Sentences with phrase «body group exhibition»

The Bring Your Own Body group exhibition is on at New York's The Cooper Union, running from October 13 to November 14.

The To a Body group exhibition at New York's Shoot The Lobster opened November 11 and is running to December 22.

Not exact matches

Posturing: Photographing the Body in Fashion is a new group exhibition dedicated to the examination and exploration of the role of the female body in contemporary fashion photograBody in Fashion is a new group exhibition dedicated to the examination and exploration of the role of the female body in contemporary fashion photograbody in contemporary fashion photography.

Body Language is a group exhibition in video format that focuses on two emerging artists whose video works explore the ways in which language determines and is eluded by our relationships to our bodies.

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (2012).

Wave Hill commissions a diverse group of emerging New York - area artists to create a new body of work or site - specific project for a solo exhibition in the Sunroom Project Space.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Born in 1972, Liu Wei is part of the Post-Sense generation, so called for the landmark group exhibition «Post-Sense Sensibility: Alien Bodies and Delusion,» which he helped organize in the basement of a Beijing residential tower in January 1999.

Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).

The first group exhibition, Women and their Work I: Affect + Action will open on Friday, September 8 from 5:30 to 7 pm where artists will address social issues ranging from institutionalized racism, water pollution, the atrocities of war, and the subjugation of female bodies (human and nonhuman).

His work has been featured in group exhibitions including Bird's - Eye View, Grand Army Plaza New York; Tensionism, Kenny Schacters Rove, New York; Shine, Amnesty International and Downtown Arts Festival, New York; One Planet Under a Groove: Hip Hop and Contemporary Art, Bronx Museum of the Arts, New York, and Bead Body and Soul (Art and Light in the Yoruba Universe), UCLA Fowler Museum, California.

In addition to this, Jarvis has independently curated and consulted on many fine art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014).

1995 Bodies Terrestrial, Zoller Gallery, Pennsylvania State University, PA New Paintings, Elizabeth Leach Gallery, Portland, OR Gallery Group Exhibition, Curt Marcus Gallery, New York, NY Elementum, Mary Ryan Gallery, New York, NY Drawings, K&E Gallery, New York, NY New York, NY Noir, Allez les Filles Gallery, Columbus, OH

Solo and group exhibitions showcase abstract as well as figurative work from a diverse body of artists from the U.S., Asia, Latin America and Europe.

Arranged chronologically, the exhibition layout offers large bodies of work in specific media, such as a significant group of oils on paper made between 1943 and 1944 and selections from the more than 1,200 pastels that Still created in the final ten years of his life.

Later this year he will be included in a group exhibition «Body & Void», Henry Moore Foundation, Leeds, UK.

Recent group exhibitions include; «Lost in LA», Los Angeles Municipal Art Gallery, Los Angeles (2013 - 2012); «Art is beautiful but hard work too», Kunstabau, Munich, Germany (2012 - 2013); «Unlimited Bodies», Palais Diena, Paris (2012); and «Invisibleness is Visibleness», Museum of Contemporary Art Taipei, Taipei (2011).

This September, VisArts presents An Unfinding by Corwin, Noise Body Music a group exhibition, and The American Dream by Bin Feng.

Recent notable group exhibitions include; «BODY / PLAY / POLITICS», Yokohama Museum of Art, Yokohama, Japan (2016); «720», Singapore International Festival of Arts, Gardens by the Bay, Singapore (2016); «Summer Exhibition 2016», Royal Academy, London; «Making and Unmaking», Curated By Duro Olowu, Camden Arts Centre, London; «Arts + Foods.

His rich body of work has been included in numerous solo and group exhibitions throughout the world.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Museum of Contemporary Art Santa Barbara (MCASB) presents Then they form us, a new group exhibition that explores the precarious status of the «self» during its pixelated or roboticized evolution — as computers increasingly co-opt the human body during an age of ultra-connectivity.

The works in the international group exhibition «Un certain regard» all objectify the body and test the boundaries between gazing and staring, to different degrees.

The group exhibition «Body Building» plays with the boundaries between physical, psychological and architectural space.

Dürst Britt & Mayhew is proud to present the group exhibition «Body Building».

Michael Rosenfeld Gallery is pleased to announce the group exhibition Body Beware: 18 American Artists on view from May 18 through July 27, 2007.

