Meanwhile, recently broken - up couple Mia (Sonja Bennett) and Eric (ohn Cooke) are attempting to bury the past by going out on one post-mortem date, and
British ladies man is out on his very first date with the pretty, and much younger, Jamie (Diora Baird).
Not exact matches
Their Sylvia Pankhursts were their great golfers who could not fail to be imitated by other women and to be admired by the
men: Mrs. Dorothy Campbell Hurd, a Scots girl, who (circa 1910) won the Scottish,
British, Canadian and American championships; Cecil Leitch, the first woman who decided that there was no reason a woman shouldn't attack the ball forcefully like the best
men players, and who did so with such a natural dash; the incomparable Joyce Wethered, who succeeded Miss Leitch after World War I as the queen of the
British links and is remembered as the most consummate of women stylists; Glenna Collett, the pertinacious girl from Providence, the first great American champion, who won our national title six times between 1922 and 1935, and in more recent years such superb players as Patty Berg and the majestic Babe Didrikson Zaharias who «made» women's professional golf after she had become in 1947 the first American to win the
British Ladies Championship.
In fact, the first big championship event that Birkdale hosted was not a
men's event, it was the 1909
Ladies»
British Open Match - Play Championship, won by Dorothy Iona Campbell.
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I'm the type of person who watches Game Of Thrones for the scheming, so I just loved Beckinsale as
Lady Susan Vernon, a whip - smart widow in temporarily embarrassed circumstances who also happens to be skilled in the subtle art of manipulating
British manners (and
men) to her advantage.
British Airways offers
men's and
ladies» versions of their First Class amenity kits and this is what they had inside:
Supported by a catalogue essay in which the curator Catherine Lampert discusses their habits and methods and introduces previously unseen writing by the artists, the exhibition will look at the way their conversations impacted on the development of their work, demonstrating that despite their wide - ranging styles they are each linked by a desire to catch what Bacon describes as «the mystery of appearance within the mystery of making», and in doing so broke new ground in contemporary painting The exhibition includes major works by each artist, several borrowed from public collections, among them Francis Bacon's Pope I 1951 from Aberdeen Art Gallery, David Hockney's
Man in a Museum 1962 from the
British Council and others like Frank Auerbach's Primrose Hill, Winter Sunshine 1962 - 64 and Euan Uglow's Nude,
Lady C 1959 - 60 which have not been seen in public for many years.