Sentences with phrase «brasil arts»

If you're priced out of Bouchon, Brasil Arts Cafe offers a great happy hour just around the corner and there is usually live music.

Food purveyors were Blush, bouchon Santa Barbara, Brasil Arts Café, C'est Cheese, Ca'Dario, Chase Bar & Grill, Enterprise Fish Co., Finch & Fork, Los Arroyos Mexican Restaurant, Nectar Eatery & Lounge, Nothing Bundt Cakes, Opal Restaurant & Bar, Paradise Café, Pascucci, Patxi's Pizza, Persona Wood Fired Pizzeria and Viva Santa Barbara.

Not exact matches

Painting China Now: Fixed Layout Artists» Book: Painting China Now (MAM - Museum of Modern Art — Rio de Janeiro — Brasil) by Brody & Paetau

This committee includes Carol Bove (artist), Yilmaz Dziewior (Director, Museum Ludwig, Cologne, Germany), Reem Fadda (Associate Curator, Middle Eastern Art, Guggenheim Abu Dhabi Project, Solomon R. Guggenheim Museum), Rashid Johnson (artist), Eungie Joo (independent curator), Pablo Leon de la Barra (Director, Casa França - Brasil, Rio de Janeiro, Brazil), Helen Molesworth (Chief Curator, The Museum of Contemporary Art, Los Angeles), Virginia Overton (artist), Franklin Sirmans (Director, Pérez Art Museum Miami), Mari Spirito (Alt art space and Protocinema, Istanbul, Turkey), Phil Tinari (Director, Ullens Center for Contemporary Art, Beijing, China), Adrian Villar Rojas (artist), and Jochen Volz (Curator, 32nd São Paulo Biennial, São Paulo, BraziArt, Guggenheim Abu Dhabi Project, Solomon R. Guggenheim Museum), Rashid Johnson (artist), Eungie Joo (independent curator), Pablo Leon de la Barra (Director, Casa França - Brasil, Rio de Janeiro, Brazil), Helen Molesworth (Chief Curator, The Museum of Contemporary Art, Los Angeles), Virginia Overton (artist), Franklin Sirmans (Director, Pérez Art Museum Miami), Mari Spirito (Alt art space and Protocinema, Istanbul, Turkey), Phil Tinari (Director, Ullens Center for Contemporary Art, Beijing, China), Adrian Villar Rojas (artist), and Jochen Volz (Curator, 32nd São Paulo Biennial, São Paulo, BraziArt, Los Angeles), Virginia Overton (artist), Franklin Sirmans (Director, Pérez Art Museum Miami), Mari Spirito (Alt art space and Protocinema, Istanbul, Turkey), Phil Tinari (Director, Ullens Center for Contemporary Art, Beijing, China), Adrian Villar Rojas (artist), and Jochen Volz (Curator, 32nd São Paulo Biennial, São Paulo, BraziArt Museum Miami), Mari Spirito (Alt art space and Protocinema, Istanbul, Turkey), Phil Tinari (Director, Ullens Center for Contemporary Art, Beijing, China), Adrian Villar Rojas (artist), and Jochen Volz (Curator, 32nd São Paulo Biennial, São Paulo, Braziart space and Protocinema, Istanbul, Turkey), Phil Tinari (Director, Ullens Center for Contemporary Art, Beijing, China), Adrian Villar Rojas (artist), and Jochen Volz (Curator, 32nd São Paulo Biennial, São Paulo, BraziArt, Beijing, China), Adrian Villar Rojas (artist), and Jochen Volz (Curator, 32nd São Paulo Biennial, São Paulo, Brazil).

He was also featured in the 2001 exhibition Brazil: Body & Soul at the Guggenheim Museum and has had solo exhibitions at Luhring Augustine, New York; Musée du Louvre, Paris; Whitechapel Gallery, London; Stedelijk Museum, Amsterdam; Museum of Contemporary Art, Chicago; MARCO, Museum of Contemporary Art, Monterrey, Mexico; and Centro Cultural Banco do Brasil, São Paulo and Brasilia; among others.

With Via Brasil, the Wexner Center strives to introduce our community to the unique and diverse cultural landscape that contributes to the increasing prominence of Brazil on the global arts scene.

