Sentences with phrase «book editors decide»

Book Editors decide whether a book should be published or not.

Not exact matches

Along with novels like The Catcher in the Rye, A Farewell to Arms and The Lord of Rings, the editors decided to include the Bible in their list of the most overrated books of «all - time.»

We've also been doing a lot of party planning for the book, which is now less than two months away, and so to give ourselves a little break (and do a little bit more low - key promotion for the book), we decided to invite over a bunch of editors and bloggers for an at - home Spring Break Bash, BGSK style.

By: Joe Newman * Note from the Editor — With so many resources and books about parenting, discipline, and behavior, it's a challenge deciding on which area to focus.

Once a publisher has decided to publish a book, the editor negotiates the terms and conditions of a contract with the author.

Tony Rothman, a faculty member at Princeton University, was equally surprised and indignant when, shortly before his book Everything's Relative: And Other Fables From Science and Technology went to press, his editors decided to nix the cover photo of Einstein.

Wilder plays George, a book editor that decides to travel cross-country by train to have a boring time where he can get some much needed rest and relaxation.

Given the importance and usage of her books, Dr. Clay decided to appoint a Consulting Editor who could select assistance from informed academics in various countries from time to time to act on particular publications.

Book agents and editors will use your synopsis as a sign (just like they do with your query letter)... to help them decide if you're a true professional (and if your book is worth readiBook agents and editors will use your synopsis as a sign (just like they do with your query letter)... to help them decide if you're a true professional (and if your book is worth readibook is worth reading).

A necessary step before publishing your book is finding a good editor that suits your particular needs — and yes it's absolutely essential to have one if you decide to take the indie route.

As the executive editor at Foreword Reviews, I decide which authors or publishers might be worth considering as a topic for a news story above and beyond a possible review we might run about the book itself.

So do agents, editors, publishers, book reviewers, book sales people — and those all - important people who decide whether to carry your book or not: bookstore buyers.

When EC fired most of its editors, its cover artists, and much of its administrative staff in August 2014, I decided it would be a wise choice to request reversion of rights on every eligible EC book.

If you JUST finished your book, what you really need is some good critique partners to sit down and read your whole manuscript, but if you decide to hire an editor, have them do developmental editing only.

Knowing exactly what an editor can do for you and how to decide on one takes a bit of effort, but we recommend starting with an editor with experience editing books in your genre, who you feel comfortable with, and who fits within your price range.

Let the agent decide how to place your book when selling to an editor.

After listening to many authors and being associated with editorial excellence for almost 80 years, we decided to develop a book editing division to offer unpublished and self - published authors access to the publishing industry's top editors.

Some reasons to submit: When you're traditionally published, the editor / publisher must decide which books to submit to which awards.

* Top literary agents have the ability to navigate any challenges that come up during the pre-publication, publication, or post-publication process without losing their cool or damaging relationships: i.e. editors that are difficult, fired, laid - off, or decide to retire; bad book cover designers; your book being cut from the publisher's list before it's even published; bad reviews or publicity; poor book sales; changes in the industry or marketplace; etc..

Karen, when you decide to hire an editor please make sure you've done all you could to make your book the best it can be, don't take shortcuts.

Every author must decide what is important to him or her in an editor, but in these days of electronic communication, honestly I do not think it is important to seek a local editor unless your book is specifically related to something of local interest.

-LSB-...] F+W Media — and future Web editor of Virginia Quarterly Review), email marketing still works (Yes, Email Still Works for Book Marketing): Why do some authors, like Barry Eisler, decide to strike deals with Amazon?

I know it would make the Guide longer, but there must be a way to show readers that a listing appears elsewhere in the book, or could appear elsewhere (and in what chapters) but editors decided to list each resource only once for space reasons, right?

Editors at Gotham, who might have been afraid to wade into the copyediting waters with an opinionated author like Truss, wisely decided to reprint the book exactly as it was in the original version, with all its British spellings and punctuation intact.

After their book is written and editors sign off on the final rewrite, authors often turn their attention to what will become one of their most agonizing tasks in the entire process — deciding on a book cover design.

She wasn't a slave to editors, deciding to put her books out there with many flaws intact.

So, you now have better access to editors for selling books, better access to overseas publishers, no need for agents on contracts and negotiations, and a way to get your books directly to readers when you decide that's a good way to go with a project.

When I was preparing the manuscript for my fourth novel to send to my editor, I decided to adopt a practice I had heard other authors use — listening to the book via a...

When I was preparing the manuscript for my fourth novel to send to my editor, I decided to adopt a practice I had heard other authors use — listening to the book via a text - to - speech app.

Deciding how to best approach your book is easier for an editor to do because we're completely objective.

If you decide to publish your book traditionally, then it means convincing agents, editors, and publishing companies that your book is worth their time.

The major difference between the Carnegie Medals and the other awards is the unique composition of our panel of judges: we have four librarians (two from academic libraries and two (including me) from public libraries, and three editors from ALA's Booklist, a magazine that plays a central role in helping librarians decide what books to purchase for their libraries.

Editors and agents decide if a book is print worthy, while a publishing firm decides upon the book's cover art, layout, and price point... all without consulting you, the author.

This year, we've decided to put in our own two cents with a list of the very best books — some new and some classics — for the writer in your life, even if that writer is you.The Forest for the Trees (Revised and Updated): An Editor's Advice to Writers by Betsy...

For my newest books, my editor, Patricia Aldana, decided that each would have a different illustrator.

This is series was great, but my editor and I had decided to end it on a high note after five books.

The editor, also being smart, asked to see the new book and decided to pick up speed on my friend's publishing schedule and buy the new series.

Your editor leaves or is fired and her replacement hates your book and decides not to publish it.

Liz Matis's book spent almost two years in editor limbo before she pulled the plug and decided to go it alone.

I have 12 traditionally published books and an agent, but after a couple of frustrating years dealing with a publisher canceling my series because of a power - play among the editors, year - long wait times on submissions (even with an agent), and a market so narrow that I was advised that I probably couldn't sell children's historical fiction set in ancient Egypt unless it involves zombie mummies, I decided to try self - publishing.

I know my first books would have been better had I decided to get the help of a professional editor.

There should be no shame if an indie author (or self - published author, whatever you want to call them) decides to invest their own money to hire editors, book doctors, cover artists, publicists or publishers.

For those books, my editor is more or less my boss, and I can't do much about what, how and when they decide to edit.

After thirty days, using some unknown formula, the editors at Kindle Scout decide if they will publish your book.

Then we open our gate to our editors and they decide if we are right and the book should be released or if it needs some more work.

Freelance editors (or even smaller companies like Midnight Publishing) live and die by our testimonials, and whoever you decide to hire for your book's editing, ghostwriting, or a mix of the two should be more than willing to direct you to their reviews and prior client testimonials before you take the plunge.

Granted, it's hard work — but not half as discouraging as having editors change the very tone of your book, decide that a proposal won't sell because it's not the flavor of the month, have the completed draft languish on someone's desk for months, wait five months after the book's published for a first advance, or learn that you, a prolific Canadian writer, aren't being published in Canada.

In my case, I had to decide between using the money for a book cover and formatting or an editor.

It took another five months to get my ass in gear, set up the infrastructure to do so (find a cover artist, create a website, interview editors, create a Facebook and Twitter presence, decide what to even write about as my preferred genre), and then produce the first book, which I released in early June — Fatal Exchange, which still reads well, I think, if a bit grittier than my later work.

An editor can use this short descriptive pitch of your book to her house and the committee that decides which book to buy.