Sentences with phrase «bright morning star»

On May Morning by John Milton Now the bright morning star, day's harbinger, Comes dancing from the east, and leads with her The flow» ry May, who from her green lap throws The yellow cowslip and the pale primrose.

You reject God for the same reason the Bright Morning Star rejected God, the same reason Eve rejected God, Cain etc etc..

I am the Root and the Offspring of David, and the bright Morning Star.»

Jesus also said he is the «bright morning star» which means he was the man described in Isaiah 14:9 - 20 as the man whom the whole world will shockingly know as one who was punished by God for claiming to be god (Isa.14: 12 - 16)

I am the root and the descendant of David, the bright morning star!»

Jesus said in Revelation 22:16 that he has sent an «angel» or a messenger who will testify or show to us that he is only a root and offspring of David and the bright morning star - When Jesus said «he is a root and offspring of David,» this means he is not a literal son of God; but only an offspring or descendant of David.

This testimony about Jesus as only a son of David (2 Samuel 7:12 - 14 NIV) who was punished by God with the floggings of men for claiming to be god thus becoming the «bright morning star» (Isa.14: 9 - 20) was revealed through the Bible by Maestro Evangelista in http://www.thename.ph which proves he is the «angel» or messenger sent by Jesus to deliver his testimony or HIS ADMISSION that he is not a son of God and as the «bright morning star «to all churches (or believers of Jesus) thus nullifying the «antichrist» lie made by the apostle John.

Not exact matches

@ GTS SMOKER this dude could've been at first african baptist in christ over the lily in the valley, bright as the morning star church.

I am the Root and the Offspring of David, the Bright and Morning Star.»

Jesus said, «I am the bright and morning star».

«The bright Sun was extinguishd, and the stars Did wander darkling in the eternal space Rayless and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and wentand came, And brought no day»

The lofty interiors of Morning Star Lodge are rustic yet bright, with soaring ceilings and large windows with views of a pine grove and mountains.

Just beyond the family room is a games room with a pool table, fuse ball table, gas fireplace and is sure to occupy the little ones, while the adults enjoy their morning with specialty coffee or tea on the patio or show your barbeque skills and dine alfresco under the bright stars amongst the meticulously manicured grounds and vineyards that surround the home.

At night, the stars shine bright due to little ground level ambient light, and the mornings arise gently with quiet mists and birdsong.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

This is the limit at which twilight illumination is sufficient, under good weather conditions, for terrestrial objects to be clearly distinguished; at the beginning of morning civil twilight, or end of evening civil twilight, the horizon is clearly defined and the brightest stars are visible under good atmospheric conditions in the absence of moonlight or other illumination.

My lilies are blooming right now and oh the lovely fragrance that they send out makes me think of «He's the lilly of the valley, the bright and morning star...» blessings.