Via Brasil is the Wexner Center's multidisciplinary initiative focusing on contemporary art and culture in Brazil made possible by a generous grant from the Andrew W. Mellon Foundation.

Queensland Art Gallery / Gallery of Modern Art, Brisbane, Australia Art Gallery of New South Wales, Sydney, Australia Museum Moderner Kunst Stiftung Ludwig - MUMOK, Vienna, Austria Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo, Brasil Simon Fraser University Art Gallery, Burnaby, BC, Canada The Montreal Museum of Fine Arts - Musée des beaux - arts de Montréal, Montreal, QC Carleton University Art Gallery, Ottawa, ON Ludwig Forum für Internationale Kunst, Aachen, Germany Burger Collection, Berlin, Germany University Art Museum University at Albany, State University of New York, AlbanyArts - Musée des beaux - arts de Montréal, Montreal, QC Carleton University Art Gallery, Ottawa, ON Ludwig Forum für Internationale Kunst, Aachen, Germany Burger Collection, Berlin, Germany University Art Museum University at Albany, State University of New York, Albanyarts de Montréal, Montreal, QC Carleton University Art Gallery, Ottawa, ON Ludwig Forum für Internationale Kunst, Aachen, Germany Burger Collection, Berlin, Germany University Art Museum University at Albany, State University of New York, Albany, NY

Recent solo exhibitions include the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); State Hermitage Museum, St. Petersburg (2011); Kunsthaus Bregenz, Austria (2010); the major touring exhibition Between You and Me (Kunsthal Rotterdam, Musée d'Art Moderne De Saint - Etienne and Artium, Vitoria, Spain, 2008 — 2009); MARCO, Monterrey, Mexico (2008); the Hayward Gallery, London (2007); MADRE, Naples (2006); the Calouste Gulbenkian Foundation, Lisbon (2004); the Baltic Centre for Contemporary Art, Gateshead (2003) and the National History Museum, Beijing (2003).

2017 The Lotus in Spite of the Swamp: Prospect 4, New Orleans, New Orleans, USA Eatable Alphabet, Hamburger Kunsthalle, Germany Entangled: Threads & Making, Turner Contemporary, Margate, England Life Worlds, Fondazione Sandretto Re Rebaudengo, Turin, Italy Punto de Partida (Coppel Collection), Fundación Banco Santander, Madrid, Spain NOW, Scottish National Gallery of Modern Art, Edinburgh, Scotland Art and Space, Guggenheim Bilbao, curated by Manuel Cirauqui, Bilbao, Spain 14th Biennale de Lyon: Floating Worlds, Biennale de Lyon, Lyon, France I'll Be Your Mirror, Espaço Breu, São Paulo, Brasil How to Read El Pato Pascual: Disney's Latin America and Latin America's Disney, MAK - The Schindler House, Los Angeles, USA First day of good weather, Sies + Höke, Düsseldorf, Germany Past / Future / Presente: Contemporary Brazilian Art from the Museum of Modern Art, São Paulo, Phoenix Museum of Art, Phoenix, USA

Comics in Art, Weserburg, Museum für moderne Kunst, Bremen, Germany Every Day Matters, Faurschou Foundation, Copenhagen, Denmark Forms of Weather, Frankfurter Kunstverein, Frankfurt, Germany Le Pas Funambule, Piano Nobile, Geneva, Switzerland America Latina 1963 - 2013, Fondation Cartier, Paris, France ELLES: Mulheres Artistas na Coleção do Centro Pompidou, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil Homebodies, Museum of Contemporary Art Chicago, Chicago, USA Nooite Azul Electrico, Galeria Mendes Wood DM, Sao Paulo