The exhibition at Sperone Westwater centers on an enormous group of drawings from a body of work known as Breaking News, which derives its imagery from tabloids and other sources.

Liu Bolin: «Psycho / Somatic: Visions of the Body in Contemporary East Asian Art,» John N. Stern Gallery, Allen Memorial Art Museum, Oberlin College, Oberlin, OH (group exhibition)

The group exhibition is integrated into the solo exhibition with works appearing both independently and on Assists, a new body of work by Stockholder which are interstitial; acting as both sculpture and hardware, adjuncts to furniture or walls, and as plinths for other works.

Group exhibitions include: Mexico City: An Exhibition about the Exchange Rates of Bodies and Values at Kunst - Werke Berlin, Germany (2003) and P.S. 1 Contemporary Art Center, New York, NY (2002); Sublime Artifical at La Capella, Barcelona, Spain (2002) and the Museum of Contemporary Art, San Diego, CA (2002).

Van Empel participated in numerous group exhibitions including, in 2008/09, the prestigious exhibition Diana and Actaeon, The Forbidden glimpse of the naked body at the Museum Kunst Palast in Düsseldorf, curated by Beat Wismer, Sandra Badelt and Mattijs Visser.

Selected group exhibitions include Sensate: Bodies and Design, San Francisco Museum of Modern Art, California (2009); Fashion Accidentally, Museum of Contemporary Art, Taipei, Taiwan (2007); Rapture: Art's Seduction by Fashion, Barbican Centre, London, England (2002); and Whitney Biennial 2000, Whitney Museum of American Art, New York (2000).

On January 23, 2015, TechNoBody opened at Pelham Art Center in New York, a group exhibition exploring «the mediated world's impact on and relationship to the physical body in an increasingly virtual world.»

Group exhibitions include; «Inventory, Vol.5: Acquisitions from 1992 to 1996», FRAC Haute - Normandie, Rouen, France (2015); «The Art of the Present», Helga de Alevear Collection, Centro Centro, Madrid, Spain (2013); «Je t «aime... moi non plus», Musée des Beaux - Arts Eugène Leroy, Tourcoing, France (2013); «Unlimited Bodies», Palais Diena, Paris, France (2012); «Twenty Years of Presence», MMK Museum für Moderne Kunst, Frankfurt, Germany (2011); «Idea and Object», Galerie Thaddaeus Roapc, Salzburg, Austria (2010); «Securities», DEWEER Gallery, Otegem, Belgium (2009); «Listen Darling The World Is Yours», Ellipse Foundation Contemporary Art Center, Lisbon, Portugal (2008); «Museum der Moderne Salzburg Mönchsberg», Salzburg, Austria (2006); «Faces in the Crowd», Whitechapel Gallery, London, England (2005) and «Albright Knox art Gallery, Buffalo, USA (2004).

Select group exhibitions featuring her work include Regarding Spirituality, The Nelson - Atkins Museum of Art, Kansas City, KS (2018, forthcoming); Phantom Bodies: The Human Aura in Art, John and Mable Ringling Museum of Art, Sarasota, FL (2016); Reductive Minimalism: Women Artists in Dialogue, 1960 - 2012, University of Michigan Museum of Art, Ann Arbor, MI (2014); 50 Years of Collecting Islamic Art, Metropolitan Museum of Art, New York (2013); Summer Exhibition, Royal Academy of Arts, London (2012); Without Boundary: Seventeen Ways of Looking, The Museum of Modern Art, New York (2006); Happiness, Mori Art Museum, Tokyo (2003); and Thinking Big: Concepts for Twenty - First - Century British Sculpture, Peggy Guggenheim Collection, Venice (2002).

The exhibition groups the artworks within five themes of second - wave feminism: «Challenging Institutions and Canonical Traditions in Art,» «The Body,» ««Women's Work,»» «Gender and Performativity,» and «Race and Ethnicity.»

She has been featured in numerous group exhibitions including at Gallery IS (2017), SOMA Museum of Art Performance Festival - Bring Your Own Body (2016), Gwanghwamun International Art Festival (2017) and among others as a rising artist.

The final group of work in this exhibition includes small paintings in which food assumes the form of body and landscape: Imagine Saul and Erik Parker tag teaming to readdress the legacy of Giovanni Arcimboldi.

