Broad yellow stripes have been painted between panels of wallpaper for contrast and to add warmth.
Not exact matches
Colors: Red,
yellow, denim blue, aubergine, blue, green, navy, orange, gray, black Prints & Patterns: Florals, checks,
stripes, logos Materials: Denim, knits, leather, silk, wool blend, nylon, quilted, metallic, plastic Items:
Broad - shouldered jackets, oversized coats, military jackets, leisure pants, trench coats, zip tracksuits, oversized shirts, cargo pants, trucker jackets, puffer jackets, bohemian dresses
When one looks at
Yellow Jacket, 1969, one notices yellow used in a variety of ways: On the right, narrow vertical lines of yellow are tightly interspersed with orange lines; on the left, blue and pink stripes are sandwiched between relatively wide bands of lemon; and in roughly the center, medium - size gold stripes emerge from within a broad swath of lime
Yellow Jacket, 1969, one notices
yellow used in a variety of ways: On the right, narrow vertical lines of yellow are tightly interspersed with orange lines; on the left, blue and pink stripes are sandwiched between relatively wide bands of lemon; and in roughly the center, medium - size gold stripes emerge from within a broad swath of lime
yellow used in a variety of ways: On the right, narrow vertical lines of
yellow are tightly interspersed with orange lines; on the left, blue and pink stripes are sandwiched between relatively wide bands of lemon; and in roughly the center, medium - size gold stripes emerge from within a broad swath of lime
yellow are tightly interspersed with orange lines; on the left, blue and pink
stripes are sandwiched between relatively wide bands of lemon; and in roughly the center, medium - size gold
stripes emerge from within a
broad swath of lime green.
The
stripes have become
broad bands as much as two feet wide (as in the majestic If), the edges are rough rather than clean - edged, the thick surfaces are built up of several layers of color (the black under the red bands of
Yellow Light; the grey underlying the ochre of Signal) that add mystery and depth not unlike the pulsating sensation of Rothko's rectangular washes of color.
Beginning from the left, the viewer follows:
broad, lateral bands of red - orange and
yellow; s angled
stripes of pinkish - white and black; thin vertical streaks of black and gray; thick red and blue horizontal panels; imprecise strips of black and gray; and
broad bands of
yellow and black.
«Richter has taken to flaying the painted skin of his canvases with a spatula in
broad strokes or long, wavering
stripes leaving behind abraded, shimmering surfaces that at their sheerest and most luminous look like the Aurora Borealis suspended above various red, orange,
yellow, green, blue or violet planets.»