2002 poT, II Liverpool Biennal of Contemporary Art, Liverpool, UK Rotativa - Fase 2, Galeria Fortes Vilaça, São Paulo, Brazil Haunted by Detail, De Appel Foundation, Amsterdam, Netherlands Vivências, The New Art Gallery of Walsall, Walsall, UK Extreme Protection, Nit Niu 2002, Cala Sant Vicenç de Pollença, Mallorca, Spain Eye of the Beholder, Dundee Contemporary Arts, Dundee 2000 Friends and Neighbours, Limerick City Gallery of Art, Limerick, Ireland Space Experiences: Homage to the Space, National Museum of Art, Osaka, Japan The Quiet in the Land 2: Projeto Axi, Museu de Arte Moderna da Bahia, Salvador, Brazil No es Solo lo que Ves: Pervirtiendo el Minimalismo, Queen Sofia National Art Museum, Madrid, Spain Brasil +500, Mostra do Redescobrimento, São Paulo, Brazil Bienal de Gravura, Porto Alegre, Brazil Marcas do corpo, dobras da alma Bienal de Gravura, Porto Alegre, Brazil

Gormley's work has been widely exhibited throughout the UK and internationally with exhibitions at Forte di Belvedere, Florence (2015); Zentrum Paul Klee, Bern (2014); Centro Cultural Banco do Brasil, São Paulo, Rio di Janeiro and Brasilia in Brazil (2012); Deichtorhallen, Hamburg, Germany (2012); The State Hermitage Museum, St Petersburg, Russia (2011); Kunsthaus Bregenz, Austria (2010); Hayward Gallery, London, England (2007); Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989).

2014 Imagine Brasil, Musée d'Art Contemporain de Lyon, Lyon, France; touring to DHC / Art, Montreal, Canada do it, Garage Museum of Contemporary Art, Moscow, Russia Atopia: Migration, Heritage and Placelessnes.

In South America her work was featured at the Centro Cultural Recoleta and Museo del Grabado in Buenos Aires, Argentina; Museo de Artes Visuales, Montevideo, Uruguay; the Instituto Brazil Estados Unidos, and Laura Marsiaj Arte Contemporanea, in Rio de Janeiro, Brazil, as well as Art Fairs: ARCO Madrid, Spain; Art Basel Miami Beach, USA; ArteBA Buenos Aires, Argentina; SParte São Paulo, Brasil.

Works from the Thyssen - Bornemisza Art Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexart biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexico

His work has been the subject of numerous solo shows worldwide, including exhibitions at National Portrait Gallery, London (2016); Forte di Belvedere, Florence (2015); Zentrum Paul Klee, Bern (2014); Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); The State Hermitage Museum, St Petersburg (2011); Kunsthaus Bregenz, Austria (2010); Hayward Gallery, London (2007); Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989).

1997 Lagnado, Lisette, Rivane Neuenschwander, Immersion in Time in «5th International Istanbul Biennial», pp. 162 - 63 Herbert, Martin, Rivane Neuenschwander, Time Out, 28 May, p. 47 Fioravante, Celso, Vazio Escultórico, Vogue Brasil, May Material Whirl, State of the Arts, April, p. 8 Murria, Alicia, Arco y Latinoamerica, Art Nexus magazine, no. 24, April - June, pp.105 - 107 Papastergiadis, Nikos, Material Immaterial, Art / Text, August - October Genocchio, Benjamin, Material Immaterial, Look - Art Gallery Society of New South Wales Magazine, March Genocchio, Benjamin, Concrete Poetry, World Art, no. 12 Material Immaterial, Art Gallery of New South Wales, Sydney Murria, Alicia, Arco y Lationoamerica, Art Nexus magazine, no. 24, April - June, pp. 105 Fioravante, Celso, Vazio Escultorico, Vogue Brasil, May Smee, Sebastian, Asking the Right Questions, Art Monthly Australia, no. 99, May Bifulco, Adriana, Formigas que Viram Arte, Jornal da tarde, 2 July Fioravante, Celso, Aristas Brasileiros vao a Australia, Folha de São Paulo, 23 January ARCO «97, Casa Triângula, February, p. 100 Brasileiros Conquistam o Mundo, Celso Fioravante, Folha de São Paulo, 10 February

Keith Haring — Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil, Culturgest, Lisbon, Portugal, Alte Rathaus, Prien am Chiemsee, GermanyThe Characters of Keith Haring — Children's Museum of the Arts, New York, New York, United StatesPhotos from the Archives: the Artist at Work — Pop Shop, New York, New York, United StatesKeith Haring: New Wave Aztec — Solomon R. Guggenheim Museum, New York, New York, United StatesOne Person Show — Alona Kagan Gallery, New York, New York, United States

