Sentences with phrase «brazilian art»
Andrea and José Olympio Pereira São Paulo, Brazil Investment banking Modern and contemporary Brazilian art
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Michael Asbury is a British / Brazilian art historian, critic and curator.
Each artist developed a project to provide the dialogue and expand the concept of abstraction, having in mind the tradition and influence of this movement in contemporary art and especially in Brazilian art.
A visit to the immense Brazilian art park, an hour away from the country's third - largest metropolis, Belo Horizonte, feels both unusual and completely natural in this breathtaking setting.
The art house entrusted the young São Paulo curator the compilation and selection of another seven Brazilian artists, making up a field of view that comprises the Brazilian art scene richness and diversity.
Visitors chart a path through Brazilian art history and many of the major postwar movements, channeled through Maiolino's intimate and subjective practice exploring her identity as a migrant, mother, and global citizen.
Paulo Miyada was invited to specifically design his group show, whose field of view comprises the richness and diversity of the Brazilian art scene.
In this week's PIPA cultural programming, the highlights are: the opening of «A imagem em questão», with Danielle Carcav, in Rio de Janeiro; two solo exhibitions by André Komatsu and Jonathas de Andrade at Galeria Vermelho (SP) and SP Arte, the most important Brazilian Art Fair, that promotes events with Prize nominees during the weekend.
It led to an originally Brazilian art, which thrives on the interplay of different cultures and is characteristic, powerful, and expressive, focusing on the sensory and even physical penetration of the works of art.
We have focused on collecting in post-war Brazilian art, and one of the interesting points about Brazil versus the United States is that probably the four most significant artists to have emerged in the mid-century, three of them were women and one was a gay man.
«Shelter and Land» opens the Art and Society in Brazil project, which is dedicated to the Brazilian art's performance in the field of otherness and social relations.
2005 - Panorama of Brazilian Art, Museum of Modern Art of São Paulo, Brazil.
Important names in the contemporary art scene, like Adel Abdessemed, Moataz Nasr, Jean Michel Othoniel, Joana Vasconcelos, Francesca Woodman, Tony Oursler and Kenny Scharf will occupy every space, next to renowned names in contemporary Brazilian art, among them Tunga, Henrique Oliveira, Carlito Carvalhosa, Márcia and Beatriz Milhazes, Iran do Espírito Santo, Cildo Meireles, Nuno Ramos and Vik Muniz.
If the essential geometries of Fernanda Gomes» installations formally recall an earlier generation of Brazilian art — the modulated space works and matchbox structures of Lygia Clark or the Metaesquemas of Helio Oiticica — they also embody Alberto Burri's philosophy of «truth to materials» exemplified in the Arte Povera movement.
(Rio de Janeiro, Brazil) This Saturday the Museum presents the new acquisitions of the Gilberto Chateaubriand Collection, an opportunity for the public to perceive the exuberance and diversity, inherent to the main Brazilian art collector.
(Rio de Janeiro, Brazil) Do not miss out on the exhibition with the PIPA 2014 The Museum presents the new acquisitions of the Gilberto Chateaubriand Collection, an opportunity for the public to perceive the exuberance and diversity, inherent to the main Brazilian art collector.
Recognized widely throughout Brazil, he emerged in the Brazilian art scene in the 1980s as a member of the São Paulo based collective Grupo Casa 7, alongside Rodrigo Andrade, Fabio Miguez, Nuno Ramos and Paulo Monteiro, period in which he produced large paintings with emphasis on the pictorial gesture.
In 2007, the museum also acquired the Adolpho Leirner Collection of Brazilian Constructive Art, the most prestigious collection of post-World War II Brazilian art in private hands.
With a diverse practice comprising painting, sculpture, drawing, installation and photography, Adriana Varejão is one of the most original voices in contemporary Brazilian art.
Since 1994 when Watson in association with Marc Pottier presented Brazilian art star Tunga in his first North American solo exhibition, Watson has curated and written about numerous Brazilian artists including Lucas Arruda, Assume Vivid Astro Focus, Laura Lima, Jarbas Lopes, Denise Milan, Paulo Nazareth, Nunca, osgemeos, Valeska Soares, and Thiago Rocha Pitta.
During the 1960s and 70s, the Brazilian art scene was a hotbed of radical innovation, thanks to the Neo - Concretist movement, of which Lygia Clark (1920 - 1988) was a leading figure.
Because the São Paulo Museum of Modern Art houses one of the most important collections of Brazilian art in the world, this exhibition represents only one constellation of artworks among many others that could be imagined.
