Sentences with phrase «bold strokes at»

Deborah Krieger reviews the exhibition Quita Brodhead: Bold Strokes at the Woodmere Art Museum, Chestnut Hill, Philadelphia, on view through June 1, 2014.

Not exact matches

So you have all the time in the world for the beautiful constellation Sagittarius, poised at the galaxy's center in the south, and the year's best view of the Milky Way, splitting the heavens like a bold artist's stroke.

Yes, there are arguably a few bars too many on the way to the World's End, not just for the characters but for viewers as well, as the film lags a bit before arriving late at two bold storytelling strokes.

If you'd like to help out and make a donation through the PayPal link at the upper right of the page here by the end of the day Friday September 7th, you will receive a free advance copy of the eBook that I plan to write about the new products and Amazon's latest bold strokes in business strategy.

Although there is a clear relation to nature in the forms and colors, at the same time those paintings, including Ladybug (1957) at MoMA, have a bold confidence in the sculptural individuality of each stroke of paint in a manner which anticipates the post-minimalist approach of painters such Joan Snyder.

Ethereal ribbon - like passages wrestle with strokes that abruptly stop and balance against broad open areas; at other times, strokes are crammed, in bold, lyrical spaces.

Brodhead is best - known for her mid-20th century abstract works, but as Bold Strokes demonstrates, she was adept at painting figures and landscapes as well... [Brodhead] studied at the Pennsylvania Academy of the Fine Arts from 1919 — 25, spent time painting in Paris at the Académie Julian, and left PAFA in 1925 to study under her mentor Arthur B. Carles.

Anna Macrae at Shift Gallery through Jan. 27th, 2018 Stephanie Hargrave A cacophony of bold brush strokes and smudges is what Macrae's latest body of work features, and it is -LSB-...]

From September 1959 to January 1960 de Kooning sojourned in Italy, working in Rome, where he produced what are now known as his «black and white» paintings, such as Black and White (Rome) 1959 (fig. 6).24 These are highly reminiscent of Kline's signature style in their combination of bold gestural abstraction, a black and white palette and structured compositions that consist of a series of emphatic strokes that are at odds with each other and positioned at angles that create nearly regular geometric shapes, such as triangles and squares.

Well, if the critics or curators visit Spanierman Modern on East 58th Street, they can take a look at Judith Godwin's Echoes, No. 2 (1954), a smallish and dense abstraction of bold red and blue strokes whose movements could well echo those of Martha Graham, a friend and mentor to the artist since their meeting in New York in the 1950s.

At the time, Zurier was making very simple, bold patterns — a few rough brush strokes — on small canvases.

For me there was — and to an extent still is — nothing like a soft lead pencil for flowing the creative juices, for making meaning and at the same time making pretty curves and striking bold strokes and at the same time making my hand feel the paper and the graphite melting on it.