Sentences with phrase «brindisi character in question»

That the characters in question were respectable, hospitable, and well off would have been culturally recognizable to earlier readers.

Facebook commentary: Anthony Brindisi character in question in $ 300 million Utica Hospital scandal

Maxing out a relationship can provide a brief scene between the two characters in question, but mostly all that comes from this leveling are repeated, generic lines of dialogue and some loot.

It's important to note that the two aforementioned scenes revolve around one character, and it's also important to point out that the character in question is not the movie's central one.

The two characters in question are a bow and arrow wielding Skeleton and a sword (and mug) wielding Ninja.

Consideration was paid to the level of sheer badassery on display, as well as the posters that successfully added a new dimension to the character in question.

For others, it seems an almost impossible task — particularly when the character in question is the -LSB-...]

Offer suggested language so a first - person narrator sounds like the character in question.

Each table is designed around the characters in question, so the Droids table is more mechanical in design and is based on C3PO and R2D2.

Most importantly though is the two characters will be arriving as playable characters in this new pack, the characters in question include young Link who will brandish the kokiri sword while also coming equipped with the Fierce Deity Mask.

It only gets more cliché from here, with a vaguely militaristic humanitarian organization whose only modus operandi seems to be «rigid commands,» and a damsel in distress moment which seems completely out of place — especially given that the character in question initially presented so strongly.

These conversational battles are interesting and tackling them in different ways produces some interesting differences depending on your attitude to the character in question.

The only exception is when the character in question is knocked out.

It does introduce the trope of a black - clad «dark» version of its main character, but at the least, the game and character in question are aware of the trope.

The fact that the character in question chose to live a Japanese lifestyle gives evidence for this.

i continued to watch and haven't really thought about it since — it's not a topic that's explored much in relation to the character in question.

Not exact matches

«Going into this process, I expected tough questions about how to best care for our veterans, but I did not expect to have to dignify baseless and anonymous attacks on my character and integrity,» Jackson said in a statement.

As a great example of the inherently holistic nature of social marketing, Heidi relies heavily on her existing blog content to make sure that questions get a thorough response in a way that would not be possible by just answering the question on LinkedIn alone (as of this writing there's a limit of 4,000 characters for responses).

«In addition to my well known differences with Donald Trump on public policy issues, I have raised questions about his character after his comments on Prisoners of War, the Khan Gold Star family, Judge Curiel and earlier inappropriate comments about women.

In fact, Uber attorneys presented an email between Alphabet executives who themselves called Levandowski's character into question, making the point that the company still brought him on.

Now Twitter, which has 302 million active users, faces deep questions about the future of its messaging service, which is built around 140 - character snippets of text in a world that is increasingly about photos and video.

In user experience design, made famous by Alan Cooper's The Inmates Are Running the Asylum (1999), personas are fictitious characters based in research used to help solve design questionIn user experience design, made famous by Alan Cooper's The Inmates Are Running the Asylum (1999), personas are fictitious characters based in research used to help solve design questionin research used to help solve design questions.

Putting this in the most politic light possible, the National Liberal League resolved that «the Christian or anti-Christian character of this movement is solely a question of private interpretation.»

It isn't the religion so much that should be in question but the person's character.

But this means that the environment, together with the society in question, must form a larger society in respect to some more general characters than those defining the society from which we started.

That every condition to which the process of becoming conforms in any particular instance has its reason in the character of some actual entity whose objectification is one of the components entering into the particular instance in question (the ontological principle — or principle of extrinsic reference).

The schools in question are not faith schools, or «schools with a religious character», but a combination of academies and council - run schools.

Also important for the character of the occasion are those objects not included in its choice of pattern, and this question of negative «prehensions» bears interestingly upon Hegelian determinate negation.

Thomas's answer to this question (in ST1.75.6) sounds occasionally like the position Plato sets out in the Phaedo, where the character Socrates argues that the concept of the soul — and, presumably, also its being — is so tied up with life as not to admit of its opposite, death [105C8 - E10].