Other group exhibitions include Permission to be Global: Latin American Art from the Ella Fontanals - Cisneros Collection, Museum of Fine Arts, Boston (2014); Seduções: Valeska Soares, Cildo Meireles, Ernesto Neto, Daros Collection, Zurich (2006); Puro Teatro, Museo Rufino Tamayo, Mexico City (2002); Virgin Territory: Women, Gender, and History in Contemporary Brazilian Art, National Museum of Women in the Arts, Washington, DC (2001); and Ultra Baroque: Aspects of Post Latin American Art, Museum of Contemporary Art, San Diego (traveled)(2000 — 03).
The Brazilian art scene in the late - 1980s and early 1990s catalyzed Soares» artistic career in Rio and São Paulo, and in 1992, she moved to Brooklyn, NY, continuing her artistic education and career.
After all, according to the platform Latitude, Spain was the fourth country to most import Brazilian art in 2016 and 2017.
The list of fair attractions continues with the boozy social sculptures by the Brazilian art collective OPAVIVARÁ!
There he was privy to pivotal moments for Brazilian art, such as the first exhibition of Lygia Clark at the gallery in 1971 and Hélio Oiticica in 1972.
Minerva Cuevas and Antonio Vega Macotela are among the half - dozen Mexican representatives, while the only artists invited from the booming Brazilian art scene are Clarissa Tossin and Anna Bella Geiger.
In Chelsea, Cristin Tierney had a swath of Brazilian art, and Shoot the Lobster brought to light works from the combined collections of White Columns director Matthew Higgs and artist Anne Collier.
1998 - «Panorama of Brazilian Art», Museum of Modern Art, Niterói, Brazil.
(Milan, Italy) The installation created by Brazilian art collective Chelpa Ferro (amongst whose members is Luiz Zerbini, PIPA Prize 2011 Nominating Committee member) can be seen in Italy for the first time.
Great Interview of Maria do Mar Guinle on the Brazilian art market to be read in «AGEFI Life, the daily economics and financial Swiss magazine — special summer 2014 issue focused on Brazil!
A visit to the immense Brazilian art park, an hour away...
Great interview of Maria do Mar Guinle focused on the Brazilian art market in Paris to be read in Casa Vogue Brazil current issue!
«Narrative resources such as simile are very important when it comes to Brazilian art.
(Rio de Janeiro, Brazil) The exhibition highlights the plurality of Brazilian art.
Phillips maintains the world auction record for a work of Brazilian art ($ 2,225,000), achieved by Lygia Clark's Contra Relevo (Objeto N. 7) in 2013.
He has actively participated in the Brazilian art scene since the late 1960's.
«There are a lot of wonderful collectors, including young professionals, who are interested in Brazilian art and international works,» Cappellazzo said.
Other important solo exhibitions include: Edges of the World, Hayward Gallery, London, 2010; Dengo, Museum of Modern Art of São Paulo, Brazil, 2010 and 30x Bienal — Transformations in Brazilian Art, Sao Paulo.
The work was originally initiated by the artists in collaboration with a Brazilian art collective for the Sao Paulo Biennial in 2015.
Having spent eight years at the helm of Instituto Inhotim in Minas Gerais, Brazil (just north of Rio de Janeiro), from 2004 — 2012, Volz has a deep knowledge of contemporary Brazilian art, experience that he leveraged to bring together a powerfully evocative group of works that often meditated on the environment and indigenous cultures, conveying a longing for simpler, agrarian lifestyles.
Rivane Neuenschwander: A Day Like Any Other (on view, July 17 through October 16, 2011) punctuates the elements that have led to her reputation as one of the most unique contributors to contemporary Brazilian art.
Through his poetic inventions, he impregnated the Brazilian art scene with his simple transformations of space and subject, and his «wish for space» paralleled similar concerns expressed by his Brazilian counterparts.
Younger, rising talents worth mentioning include Brooklyn - based Brazilian artist Juliana Cerqueira Leite, showing with Casa Triângulo; the Brazilian art collective Opavivará!
The distressing Neither, from 2004 and now at the Brazilian art institution Inhotim, is a room that at first appears to be an empty white cube, but on closer inspection the white plaster walls are revealed to contain steel mesh fencing.
Studying painting in Rio de Janeiro her artistic career took shape in the 1960s and 1970s, a key period in Brazilian art when artistic experimentation clashed with a repressive political regime.
Whilst those that tend to be exhibited at Osnova are emerging or young artists at the beginning of their careers, Code displays the work of five Brazilian artists, prominent within the Brazilian art community, but still in the process of developing international recognition.
Visitors chart a path through Brazilian art history...
She curated 32º Panorama of Brazilian Art — MAM — SP (2011) and the Special room of Paulo Bruscky at X Biennial of Havana (2009).