Group exhibitions (selection): Berlin Biennale (2016); MAXXI — Museo Nazionale delle Arti del XXI Secolo, Rome (2015); ZKM Center for Art and Media, Karlsruhe (2015); Gemeentemuseum Helmond (2014); São Paulo Biennial (2014); MoMA / PS1, New York (2014); Istanbul Biennial (2013, 2005); Centros Culturais Banco do Brasil, Rio de Janeiro / São Paulo (2011); ARTER, Istanbul (2010); Sharjah Biennial (2009); Centre Georges Pompidou, Paris (2008); documenta 12, Kassel (2007); Istanbul Modern (2007).

Gormley's work has been exhibited worldwide with exhibitions at Forte di Belvedere, Florence (2015); Zentrum Paul Klee, Bern (2014); Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); The State Hermitage Museum, St Petersburg (2011); Kunsthaus Bregenz, Austria (2010); Hayward Gallery, London (2007); Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989).

Many artists were in the audience for this oral history lesson presented as part of the 50th anniversary show ICA@50, including Billy Dufala whose ICA@50 micro-exhibition RAIR: Simon Kim and Billy Dufala / Made in Philadelphia (1973) opened in the gallery earlier that day along with Robert Morris: Tracks / Robert Morris / Projects (1974) and Videoarte Brasil / Video Art (1975).

Solo exhibitions of his work have been recently been organized at Albertina Museum, Vienna (2018); 21er Haus, Belvedere, Vienna (2017); Museum Küppersmühle für Moderne Kunst, Duisburg, Germany (2017); Leopold Museum, Vienna (2017); Centro Cultural Banco do Brasil, São Paulo, Brazil (2017); Berlinische Galerie, Berlin (2016); Schindler House, MAK Center for Art and Architecture, West Hollywood, CA (2016); Bangkok Art and Culture Center, Thailand (2016); Indianapolis Museum of Art, IL (2015); Museum of Contemporary Art in Kraków, Poland (2013); Centro de Arte Contemporáneo de Málaga, Spain (2012); and Dallas Contemporary, TX (2012).

Ernesto Neto's recent major solo exhibitions include Ernesto Neto, at the Museum of Contemporary Art Kiasma, Helsinki, Finland, 2016; Enresto Neto, KUNSTEN Museum of Modern Art Aalborg, Denmark 2016; The Jaguar and the Boa, Kunsthalle Krems, Krems an der Donau, Austria, 2015; Ernesto Neto and the Huni Kuin ~ Aru Kuxipa Sacred Secret, TBA21 — Augarten, Vienna, Austria, 2015; Haux Haux, Arp Museum Bahnhof Rolandseck, Remanagen, Germany, 2015; Ernesto Neto, Aspen Art Museum, Aspen, CO, 2015; Ernesto Neto: The body that carries me, Guggenheim, Bilbao 2014; O ABRIGO E O TERRENO: Arte e sociedade no Brasil, Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil, 2013; Fecundation, Loucura é parte da vida / Madness is part of life, Espace Louis Vuitton, Tokyo, 2012; Cuddle on the Tightrope, Nasher Sculpture Center, Dallas, TX.

She has participated in various biennials, such as the Liverpool Biennial, Liverpool, United Kingdom (2010); the 6 th Berlin Biennale for Contemporary Art, Berlin Germany (2010); the 9 th Biennale de Lyon, Lyon France (2007); The Bienal do Mercosur, Porto Alegre, Brazil (2007); the 27 th Bienal De São Paulo Brasil, Sao Paulo, Brazil (2006); the Tirana Biennale, Kompleksi — Goldi, Tirana, Albania (2005), and The 8 th International Istanbul Biennial, Istanbul, Turkey (2003).

León de la Barra has lectured widely and participated in many international symposiums including the Serpentine Gallery Marathon, London (2008, 2010, 2011); Cisneros Seminar, Caracas (2012); Temas Centrales, Teorética, Costa Rica (2012); Rethinking Latin American Art Symposium, MOLA / LA, MALI / Lima (2011); Video Brasil, Sao Paulo (2011); and The Curators, Witte de With, Rotterdam (2009).

