Was Hoyland also trying to get away from «the great
British landscape tradition» and the more rustic - type lyricism at work in older artists like Heron and Lanyon?
Recent projects involving trees include beat (2002), a commission for the Duveen Galleries at Tate Britain, in which Gallaccio responded to
the British landscape tradition with a sculptural installation of oak tree trunks placed upright in the gallery like rough hewn columns.
This acquisition will allow the National Gallery's visitors to see the work of these innovative landscape artists alongside
the British landscape tradition of Constable and Turner.
Not exact matches
British landscape painting has a rich
tradition; this fascination comes, I think, from being surrounded by a unique and diverse island.
The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native
landscape; Ruth Beale with new large - scale works on paper, drawing on the
British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.
Banewl recalls the work of seventeenth — century Dutch painter Aelbert Cuyp, known for his moody, open scenes of cows, as well as that of John Constable and the eighteenth — and nineteenth — century
British pastoral
landscape tradition.
This rootedness in the natural world ties Kirkeby's work to Nordic
traditions and — as Schjeldahl points out — that of
British landscape painting.
Sam Douglas works in a
tradition of
British visionary
landscape painters of the past such as Samuel Palmer, Graham Sutherland, and Paul Nash.
«So Pasmore, in spite of his abortive pursuit of pure abstraction, joined the ranks of the
British semi abstract painters, Lanyon, Hilton, Scott, Hodgkin, and others, who can not commit to a full hearted abstraction, but in their irresolution on the question offer succour to all those who hold on to that naturalistic spatial illusion, or hints of such, that keeps their work linked to the old English
traditions of poeticised
landscape reference»
While his work has been linked both to conceptual art and land art, Fulton saw himself as heir to
British traditions of
landscape painting.
Fergus Hare can without a doubt be seen in a
tradition of Great
British landscape painting, bringing the genre into the 21st century while referencing and drawing inspiration from the past and future.
Unlike in France and Germany, the English adoption of the Rococo style was patchy rather than whole - hearted, and there was resistance to it on nationalist grounds, led by Richard Boyle, 3rd Earl of Burlington and William Kent, who promoted styles in interior design and furniture to match the Palladianism of the architecture they produced together, also beginning the influential
British tradition of the
landscape garden, [18] according to Nikolaus Pevsner «the most influential of all English innovations in art».
The Welsh painter Richard Wilson returned to London from seven years in Italy in 1757, and over the next two decades developed a «sublime»
landscape style adapting the Franco - Italian
tradition of Claude and Gaspard Dughet to
British subjects.
It took almost my entire sojourn, the years living and travelling from coast to coast in the USA, to finally settle within the
British tradition of all - over
landscape painting, especially that of Constable.
The exhibition introduces a
British audience, familiar with great artists of the
tradition of Constable and Turner, to skilled and innovative practitioners of
landscape who enjoyed great reputations elsewhere in Europe.