Sentences with phrase «british painting and sculpture»

1985 Recalling the Fifties: British Painting and Sculpture 1950 -60, Serpentine Gallery, London, UK Recent work by Frank Auerbach, Lynn Chadwick, Christopher Couch, John Davies, John Farnham, Bill Jacklin, Andrzej Jackowski, Henry Moore, Victor Newsome, Hugh O'Donnell, John Piper, John Wonnacott, Marlborough Fine Art, London, UK Sculptures, Fondation Cartier, Jouy - en - Josas, FR

Internationale der Zeichnung, Mathildenhöhe, Darmstadt, DE The Artist's Reality, New School Art Center, New York, US Contemporary British Painting and Sculpture, Albright - Knox Gallery, Buffalo, New York, US Pittsburgh International Exhibition, Carnegie Institute, Pittsburgh, Pennsylvania, US

Entitled Five Young British Artists, Somerville and her committee aimed to showcase a new spirit in British painting and sculpture by bringing together an exhibition of sculptures by Anthony Caro and paintings by Bernard Cohen, Harold Cohen, Robyn Denny and Richard Smith.

1987 Casting an Eye, Cornerhouse, Manchester, England (exh cat) British Sculpture Since 1965, Museum of Contemporary Art, Chicago and San Francisco Museum of Modern Art, USA (toured to Newport Harbour Art Museum, Newport Beach, California; Hirshhorn Museum, Washington; Albright - Knox Art Gallery, Buffalo)(exh cat) Current Affairs: British Painting and Sculpture in the 1980s, Museum of Modern Art, Oxford, England, toured to Mucsarnok, Budapest, Hungary; National Gallery, Prague, Czech Republic; Zachesta, Warsaw, Poland (organized by the British Council (exh cat) Juxtapositions: Recent Sculpture from England and Germany, PSI, The Institute for Art and Urban Resources Inc, New York, USA (exh cat) Britannia.

His work was included in many international exhibitions organized by The British Council, including the Paris Biennale and «British Painting and Sculpture 1940 to 1970» at The National Gallery of Art, Washington, DC, 1970.

The latter venue has now been renamed the Tate Britain, and continues to be the national museum of British painting and sculpture from 1500 to the present day: roughly from Elizabethan times to the Turner Prize.

Al Held: Recent Paintings [catalogue unavailable] New British Painting and Sculpture [catalogue unavailable] Donald Wilson: Polarity and Expansion Directions 2: Aspects of a New Realism [catalogue unavailable] Paul van Hoeydonck: Spaced Out [catalogue unavailable]

Yale Center For British Art Founded 1966, the museum contains one of the most extensive collections of British painting and sculpture outside Britain.

«Contemporary British Painting and Sculpture from the Collection of the Albright - Knox Art Gallery and Special Loans»

«British Painting and Sculpture 1960 - 1970: An Exhibition Organised by the Tate Gallery and the British Council, London»

Arckus, Anthony Leon (introduction), Pittsburgh International (catalogue), Carnegie Institute, Pittsburgh, 1970 Billam, Michael (introduction), John Hoyland, Prints & Monotypes 1979 - 1983 (catalogue), Waddington Graphics, London 1983 Bowness, Alan (introduction), Recent British Paintings (catalogue), Whitechapel Gallery, London, 1967 Brett, Guy, «John Hoyland» in X Bienal de São Paulo Gra - Bretanha 1969 (catalogue), British Council / Lund Humphries, London, 1969 Compton, Michael, «John Hoyland» in Contemporary Artists, St James's Press, London, 1989 Gooding, Mel, «John Hoyland», John Taylor / Lund Humphries, 1990; The Poetic Trace: Aspects of British Abstraction since 1945 (catalogue), Adelson Galleries, New York, 1992; John Hoyland in the 1960s (catalogue), Neville Keating Pictures Ltd, London, 2001 Harrison, Charles, «John Hoyland» in X São Paulo Biennale 1969 (catalogue), Brazil, 1969 Hoyland, John, «Hans Hofmann — An Appreciation» in Hans Hofmann: Late Paintings (catalogue), Tate Gallery, London, 1988 Hoyland, John, The Dialectics of Vision: Hoyland's Bali Paintings (catalogue), Theo Waddington, London 1995 John Hoyland (catalogue), Waddington Galleries, London 1973 John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976 John Hoyland (catalogue), Waddington Galleries, London, 1981 John Hoyland (catalogue), Waddington Galleries, London 1985 John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in Smithsonian, vol.