Solo exhibitions of his work have been organized at Museum Küppersmühle für Moderne Kunst, Duisburg, Germany (2017, forthcoming); Leopold Museum, Vienna, Austria (2017, forthcoming); Centro Cultural Banco do Brasil, São Paulo, Brazil (2017); Berlinische Galerie, Berlin (2016); Schindler House, MAK Center for Art and Architecture, West Hollywood, CA (2016); Bangkok Art and Culture Center, Thailand (2016); Indianapolis Museum of Art, IL (2015); Museum of Contemporary Art in Kraków, Poland (2013); Centro de Arte Contemporáneo de Málaga, Spain (2012); Dallas Contemporary, TX (2012); Bass Museum of Art, Miami (2011); Middelheimmuseum, Antwerpen, Belgium (2011); Kunstmuseum Bonn, Germany (2010); and Ullens Center for Contemporary Art, Beijing (2010).

She has been featured in numerous group exhibitions at venues including The Lewis Glucksman Gallery, Cork, Ireland; NCA Taipei, Taiwan; Whitechapel Gallery, London; TBA21 - Augarten, Vienna, Austria; CCBB, Rio de Janeiro, Brazil (2017); Centre D'Art Contemporain de Normandie, France; 21st Century Museum of Contemporary Art, Nanazawa, Japan; Instituto Tomie Ohtake, São Paulo (2016); Storefront for Art and Architecture, New York; National Museum of Women in the Arts, Washington D.C.; Pratt Manhattan Gallery (2015); OCA Museu da Cidade, São Paulo; Kunsthal Kade, Netherlands; Cidade Matarazzo, São Paulo, Brazil; Ronnebaeksholm, Denmark (2014); Cultural Centro Banco do Brasil in Belo Horizonte, Brazil; Museum of Fine Arts Boston, Massachusetts; and Museum of Contemporary Art Taipei, Taiwan (2013).

Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).

Living and working in Santiago de Chile, Atria has developed a significant local and international career, with multiple solo exhibitions and participation in important international exhibitions at venues such as The Museum of Contemporary Art, MOCA (Los Angeles), The Jack S. Blanton Museum of Art (Austin), Chateau de Tours (Tours, France), Bienal de Mercosul (Porto Alegre, Brasil), among others.

2008 Nos, Museu de republica, Rio de Janeiro, Brasil The Poetics of Cloth: African Textiles, The Grey Art Gallery, New York University, New York, USA Space Now!

Recent notable group exhibitions include; 3 am: Wonder, Paranoia and the Restless Night, The Bluecoat, Liverpool, UK; travelling to various UK destinations (2014 - 2013); Site: Place of Memories, Spaces with Potential, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); Labour and Wait, Santa Barbara Museum of Art, California, USA (2013); Além da Vanguarda, Bienal Naifs do Brasil, SESC Piracicaba, São Paulo (2012); Mythologies, Cité Internationale des Arts, Paris (2011) and Textiles Art and the Social Fabric, MUHKA, Museum of Contemporary Art, Antwerp (2009).

Poliakoff's work is included in significant collections throughout the world, including Tate, UK; Stedelijk Museum, The Netherlands; Solomon R. Guggenheim Museum, USA; Museum of Modern Art, USA; Musée d'Art modern de la Ville de Paris, France; Hirshhorn Museum, USA; Museum Ludwig, Germany; Moderna Museet, Sweden; Kunstmuseum Basel, Switzerland; The Art Institute of Chicago, USA; Fondation Thyssen - Bornemisza, Spain; Museum of Modern Art, Rio de Janeiro, Brasil; Museo de Arte modern de la Ciudad Buenos Aires, Argentina; and Musée national d'Art moderne, Centre Georges Pompidou, France.

His selected group shows include: Museum Ritter, Germany (2010); Kurimanzutto, Mexico City (2010); 2nd San Juan Triennial, Puerto Rico (2009); Morsbroich Museum, Leverkusen (2009); Centro Cultural Banco de Brasil, Rio de Jeneiro (2008); Inhotim Centro de Arte Contemporanea, Brazil (2008); NAK, Aachen (2007); and CCA Wattis Institute for Contemporary Arts, San Francisco (2007).