His work has been included in group exhibitions around the world including Greater New York, P.S. 1, NYC; Adaptive Behavior, New Museum of Contemporary Art, NYC; I am a Camera, The Saatchi Collection, London; Family, Aldrich Museum of Contemporary Art, Ridgefield, CT; Make It Now, The Sculpture Center, New York; Portugal Arte 10, Portugal Biennial, Lisbon; Wild Exaggeration, The Grotesque Body in Contemporary Art, Haifa Museum of Art, Haifa; and others.

This exhibition features a group of four videos, originally shot on Super 8 film, from the 1970s and early 1980s that use the body to express the experience of living under an oppressive regime.

This exhibition of work by São Paulo — based artist Anna Maria Maiolino features a group of four videos from the 1970s and early 1980s that use the body to express the experience of living under an oppressive regime.

Each year, Wave Hill commissions a diverse group of emerging New York - area artists to create a new body of work or site - specific project for a solo exhibition in the Sunroom Project Space, providing an engaging setting for artists to contemplate, explore and ultimately transform the gallery using various materials and techniques.

James Harris Gallery is pleased to present «Body Language,» a group exhibition of black and white photography including work by Diane Arbus, Bill Brandt, Manuel Alvarez Bravo, Bill Burke, Harry M. Callahan, Robert Capa, Ralph Gibson, Emmet Gowin, Helen Levitt, Andrea Modica, Rodrigo Moya, and Henry Wessel.

on view at MUSEION studio house, Bolzano, Italy, through Nov 22, http://www.museion.it/current-exhibitions/?lang=en Goldschmied & Chiari in group exhibition «The Body as Language,» curated by Paola Ugolini at Richard Saltoun, London, Oct. 9 - Nov. 27, http://www.richardsaltoun.com/exhibitions/ Kristen Lorello to exhibit at UNTITLED., Miami Beach, Dec. 2 - 6 Nadia Haji Omar / Bayne Peterson exhibition previewed in ArtCritical by William J. Simmons 9/7/15, http://www.artcritical.com/2015/09/07/labor-day-shout-outs/ Rachel Higgins interviewed in «From the Salvage Yard to the Shopping Mall: Rachel Higgins» Logistical Aesthetics,» by Natalie Hegert, in ArtSlant, June 30, http://www.artslant.com/ew/artists/rackroom/244140-rachel-higgins Rachel Higgins: Logistics featured in «Standing Out in the Crowd: 10 Summer Solo Shows Around the World in 2015» by Natalie Hegert in MutualArt http://www.mutualart.com/OpenArticle/Standing-Out-in-the-Crowd — 10-Summer-Sol/648DC5F4E3B290BD Josh Slater in CKTV Karaoke Night at Redbull Studios, Friday, June 12th, http://nyprojectspace.redbullstudios.com/news/karaoke-night/ Goldschmied & Chiari in «Organic Matters — Women to Watch 2015,» at the National Museum of Women in the Arts, Washington, D.C., through September 13, http://nmwa.org/exhibitions/organic-matters Rachel Higgins in Martha Schwendener's New York Times article, «10 Galleries to Visit in Brooklyn and Queens,» April 16, http://www.nytimes.com/2015/04/17/arts/design/10-galleries-to-visit-in-brooklyn-and-queens.html

This latest exhibition will include an eclectic and wide - ranging group of subjects across two distinct bodies of new work.

is a group exhibition that examines how technology and advertising have shifted our relationships to our physical bodies, shaping of subjectivity, and notions of the real.

Booth Gallery is pleased to present «Psychological Realism», a group exhibition that explores the intricacies of identity through depictions of the human body in a range of styles from finely representational to boldly expressional.

She has been included in numerous important group exhibitions, including Danser Sa Vie, Centre Pompidou, Paris (2011); 2010: Whitney Biennial, Whitney Museum of American Art, New York (2010); While Bodies Get Mirrored.

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

Select group exhibitions include: The problem with having a body / is that it always needs to be somewhere, The Approach, London (2017); Scarlet Street, Lucien Terras, New York (2016); Background / Foreground, Galerie Nordenhake, Stockholm (2016); Synecdoche, Jessica Silverman Gallery, San Francisco (2015); Dreams That Money Can't Buy, MAXXI Museo delle Arti del XXI secolo, Rome (2014) and We seem to still be moving, Simone Subal Gallery, New York, NY (2013)..