1954 Pictures for Schools: 23 January — 14 February 1954 Barbara Hepworth: 8 April — 6 June 1954 British Painting and Sculpture: 23 September — 31 October 1954 East End Academy: 27 November 1954 — 2 January 1955

1967 East London Open 1967 John Craxton: 11 January — 19 February 1967 John Hoyland: 14 April — 14 May 1967 Tim Scott: 8 June 1967 — 9 July 1967 Face of London, The: 26 September — 13 December 1967 Gertrude Hermes: 19 October — 19 November 1967 British Painting and Sculpture from the Collection of Leicestershire Education Authority: 7 December 1967 — 7 January 1968

Scott was one of 50 painters and sculptors included in British Art Today, an exhibition of contemporary British painting and sculpture organised by the San Francisco Museum of Art that opened on 13 November to coincide with San Francisco's London Week (closed 16 December).

Buffalo Fine Arts Academy, Albright - Knox Art Gallery, Buffalo, NY, Contemporary British Painting and Sculpture from the Collection of the Albright - Knox Art Gallery and Special Loans, 27 October — 29 November 1964

Brian Wall's work was seen in America for the first time in 1967 in the exhibition New British Painting and Sculpture, which traveled to six U.S. museums including the University Art Museum, Berkeley.

Osborne Samuel Gallery is one of London's leading specialists in Modern British painting and Sculpture and has a high reputation for the quality of its exhibitions and publications.

The gallery specialises in Modern British Painting and Sculpture and has a high reputation for the quality of its exhibitions and publications.

Among the modern British paintings and sculpture it is bringing to New York is Lynn Chadwick's Teddy Boy and Girl II, described by Osborne as «the most important sculpture we have ever handled».

Not exact matches

This will be after taking in Robins sculpture, and Gary Wraggs paintings in Deal.Great that there are two shows of British Abstract Painting and Sculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend thsculpture, and Gary Wraggs paintings in Deal.Great that there are two shows of British Abstract Painting and Sculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend thSculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend the genre.!

Standout solo booths included an overview of abstract paintings from 1966 to 2013 by the brilliant British artist Richard Smith at Flowers Gallery, Ai Weiwei's conceptually playful sculptures and editions at Chambers Fine Art and painted abstract wood works by Cordy Ryman at Galerie Zurcher, while juxtapositions of works by Tony Tasset and Scott Reeder at Kavi Gupta and David Wojnarowicz and Martin Wong at P.P.O.W made group hangings pop.

England & Co will focus on works by Modern British artists, including paintings, sculpture, works on paper and photographs.

Group shows in which he has participated include Tooth and Sons, London, in 1958, Pittsburgh International Exhibition at the Carnegie Institute in 1958 and 1961,» 54/64 Painting and Sculpture of a Decade at the Tate Gallery, 1964, British Painting in the Sixties organised by the Contemporary Arts Society in 1964, and The Human Clay, selected by R.B. Kitaj, held at the Hayward, 1976.

This new series of bronze and ceramic sculptures by British artist Andrew Lord was inspired by 19th - and 20th - century paintings that portray time passing and the fragility of the human condition.

David Joselit worked as a curator at The Institute of Contemporary Art in Boston from 1983 to 1989 where he co-organized several exhibitions including «Dissent: The Issue of Modern Art in Boston,» «Endgame: Reference and Simulation in Recent Painting and Sculpture,» and «The British Edge.»

Marvin Gaye Chetwynd (b. 1973, London, UK) is a British artist whose practice mixes performance, sculpture, painting, installation and video.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

Ghanaian British architect David Adjaye's modern crimson - hued building, extending from South Flores Street to the San Pedro Creek, will house the Foundation's growing collection of more than 800 paintings, sculptures, installations and video works by contemporary artists from around the world.

«Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» is a revelatory exhibition for the many resonances it finds between the British sculptor and the American painter, who each joined the art department of Vermont's Bennington College in 1963.

Spanning painting, sculpture and works on paper, Foster's practice borrows from the traditions of British Romantic painting while touching on the absurd with one fanciful brushstroke and then flitting forward to an uncertain, sinister future.

The British artist Henry Moore is most famous for his sculptures, but also known for his ink, wax, and watercolor paintings of people sheltering in London's Underground stations during the Second World War.

The stand featured dedicated rooms of new work by three of the gallery's prominent female artists: «Infinity Net» paintings and sculptures by Yayoi Kusama; a presentation by the British painter Celia Paul; and an installation of cracked tile paintings by Brazilian artist Adriana Varejão.