And back then, wasn't it the fans wrapped up in «theories» who were ultimately disappointed when they found out that Lost wasn't really concerned with answering the thousands of questions it had raised — that it was less a heady show about theology and science and more an emotional show about its characters and the human experience?

In fact, his character often gives guests discussing such questions wider berth than his more political guests.

It is, I think, necessary to question what it takes for one to stand truly equal among one's fellows; to explore the limits of a rights - oriented approach to the problem of inequality between racially distinct populations in our contemporary national life; to deal with issues of dignity, shame, personal responsibility, character and values, deservingness.

It would be childish and unjust to think, on account of the historical character of its doctrine in such questions, that the Church says one thing one day and the opposite the next.

All such reasons, or causes, this principle asserts, are to be sought either in that unit itself, to the extent that it was a self - functioning (or self - realizing) entity, or in the character of other unit - products, to the extent that they had objective functioning within (or were reproduced in) the unit in question (PR 36, 134).

All such causes — or reasons, or conditions — are to be sought either in the determinate characters of past actual entities, to the extent they had objective functioning within the actual entity in question, or in the particular actual entity itself, to the extent it was a self - functioning entity.

The authors of Scripture do not always speak with one voice, but this is because they are presenting the question of the character of God in different ways.

If we compare and contrast the aristocratic character of rock with that of disco, by using the two films in question, we see that disco's aristocracy is more natural, whereas rock's is more heroic.

Clearly, the text calls for faith in Jesus as the eschatological judge; the question is whether it actually demands a formalization of the faith - response in a specific conceptualization of Jesus» status — one of a doctrinal character that demands assent.

One of the accounts in the Hebrew Scriptures which does a masterful job of portraying this age - old question about the nature and character of God is the book of Jonah.

This limitation is by no means evident in terms of the ontological principle as we know it from Process and Reality, but it was very real in terms of the ontological principle Whitehead was then working with: «That every condition to which the process of becoming conforms in any particular instance has its reason in the character of some actual entity whose objectification is one of the components entering into the particular instance in question» (EWM 323f).

The principle is that in regard to the presentation of subjective aims, God has to «speak» to each actual occasion in its own «language,» that is, at its own level, in a manner harmonious with the character of the sort of data which are in general operative in the aesthetic synthesis which is the concrescence of the actual occasion in question.

I raise this question particularly with Pure Land Buddhists because the affirmation of other power, or what Christians call grace, seems to place a greater emphasis on the metaphysical character of the world and human experience than is present in other Buddhist traditions.

A statement is all the more literally understood, that is to say, all the more fully and precisely, the more clearly and consciously the literary character of the statement in question is recognized.

In its attempt to ask big questions such as whence and whither humankind, Prometheus presents an action / monster suspense movie in the place of Kubrick's classic, but such deep questions remain to the end in the character of Dr. Elizabeth Shaw (Noomi RapaceIn its attempt to ask big questions such as whence and whither humankind, Prometheus presents an action / monster suspense movie in the place of Kubrick's classic, but such deep questions remain to the end in the character of Dr. Elizabeth Shaw (Noomi Rapacein the place of Kubrick's classic, but such deep questions remain to the end in the character of Dr. Elizabeth Shaw (Noomi Rapacein the character of Dr. Elizabeth Shaw (Noomi Rapace).

The story backs up her thesis exactly and in fact the main characters spend hundreds of pages examining the questions — and coming to the same conclusions — that the author outlines.

While the alacrity with which courts are prepared to step into political / moral issues can be questioned, the religious character their actions assume when they do step in can not be.

13 It was quite in character for Jesus to meet such a question by asking another.

Prof. Bushman, the character of Elder Price, an American Mormon missionary in modern - day Uganda, questions his faith, but regains it while performing the song, «I Believe.»

Later that evening in my hotel room, I tried to frame some of my questions regarding the sociopolitical character of lower - class Punjabi Christianity: was it a movement of the oppressed, or a movement of the oppressors?

That's actually a very easy question to answer since Obama is actually real (I've seen him), and Satan is a fictional character in a book.