Sentences with phrase «british public gallery»

The project, the first by Ai Weiwei in a British public gallery since Sunflower Seeds at Tate Modern in 2010, will be accompanied by poetry readings from the works -LSB-...]

The first at a public art gallery in Yorkshire (Yorkshire Sculpture Park (YSP) is his first in a British public gallery since Sunflower Seeds at Tate Modern in 2010.

It will astonish many people that Jenny Saville is opening her first solo show in a British public gallery, but the artist does not feeling upset or wronged.

Although she was nominated for the Turner Prize in 2012 — when she was still known as Spartacus Chetwynd — this is the artist's first major solo exhibition in a British public gallery.

The Courtauld claims its exhibition to be the first ever solo show of Schiele in a British public gallery and I believe it.

Not exact matches

Some of the many thousands of British families split by the rules will be demonstrating outside the court and filling the public gallery - organised by the rather brilliant campaign group Brit Cits.

Sponsoring or becoming a member of museums and public art galleries such as The Metropolitan Museum of Art, The British National Art Gallery or the Musee de Orsay will give you access to private events and talks.

Starting tomorrow, fifty of his works will go on public display at London's Gallery 27 in Mayfair, the first British exhibition of his work; on March 3, they will move to the Dome in Edinburgh for four days.

At about three hours long, Gallery is only a medium length Wiseman film, a look at the venerable British art gallery, the paintings within it, the people that run it and the public that visGallery is only a medium length Wiseman film, a look at the venerable British art gallery, the paintings within it, the people that run it and the public that visgallery, the paintings within it, the people that run it and the public that visits it.

Open Plan is a long term public art and education project which invites international and British artists to create artworks with and for the SLG's close neighbours on Elmington, Pelican and Sceaux Gardens housing estates, along with a programme of events at the gallery.

England & Co has sold numerous contemporary and 20th - century works to public collections, including Tate; the Imperial War Museum; the Victoria and Albert Museum; the Birmingham Museum & Art Gallery; the Museum of London; the National Gallery of Australia; the Smithsonian Institution, Washington; the Arts Council of Great Britain; and the British Museum.

Selected public collections include: Tate Gallery, London; Museum of Modern Art, New York; Brooklyn Museum, New York; Solomon R. Guggenheim Museum, New York; Princeton Art Gallery, NJ; Philadelphia Museum of Art, PA; Los Angeles County Museum, CA; Museum of Contemporary Art, San Diego, CA; Eastman House, Rochester, NY; National Gallery of Canada, Ottawa; Metropolitan Museum, Tokyo, JP; National Museum, Osaka, JP; Victoria and Albert Museum, London; Biblioteque National, Paris; IVAM, Valencia, ES; Australian National Gallery, Canberra; Stedelijk Museum, Amsterdam, NL; Stedelijk Van Abbemuseum, Eindhoven, NL; Art Gallery of Ontario, Toronto, CA; National Gallery of Scotland, Edinburgh, UK; British Council, London; Kunstmuseum, Basel, CH; Centro Cultural Arte Contemporaneo, Mexico City, MX; Centre d'Art Contemporain, Geneva, CH; Musee de Grenoble, FR; Musee St. Pierre, Lyon, FR; FRAC, Rennes, FR; National Gallery of Iceland, Reykjavík; Museum of Modern Art, Wakayama, JP; Museum Moderner Kunst, Vienna, AT; University of Lethbridge, CA.

It is a touchstone for contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — AugusGallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — Augusgallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 2015.

Vézelay's work is represented in museums and public collections in Britain and abroad including Tate; the British Museum; the Imperial War Museum; the National Portrait Gallery, London; the Victoria and Albert Museum; the Ashmolean Museum, Oxford; the Kunst Museum, Basel; the Australian National Gallery; and the Arts Council of Great Britain.

Winstanley's work is represented in numerous public and private collections, including the collections of the Tate Gallery, the British Council, the European Parliament, the New York City Public Library, The Irish Museum of Modern Art, and the Museum of Contemporary Art, Los Anpublic and private collections, including the collections of the Tate Gallery, the British Council, the European Parliament, the New York City Public Library, The Irish Museum of Modern Art, and the Museum of Contemporary Art, Los AnPublic Library, The Irish Museum of Modern Art, and the Museum of Contemporary Art, Los Angeles.

Parker's work is included in many private and public collections around the world including the permanent collections of the Metropolitan Museum, Tate Gallery, Brooklyn Museum of Art, de Young Museum, Museum of Modern Art, Centre Pompidou, Victoria and Albert Museum, and Yale Center for British Art.

