — especially the radiating loops behind the goddesslike «She.»
In her elaborate, large - scale paintings, Mickalene Thomas (born 1971) has engages the tension between a personal investigation of eroticism, beauty, and black femininity and a critique of the overt sexual imagery prevalent in popular culture and media — from
Blaxploitation film heroines like Cleopatra Jones to the construction of middle - class, African - American taste in Ebony magazine.
Not exact matches
Seventies
Blaxploitation films like Cleopatra Jones, with its gun - toting
heroine, capitalized on this burgeoning racial pride, problematically merging a miasma of competing interests, most obviously Black power and female lack.