The Helen Chadwick Archive forms a part of the Henry Moore Institute Archive of Sculptors» Papers, which comprises over 260 collections containing a diverse range of material relating to
British sculptural practice from the eighteenth century to the present day.
Borrowed from the artists and private collections, the works explore contrasting materials, methods and dialogues that offer a fresh and particular look at current
British sculptural practice.
Not exact matches
British sculptor Rachel Whiteread has enjoyed international acclaim for her provocative
sculptural practices.
«The attention to detail, historical accuracy and physical nature of Mike Nelson's
sculptural practice guarantee that his new installation for the
British Pavilion will be one of the most challenging solo presentations ever mounted in over 70 years of exhibitions organised by the
British Council in Venice.»
There, it's worth mentioning Cynthia Daignault's photographic and painterly meditation on images of the Matterhorn for New York gallery Lisa Cooley;
British artist Merlin James» solo show of his expanded landscape painting
practice at Kerlin Gallery, Dublin; London - based Italian artist Salvatore Arancio at Rome's Federica Schiavo Gallery alongside Jay Heikes; and Jacqueline Mesmaeker's beautiful photo -
sculptural installations at Nadja Vilenne, Liège.
The gallery has nurtured some of the best emerging
British talent of recent years including Idris Khan and Conrad Shawcross and younger international artists such as Christian Holstad and Maria Nepomuceno who are recognised for their innovative approaches to
sculptural practice.