2015 Fondation des Arts Graphiques et Plastiques, Paris, France 2013 Résidence Atelier les Arques, France 2012 Peter S.Reed Foundation Artist's Grant, Ohio Capacete, Rio de Janeiro, Brasil 2011 Artist's Book, Paris, France 2010 Transfer, Mülheim, Germany 2003 — 2005 Kahler Grant, Princeton University 2001 — 2005 Graduate School Summer Stipend for Research Abroad, Princeton University 1999 Los Angeles Contemporary Exhibitions 1994 Foundation for Art Ressource Art, Los Angeles 1993 Visual Arts Department Award, UCLA 1991 — 1994National Merit Scholarship

This will be addressed through three specific case studies: Lisa Schiff (Schiff Fine Art, NY), art advisor, dedicated to building collections, many of them with important social functions such as the Leonardo DiCaprio Foundation; Pedro Barbosa (The CMB, Coleção Moraes - Barbosa, São Paulo), owner and operator of an established collection that supports two residency programs in Europe and one in São Paulo, as well as two social projects in Brasil; Ruth Estévez (LA), director and curator of REDCAT, an interdisciplinary contemporary arts center for innovative arts that introduces diverse audiences to the most influential developments in the arts from around the world through projects and publicatioArt, NY), art advisor, dedicated to building collections, many of them with important social functions such as the Leonardo DiCaprio Foundation; Pedro Barbosa (The CMB, Coleção Moraes - Barbosa, São Paulo), owner and operator of an established collection that supports two residency programs in Europe and one in São Paulo, as well as two social projects in Brasil; Ruth Estévez (LA), director and curator of REDCAT, an interdisciplinary contemporary arts center for innovative arts that introduces diverse audiences to the most influential developments in the arts from around the world through projects and publicatioart advisor, dedicated to building collections, many of them with important social functions such as the Leonardo DiCaprio Foundation; Pedro Barbosa (The CMB, Coleção Moraes - Barbosa, São Paulo), owner and operator of an established collection that supports two residency programs in Europe and one in São Paulo, as well as two social projects in Brasil; Ruth Estévez (LA), director and curator of REDCAT, an interdisciplinary contemporary arts center for innovative arts that introduces diverse audiences to the most influential developments in the arts from around the world through projects and publications.

The exhibitions include surrealistic paintings from Mexico, internationally recognised character appeal from Finland, illustrations by «Trump's most hated artist» from the US, quirky animist ceramics from the UK, haunting child portraits from Chile, limited fine - art prints from Lithuania, immersive virtual wonder - worlds from Brasil, and a multitude of fresh, character - driven art, mixing pop culture with anthropomorphic spiritualism.

Arte Brasil», Kunsthal KAdE (Amersfoort, Netherlands, 2016); «Cruzamentos: Contemporary Brazilian Art», Wexner Center for The Arts (Columbus, USA, 2014); «Expo: New York», MoMA PS1 Cinema (New York, 2013); 30th São Paulo Bienale, «The Imminence of Poetics» (São Paulo, Brazil, 2012); «From the Margin to the Edge», Somerset House (London, England, 2012); «Mythologies», Cité Internationale des Arts (Paris, France, 2011); «Generation 00: The New Brazilian Photography», Sesc Belenzinho (São Paulo, 2011); «Autour de l'extrême», Maison Européenne de la Photographie (Paris, 2010).

Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?