Also marking its debut at Art Basel in Miami Beach, Offer Waterman will feature pivotal works by acclaimed British modernist William Turnbull (b. 1922, d. 2012), including nine color field paintings and four related sculptures from Turnbull's mid-career period (1959 — 1972), during which he was greatly influenced by his American contemporaries.

1951 «Abstract Painting and Sculpture in America,» Museum of Modern Art, New York, NY (catalogue) «15th Annual Exhibition: American Abstract Artists: Exhibition of Works of Abstract Artists of Three Nations, British, Danish, American Abstract Artists,» Riverside Museum, New York, NY «Exhibition of Paintings and Sculpture by Members of the New York Chapter of Artists Equity Association,» Whitney Museum of American Art, New York, NY

VMFA to share works publicly while galleries are refurbished The esteemed French Impressionist Art and British Sporting Art collections at the Virginia Museum of Fine Arts will be embarking on national and international tours during the next two years, creating opportunities for more people to view these important paintings and sculptures that were donated to...

This year, several contemporary artists were selected to show their works throughout the grounds of the estate during the festival, including porcelain sculptures by White Cube's Rachel Kneebone, paintings inspired by Hamlet by Heather Betts and monumental sculptures by the British artist Nick Hornby.

Mainly contemporary, some Modern British, original prints, paintings, sculpture, glass and ceramics from emerging artists to Royal Academicians.

The exhibition is joined by a display of British Constructivism, a selection of sculptures, reliefs and paintings by artists working in this area.

The Modern British & Irish Art department offers paintings, sculpture and works on paper by some of the leading artists of the 20th century, such as Peter Blake, Bridget Riley, Lucian Freud, Ben Nicholson, Barbara Hepworth and L. S. Lowry.

The work of British artist Keith Tyson encompasses painting, drawing, sculpture and large - scale installation.

Arguably the most famous member of the Young British Artists (YBAs) due to his untimely and shocking death, Angus Fairhurst was an English artist active in the fields of painting, sculpture, installation, photography and video.

British Folk Art: The House That Jack Built is the first significant exhibition of British folk art at a national gallery, and includes nearly 200 paintings, sculptures, textiles and other objects, spanning the 17th to 20th centuries.

John Latham (1921 — 2006) was a pioneer of British conceptual art, who, through painting, sculpture, performances, assemblages, films, installation and extensive writings, fuelled controversy and continues to inspire.

For over 100 years, the Government Art Collection has acquired paintings, sculptures and work in other media to promote British art and artists.

Leading dealer in modern British and contemporary prints, paintings and sculpture Visit www.signedprints.com for our full range of works by a variety of artists

The National Gallery, London, 13 June — 8 November 2015 This summer the National Gallery initiates a dialogue between two works of art made almost 700 years apart: the Annunciation (1307) by Sienese painter Duccio and Duccio Variations No. 3 (1999 - 2000), one of seven sculptures made in response to Duccio's painting by Sir Anthony Caro RA, a titanic figure in modern British sculpture.

The main part of the exhibition (a concise overview of the five decades of painting and sculpture curated by the British painter Peter Doig) presents an introduction to his work.

The versatile artist, who worked in sculpture, painting and printmaking, taught and inspired numerous British artists including Barbara Hepworth, Henry Moore and Eileen Agar.

Confirmed speakers include: Dr David Anfam (author, Mark Rothko: The Works on Canvas, Yale University Press, 1998); Lindsay Aveilhé (editor, Sol LeWitt: Wall Drawings Catalogue Raisonné); Dr Lee Beard (editor, Ben Nicholson: Catalogue Raisonné of Paintings & Carved Reliefs); Susan Cooke (Director of Programming, the US Catalogue Raisonné Scholars Association, and Associate Director of David Smith Sculptures: A Catalogue Raisonné); Dr Dietmar Elger (Director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, and editor of the Gerhard Richter Catalogue Raisonné); Dr Jo Melvin (Director Barry Flanagan Estate and Reader in Fine Art Theory, Archives and Special Collections at Chelsea College of Arts); James Rawlin (independent advisor and curator, formerly Head of Modern and Post-war British Art at Sotheby's); Karen Sanig (Head of Art Law, Mishcon de Reya); Mark Waugh (Head of Research and Innovation, DACS); Sarah Whitfield (editor, William Scott: Catalogue Raisonné of Oil Paintings, Thames & Hudson, 2013).

Jill Constantine, Director of Arts Council Collection notes: «Kaleidoscope highlights the strengths of the Collection's holdings of 1960s painting and sculpture, revealing the important contribution made by British artists at this time.