Public institutions that have collected his work include The British Museum; The Albright - Knox Art Gallery; POLA Museum of Art in Hakone, Japan; and The National Museum of Fine Arts in Havana, Cuba.

In spring 2017, Hartley, working alongside British artist Tom James, will commence a major public commission in the historic grounds of Compton Verney Art Gallery and Park, Warwickshire.

[10] He is also represented at the British Museum, in London, Walker Art Gallery, in Liverpool, Southampton City Art Gallery, Musée National d'Art Moderne, in Paris, Bonnefanten Museum, in Maastricht, Goetz Collection, in Munich, Kunsthalle, in Nuremberg, Museo Cantonale d'Arte, in Lugano, Museu de Arte Moderna - Colecção Berardo, in Sintra, National Gallery of Canada, in Ottawa, Art Institute of Chicago, Museum of Modern Art, in New York, Metropolitan Museum of Art, in New York, Whitney Museum of American Art, in New York, National Gallery of Art, in Washington, The Hirshhorn Museum, in Washington, Philadelphia Museum of Art and Dallas Museum of Art, among other public collections.

It is the first portrait by Close to be acquired by the Gallery and the first major work by the American artist to enter a British public collection.

His work is held in the public collections of the Arts Council of Great Britain; The British Museum, London; Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; TATE Gallery, London; Victoria and Albert Museum, London; Walker Art Center, Minneapolis; the Whitney, New York; MIT, Boston; Philadelphia Museum of Art; Museum of Contemporary Art, Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC.

Including Pine Needles (1971), a huge diagonal cross of pine needles spreading across the main gallery and A Straight Walk from the Bottom to the Top of Silbury Hill (1970), a chalky spiral of boot prints representing the distance described in the title, the exhibition caused shockwaves when it was unveiled to the British public.

Arts Council of Great Britain British Council British Museum, London Contemporary Art Society Fitzwilliam Museum, Cambridge Government Art Collection Hunterian Art Gallery, University of Glasgow Metropolitan Museum of Art, New York Museum of London Museum of Modern Art, New York National Gallery of Art, Gdansk National Gallery of Poland, Warsaw National Library of Congress, Washington National Portrait Gallery, London New York Public Library Royal College of Art, London Scottish Arts Council Scottish National Gallery of Modern Art, Edinburgh Tate Gallery, London Victoria and Albert Museum, London

Recent exhibitions include: One Persons Materialism Is Another Persons Romanticism, Glasgow International (2012); Nobody Can Tell The Why Of It, 1857, Oslo, Norway (2011); Public Private Paintings, Kunstmuseum Ann Zee, Oostende (2010); Newspeak: British Art Now, Saatchi Gallery, London (2010); The Dark Monarch at Tate, St. Ives and Towner Gallery, Eastbourne (2010); and The Long Dark at Kettle's Yard, Cambridge and Hatton Gallery, Newcastle Upon Tyne, (2010); and Owl Stretching Time, Nordenhake, Berlin (2010).

Perez's work is held in the permanent collections of numerous international public institutions, including the Berkeley Art Museum and Pacific Film Archive, Berkley; the British Museum, London; the Corcoran Art Gallery, Washington, D.C.; the Hammer Museum, Los Angeles; the Metropolitan Museum of Art, New York; the Museum of Contemporary Art, Miami; the RISD Museum of Art, Providence; the San Francisco Museum of Modern Art, San Francisco; the Tang Museum, Saratoga Springs; the Whitney Museum of American Art, New York; the Williams College Museum of Art, Williamstown; and the Yale University Art Gallery, New Haven.

Public collections include the Art Gallery of Ontario, Canada; Fitzwilliam Museum, Cambridge; National Gallery of Malaysia; National Gallery of Victoria, Melbourne; the British Museum, Tate Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia; Philadelphia Museum of Art; and the Victoria & Albert Museum, London.

In Soho, Nairy Baghramian literally lifted up both spirit and body, tooth and neck, in her debut with Marian Goodman, while Whitechapel Gallery curator Lydia Yee did Mary Heilmann proud with a retrospective guaranteed to acquaint the British public with her work in the best, most enveloping way possible.

Once again, I find myself recommending a new exhibition that has recently opened at Peer in Hoxton Street: the first solo exhibition in a public gallery by British artist, Robert Holyhead.