políticas da diversidade sexual na arte, CGAC — Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain sh [OUT]: Contemporary art and human rights, GoMA — Gallery of Modern Art, Glasgow, Scottland Fatal Attraction: Diana and Actaeon — The Forbidden Gaze, Compton Verney, Warwickshire, England The Fallen Angels, Watari — Um, Watari Museum of Contemporary Art, Tokyo, Japan Fotofiesta, Galleri S.E., Bergen, Norway Tresures of Gay Art, The Leslie / Lohman Gay Art Foundation, New York, NY, USA Costanti del classico nell» arte del XX e XXI secolo, Fondazione Puglisi Cosentino, Palazzo Valle Catania, Italy Nudes, Galeria Fortes Vilaça, São Paulo, Brasil This is Not a Fashion Photograph: Selections from the ICP Collection, ICP — International Center of Photography, New York, NY, USA Body Image: American Art and the Human Form, Birmingham Museum of Art, Birmingham, MI, art and human rights, GoMA — Gallery of Modern Art, Glasgow, Scottland Fatal Attraction: Diana and Actaeon — The Forbidden Gaze, Compton Verney, Warwickshire, England The Fallen Angels, Watari — Um, Watari Museum of Contemporary Art, Tokyo, Japan Fotofiesta, Galleri S.E., Bergen, Norway Tresures of Gay Art, The Leslie / Lohman Gay Art Foundation, New York, NY, USA Costanti del classico nell» arte del XX e XXI secolo, Fondazione Puglisi Cosentino, Palazzo Valle Catania, Italy Nudes, Galeria Fortes Vilaça, São Paulo, Brasil This is Not a Fashion Photograph: Selections from the ICP Collection, ICP — International Center of Photography, New York, NY, USA Body Image: American Art and the Human Form, Birmingham Museum of Art, Birmingham, MI, Art, Glasgow, Scottland Fatal Attraction: Diana and Actaeon — The Forbidden Gaze, Compton Verney, Warwickshire, England The Fallen Angels, Watari — Um, Watari Museum of Contemporary Art, Tokyo, Japan Fotofiesta, Galleri S.E., Bergen, Norway Tresures of Gay Art, The Leslie / Lohman Gay Art Foundation, New York, NY, USA Costanti del classico nell» arte del XX e XXI secolo, Fondazione Puglisi Cosentino, Palazzo Valle Catania, Italy Nudes, Galeria Fortes Vilaça, São Paulo, Brasil This is Not a Fashion Photograph: Selections from the ICP Collection, ICP — International Center of Photography, New York, NY, USA Body Image: American Art and the Human Form, Birmingham Museum of Art, Birmingham, MI, Art, Tokyo, Japan Fotofiesta, Galleri S.E., Bergen, Norway Tresures of Gay Art, The Leslie / Lohman Gay Art Foundation, New York, NY, USA Costanti del classico nell» arte del XX e XXI secolo, Fondazione Puglisi Cosentino, Palazzo Valle Catania, Italy Nudes, Galeria Fortes Vilaça, São Paulo, Brasil This is Not a Fashion Photograph: Selections from the ICP Collection, ICP — International Center of Photography, New York, NY, USA Body Image: American Art and the Human Form, Birmingham Museum of Art, Birmingham, MI, Art, The Leslie / Lohman Gay Art Foundation, New York, NY, USA Costanti del classico nell» arte del XX e XXI secolo, Fondazione Puglisi Cosentino, Palazzo Valle Catania, Italy Nudes, Galeria Fortes Vilaça, São Paulo, Brasil This is Not a Fashion Photograph: Selections from the ICP Collection, ICP — International Center of Photography, New York, NY, USA Body Image: American Art and the Human Form, Birmingham Museum of Art, Birmingham, MI, Art Foundation, New York, NY, USA Costanti del classico nell» arte del XX e XXI secolo, Fondazione Puglisi Cosentino, Palazzo Valle Catania, Italy Nudes, Galeria Fortes Vilaça, São Paulo, Brasil This is Not a Fashion Photograph: Selections from the ICP Collection, ICP — International Center of Photography, New York, NY, USA Body Image: American Art and the Human Form, Birmingham Museum of Art, Birmingham, MI, Art and the Human Form, Birmingham Museum of Art, Birmingham, MI, Art, Birmingham, MI, USA

Identità perdute da Rouault ai contemporanei, Diocesan Museum of Trento, Italy Messages from a New America, 10th Mercosul Biennial, Porto Alegre, Brasil CFB 25 Years, Curated by Pablo León de la Barra, Casa França - Brasil, Rio de Janeiro, Brasil Com» è Viva la Città, Villa Olmo, Como, Italy Into Dust: Traces of the Fragile in Contemporary Art, Philadelphia Museum of Art, Philadelphia, PA, USA Clamour Can Melt Gold, Edouard Malingue Gallery, Hong Kong, China Field, Road, Cloud: Art and Africa, Des Moines Art Center, Des Moines, France Fractured Narratives: A Strategy to Engage, David Owsley Museum of Art, Muncie, IN, USA Waterscapes, Pohang Museum of Steel Art, Seoul, Korea Beyond the Monument / Au - delà du monument, BAC Bâtiment d'art contemporain, Geneva, Switzerland

2016 Journal d'un travailleur métèque du futur, FRAC Pays de la Loire, Nantes, France 2015 Bienal do Mercosur, Porto Alegre, Brasil United States of Latin America, [Curateb by Pablo León de la Barra] Museum of Contemporary Art Detroit.

