David Batchelor «s first exhibition in the gallery at Roche Court will focus on the Concretos, a body of new work which reveals his interest in
Brazilian concrete art.
Grupo Ruptura founded
the Brazilian concrete art movement, which espoused... Read More
Not exact matches
Building Material: Process and Form in
Brazilian Art, features works by three generations of artists, emphasizing affinities between the materials, processes, and forms they have embraced since the
Concrete and Neo-
Concrete movements of the 1950s and 1960s.
Laurent Delaye Gallery is delighted to announce the book launch of:
CONCRETE PARALLELS / CONCRETOS PARALELOS British Constructivism / Brazilian Concrete and Neo Concrete Art held at: FRIEZE MASTERS Dan... Continue r
CONCRETE PARALLELS / CONCRETOS PARALELOS British Constructivism /
Brazilian Concrete and Neo Concrete Art held at: FRIEZE MASTERS Dan... Continue r
Concrete and Neo
Concrete Art held at: FRIEZE MASTERS Dan... Continue r
Concrete Art held at: FRIEZE MASTERS Dan... Continue reading →
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Concrete Parallels / Concretos Paralelos, British constructivism and Brazilian concrete and neoconcr
Concrete Parallels / Concretos Paralelos, British constructivism and
Brazilian concrete and neoconcr
concrete and neoconcrete
art.
Works by an impressive group of artists, that changed the course of British
Art, are now being shown in a groundbreaking parallel with the most famous
Brazilian Concrete artists of their time, FROM THE 1950s TO THE 1970s, in a large scale installation comprising more than eighty landmark works.
CONCRETE PARALLELS / CONCRETOS PARALELOS British Constructivism / Brazilian Concrete and Neo Conc
CONCRETE PARALLELS / CONCRETOS PARALELOS British Constructivism /
Brazilian Concrete and Neo Conc
Concrete and Neo
ConcreteConcrete Art
Known for his handcrafted sculptural installations of crochet, tulle, spices and stones, Neto's renowned
art - making practice draws from a wide variety of sources, from Modernist traditions of biomorphic abstraction, through Arte Povera and American Minimalism, to the legacies of
Brazilian neo
concrete, conceptual and Tropilcália movements.
They believed that the popular
Brazilian art movements of the time, which favored conceptual, minimalist, and
concrete art, were limiting to a wider audience.
The
Brazilian art history is well documented, especially the
Brazilian modernism, such as
Concrete, Neoconcrete and Tropicália movement, which developed independently but also in deep dialogue with modernist tendencies in Europe and North America.
We are excited to announce that Andrew Bick will be taking part in the group show
Concrete Parallels,
Brazilian and British Constructive
Art at Centro Brasiero Brittanico, Sao Paolo, as part of the the official Sao Paolo Biennale Programme.
The Leirner Collection comprehensively documents how starting in the early 1950s, artists from the
Brazilian avant - garde assimilated and contested the tenets of international Con - structivism, developing a unique
Concrete - Constructive
art.
Haus Konstruktiv completes its exhibition programme for 2009 with the presentation of one of the most significant collections of
Brazilian Concrete - Constructive
art: «Dimensions of Constructive Art in Brazil» showcases for the first time in Europe «The Adolpho Leirner Collection of Brazilian Constructive Art at the Museum of Fine Arts, Houston&raqu
art: «Dimensions of Constructive
Art in Brazil» showcases for the first time in Europe «The Adolpho Leirner Collection of Brazilian Constructive Art at the Museum of Fine Arts, Houston&raqu
Art in Brazil» showcases for the first time in Europe «The Adolpho Leirner Collection of
Brazilian Constructive
Art at the Museum of Fine Arts, Houston&raqu
Art at the Museum of Fine
Arts, Houston».
While working in the lineage of 20th century abstraction and installation such as
Brazilian Concrete and Neo-
Concrete art and Italian Arte Povera, Costa pursues an irreverent, and very current, path.
The Adolpho Leirner Collection is considered as one of the most significant collections of
Brazilian Concrete - Constructive
art.