Whiteread, in both her work and her public persona, might now seem remote from some of her peers, but — like that of Damien Hirst — her work appeared in the very first of the Young British Artists exhibitions at the Saatchi Gallery in 1992, a show that gave the group its name.

About Dale Marshall and «Beauty in The Wound» The exhibition follows his brutally honest and heartfelt 3 ‐ month museum exhibition in Central England at the Herbert Art Gallery and Museum titled «Walls with Wounds «which received British public acclaim attracting well over 8000 visitors, some travelling from as far from these shores of Northern and Southern California.

firstsite presents Culpable Earth, the first major solo exhibition by British artist Steven Claydon in a UK public gallery.

He has also shown widely, including at the Venice Biennale and other notable international exhibitions and at the Metropolitan Museum of Art and the Museum of Modern Art in New York and the British Museum in London, as well as at other museums, galleries, public and non-profit spaces and academic institutions.

The New Art Gallery Walsall will present a major survey exhibition by British artist Mat Collishaw, the artist's largest UK show to date and his first in a UK public venue for over ten years.

Today the largest public photography gallery in the city and the primary venue for photographers looking to establish themselves in the UK, it offers a selection of worldwide and British artists including Robert Capa, Taryn Simon, Corinne Day and Martin Parr.

Kings Place Gallery, 28 March — 2 May Kings Place in London's Kings Cross stages reliably interesting art exhibitions, including shows on important British artists who aren't always as visible as they could be in our public galleries.

Art collector Charles Saatchi is gifting more than 200 works and his Saatchi Gallery to the British public, it has been announced.

Emin's work can be found in many of the world's most prestigious public collections, including the Albright - Knox Gallery, Buffalo; Brooklyn Museum of Art, New York; British Museum, London; Camden Arts Center, London; Centre Georges Pompidou, Paris; Denver Art Museum; Garage Center for Contemporary Culture, Moscow; Hara Museum, Tokyo; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; National Portrait Gallery, London; Neue Nationalgalerie, Berlin; Saatchi Collection, London; San Francisco Museum of Art; Tate Gallery, London; and Walker Art Centre, Minneapolis.

Le Brun's work is in numerous public collections, including the British Museum, London; National Portrait Gallery, London; Victoria and Albert Museum, London; The Museum of Contemporary Art, Oslo; Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; High Museum, Atlanta, among others.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Le Brun's work is in numerous public collections, including the British Museum, London; Victoria and Albert Museum, London; Astrup Fearnley, Oslo; Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; Tate, London, Art Gallery of New South Wales, Sydney and the Yale Center for British Art, Connecticut amongst many others.

Dance, Gasser Grunert, New York, US Public Private Paintings, Kunstmuseum Ann Zee, Oostende, BE Newspeak: British Art Now, Saatchi Gallery, London, UK The Long Dark, Kettle's Yard, Cambridge, UK.

Her work is in private collections worldwide, besides many public collections, including MOMA (New York), the Tate Gallery, the British Council, Henry Moore Foundation, De Young Museum (San Francisco), and the Yale Center for British Art.

2006International and National Projects, PS1, New York The Secret Public, The Last Days of the British Underground 1978 - 1988, Kunstverein, Munich SLAPstick, Lora Reynolds Gallery, Texas

Many of these editions have been acquired by major museums, including New York's Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, and the New York Public Library; the Hood Museum, Dartmouth, New Hampshire; and London's Tate Gallery and the British Museum.

If you didn't already know, the Gallery holds one of the largest public collections of British Pop Art internationally, formed by the architects Colin St John Wilson and MJ Long and gifted to Pallant House Gallery in 2006.

As well as making playful, politically - engaged work for galleries and public spaces, Harrison is also the founder and coordinator of the national Bring Back British Rail campaign — which strives to popularise the idea of re-nationalising our public transport system — and is the agent for The Artists» Bond — a life - long speculative funding scheme for artists, now with 160 members across the UK.

The exhibition will go on view to the public in Sotheby's New Bond Street galleries on Friday 9 June 2018, as part of this summer's Modern British Art Week.

In 2010, Saatchi announced that the gallery would be given to the British public, and would become known as the Museum of Contemporary Art for London.

British gallery and theatre directors routinely self - censor for fear of upsetting sponsors, the public or media, according to the surprising findings of new research.

Among public collections owning his work are the Albright - Knox Art Gallery, Buffalo; The British Museum; Centre Georges Pompidou, Paris; Francois Pinault Foundation, Venice; Los Angeles County Museum of Art, Los Angeles; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; and Museum der Moderne, Salzburg.