Recent noteworthy exhibitions include 30th São Paulo Biennial (2012), Bienal Naïfs do Brasil 2016 (SESC, 2016), Prospect 2013 (Museum of Contemporary Art San Diego, EUA, 2013) and New Work: Tiago Carneiro da Cunha and Klara Kristalova (San Francisco Museum of Modern Art — SFMoma, 2010).

In Lucio Fontana: Brasil, the dialogue between the two is explored through instances of collation, approximation and comparison, and is traced to their shared origins in Western art traditions and its developments in South America.

Selected Exhibitions: Centre Pompidou, Venice Biennial, Valencia Biennial, Casa Franca Brasil Rio, TSCA Gallery Tokyo, Seoul Art Square, NIMk Amsterdam, Stedelijk Museum project space.

Jahrhundert in der Neuen Nationalgalerie, Neue Nationalgalerie, Berlin, Germany; Building the Collection, New and Future Acquisitions, Art Gallery of Ontario, Toronto, Canada; Arquivo e Simulacao, Centro Cultural de Belem, Lisbon, Portugal; Cold Play, Fotomuseum Winterthur, Switzerland; O delirio de Chimborazo, 4th Bienal do Mercosul, Porto Alegre, Brazil; La ciudad radiante, 2nd Bienal de Valencia, Fundación Bancaixa, Spain; Iconografias Metropolitanas, Cidades, XXV Bienal de Sao Paulo, Brazil; Brasília — Ruina e Utopia», Centro Cultural Banco do Brasil, Brasília, Brazil; After The Wall, Moderna Museet, Stockholm.

Selected exhibitions include: Centro Galego de A rte Contemporanea, Santiago de Compostela, Spain (2008); Fundação Calouste Gulbenkian, Lisbon, Portugal (2008); Museum of Modern Art, New York (2006); Centro Cultural Banco do Brasil, Rio de Janeiro and Brasília (2000).

1994 Ivana Bentes, Marcello Dantas, and Kathy Huffman, Exhibition Catalogue, Rio de Janeiro, ICentro Cultural Banco do Brasil, Bill Viola: Território do Invisível / Site of the Unseen Texts Alexander Pühringer, ed., Salzburg, Salzburger Kunstverein, Bill Viola Tina Yapelli and Toby Kamps, Madison Art Center, Bill Viola: Images and Spaces

Solo presentations include exhibitions at Paradise Row Gallery (2008, 2010, London), Deitch Projects (2009, NYC), Galeria Luciana Brito (2010, São Paulo), Galerie Stanislas Bourgain (2009, 2010, Paris), Galerie NON (2011, Istanbul), Centro Cultural São Paulo (2013, São Paulo), Faena Arts Center (2014, Buenos Aires), Centro Cultural Banco do Brasil (2015, Brasilia), Künstlerhaus Wien (2016, Vienna), Museu de Arte Contemporanea MAC - USP (2017, São Paulo).

2014 A Perpetual Journey, Parse Gallery, New Orleans, LA Pigs and Gold, The Archer School for Girls, Los Angeles, CA Passions secrètes, Le Tripostal, Lille, France Da Cartografia do Poder aos Itinerários do Saber, Museu Afro Brasil, São Paolo, Brazil Illustrating Anarchy and Revolution, Mexic - Arte Museum, Austin, TX Border Cultures: Part 2 (Work, Labour), Art Gallery of Windsor, Ontario, Canada Mound City, Laumeier Sculpture Park, St. Louis, MO Selections from the Collection of Black Byrne, Patrick Painter, Santa Monica, CA